A poesia como rasura em Carlfriedrich Claus e Ana Hatherly
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Publication Date: | 2017 |
Format: | Article |
Language: | por |
Source: | Pandaemonium Germanicum (Online) |
Download full: | https://www.revistas.usp.br/pg/article/view/140880 |
Summary: | Carlfriedrich Claus and Ana Hatherly visual works are outside what is conventionally named poetry. A poetry without words remains impossible for the defenders of writing as a logocentric practice. Therefore, the authors studied here invite a deviant reading of the contemporary poetry. They assume contemporary poetry tends toward iconicity and even the complete illegibility as a way of aesthetically apprehending the chaotic world. Since they neither follow the same rules of the traditional lyric, nor can they be read from those regulating principles, these poets deliberately obliterate texts implicate an unequivocal transformation of the creative and reading methods, notwithstanding the resistance from some lines of criticism. |
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A poesia como rasura em Carlfriedrich Claus e Ana HatherlyPoetry as erasure in Carlfriedrich Claus and Ana HatherlyExperimental PoetryConcrete PoetryVisual PoetryPoetry CriticismTheory of Poetry.Poesia ExperimentalPoesia ConcretaPoesia VisualCrítica de PoesiaTeoria da Poesia.Carlfriedrich Claus and Ana Hatherly visual works are outside what is conventionally named poetry. A poetry without words remains impossible for the defenders of writing as a logocentric practice. Therefore, the authors studied here invite a deviant reading of the contemporary poetry. They assume contemporary poetry tends toward iconicity and even the complete illegibility as a way of aesthetically apprehending the chaotic world. Since they neither follow the same rules of the traditional lyric, nor can they be read from those regulating principles, these poets deliberately obliterate texts implicate an unequivocal transformation of the creative and reading methods, notwithstanding the resistance from some lines of criticism.As obras visuais de Carlfriedrich Claus e de Ana Hatherly se localizam fora daquilo que se convencionou chamar de poesia. Uma poesia sem palavras resta como impossibilidade para os defensores da prática logocêntrica da escrita. Os autores aqui estudados suscitam, portanto, uma leitura desviante da atividade poética contemporânea. Eles defendem a hipótese de que a poesia contemporânea tende à iconicidade e mesmo da completa ilegibilidade como modo de apreensão estética de um mundo caótico. Porque não se constituem e nem podem ser lidos a partir das mesmas regras da lírica tradicional, os textos deliberadamente obliterados desses poetas resultam na transformação inequívoca dos métodos de criação e leitura, não obstante a resistência de certos ramos da crítica.Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas2017-11-23info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/xmlhttps://www.revistas.usp.br/pg/article/view/14088010.11606/1982-8837213336Pandaemonium Germanicum; v. 21 n. 33 (2018); 36-631982-88371414-1906reponame:Pandaemonium Germanicum (Online)instname:Universidade de São Paulo (USP)instacron:USPporhttps://www.revistas.usp.br/pg/article/view/140880/135971https://www.revistas.usp.br/pg/article/view/140880/146374Copyright (c) 2018 Pandaemonium Germanicuminfo:eu-repo/semantics/openAccessAmaral, André Luiz do2017-11-23T14:28:30Zoai:revistas.usp.br:article/140880Revistahttp://www.scielo.br/pgPUBhttps://old.scielo.br/oai/scielo-oai.php||pandaemonium@usp.br1982-88371414-1906opendoar:2023-09-13T11:52:52.058339Pandaemonium Germanicum (Online) - Universidade de São Paulo (USP)false |
dc.title.none.fl_str_mv |
A poesia como rasura em Carlfriedrich Claus e Ana Hatherly Poetry as erasure in Carlfriedrich Claus and Ana Hatherly |
title |
A poesia como rasura em Carlfriedrich Claus e Ana Hatherly |
spellingShingle |
A poesia como rasura em Carlfriedrich Claus e Ana Hatherly Amaral, André Luiz do Experimental Poetry Concrete Poetry Visual Poetry Poetry Criticism Theory of Poetry. Poesia Experimental Poesia Concreta Poesia Visual Crítica de Poesia Teoria da Poesia. |
title_short |
A poesia como rasura em Carlfriedrich Claus e Ana Hatherly |
title_full |
A poesia como rasura em Carlfriedrich Claus e Ana Hatherly |
title_fullStr |
A poesia como rasura em Carlfriedrich Claus e Ana Hatherly |
title_full_unstemmed |
A poesia como rasura em Carlfriedrich Claus e Ana Hatherly |
title_sort |
A poesia como rasura em Carlfriedrich Claus e Ana Hatherly |
author |
Amaral, André Luiz do |
author_facet |
Amaral, André Luiz do |
author_role |
author |
dc.contributor.author.fl_str_mv |
Amaral, André Luiz do |
dc.subject.por.fl_str_mv |
Experimental Poetry Concrete Poetry Visual Poetry Poetry Criticism Theory of Poetry. Poesia Experimental Poesia Concreta Poesia Visual Crítica de Poesia Teoria da Poesia. |
topic |
Experimental Poetry Concrete Poetry Visual Poetry Poetry Criticism Theory of Poetry. Poesia Experimental Poesia Concreta Poesia Visual Crítica de Poesia Teoria da Poesia. |
description |
Carlfriedrich Claus and Ana Hatherly visual works are outside what is conventionally named poetry. A poetry without words remains impossible for the defenders of writing as a logocentric practice. Therefore, the authors studied here invite a deviant reading of the contemporary poetry. They assume contemporary poetry tends toward iconicity and even the complete illegibility as a way of aesthetically apprehending the chaotic world. Since they neither follow the same rules of the traditional lyric, nor can they be read from those regulating principles, these poets deliberately obliterate texts implicate an unequivocal transformation of the creative and reading methods, notwithstanding the resistance from some lines of criticism. |
publishDate |
2017 |
dc.date.none.fl_str_mv |
2017-11-23 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.usp.br/pg/article/view/140880 10.11606/1982-8837213336 |
url |
https://www.revistas.usp.br/pg/article/view/140880 |
identifier_str_mv |
10.11606/1982-8837213336 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistas.usp.br/pg/article/view/140880/135971 https://www.revistas.usp.br/pg/article/view/140880/146374 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2018 Pandaemonium Germanicum info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2018 Pandaemonium Germanicum |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf application/xml |
dc.publisher.none.fl_str_mv |
Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas |
publisher.none.fl_str_mv |
Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas |
dc.source.none.fl_str_mv |
Pandaemonium Germanicum; v. 21 n. 33 (2018); 36-63 1982-8837 1414-1906 reponame:Pandaemonium Germanicum (Online) instname:Universidade de São Paulo (USP) instacron:USP |
instname_str |
Universidade de São Paulo (USP) |
instacron_str |
USP |
institution |
USP |
reponame_str |
Pandaemonium Germanicum (Online) |
collection |
Pandaemonium Germanicum (Online) |
repository.name.fl_str_mv |
Pandaemonium Germanicum (Online) - Universidade de São Paulo (USP) |
repository.mail.fl_str_mv |
||pandaemonium@usp.br |
_version_ |
1800221978506821632 |