Portinari's Drawings of Hans Staden: Oblivion and Memory of the Colonial Past
Autor(a) principal: | |
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Data de Publicação: | 2016 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Pandaemonium Germanicum (Online) |
Texto Completo: | https://www.revistas.usp.br/pg/article/view/113855 |
Resumo: | This article explores the production and transmission of illustrations Candido Portinari made for a North-American edition of Hans Staden's book on sixteenth-century Brazil. Made in 1941, the drawings fell into oblivion for almost sixty years, until their posthumous publication in 1998 in Brazil. The article argues that the destiny of the drawings is symptomatic for the articulation of the cultural memory of the colonial past in Brazil. Based upon the analysis of their critical reception and visual repertoire, it suggests that the drawings diverge from traditional representations of the death of indigenous people by challenging the temporality underlying the national framework of colonial memory |
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Pandaemonium Germanicum (Online) |
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Portinari's Drawings of Hans Staden: Oblivion and Memory of the Colonial PastO Hans Staden de Portinari: esquecimento e memória do passado colonialCandido PortinariHans Stadenmemória colonialartes visuaisnacionalismoCandido PortinariHans Stadencolonial memoryvisual artsnationalismThis article explores the production and transmission of illustrations Candido Portinari made for a North-American edition of Hans Staden's book on sixteenth-century Brazil. Made in 1941, the drawings fell into oblivion for almost sixty years, until their posthumous publication in 1998 in Brazil. The article argues that the destiny of the drawings is symptomatic for the articulation of the cultural memory of the colonial past in Brazil. Based upon the analysis of their critical reception and visual repertoire, it suggests that the drawings diverge from traditional representations of the death of indigenous people by challenging the temporality underlying the national framework of colonial memoryEste artigo explora a produção e transmissão de ilustrações que Candido Portinari fez para uma edição norte-americana do livro de Hans Staden sobre o Brasil no século XVI. Realizados em 1941, os desenhos caíram em esquecimento por quase sessenta anos até a sua publicação póstuma em 1998 no Brasil. Este artigo argumenta que o destino dos desenhos é sintomático da articulação da memória cultural social do passado colonial brasileiro. Com base na análise da recepção crítica e do repertório visual dos desenhos, sugere que as ilustrações de Portinari divergem de representações tradicionais da morte dos povos indígenas por desafiarem a temporalidade subjacente às molduras nacionais da memória colonial.Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas2016-04-08info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.usp.br/pg/article/view/11385510.11606/1982-88371927103125Pandaemonium Germanicum; v. 19 n. 27 (2016); 103-1251982-88371414-1906reponame:Pandaemonium Germanicum (Online)instname:Universidade de São Paulo (USP)instacron:USPporhttps://www.revistas.usp.br/pg/article/view/113855/111717Copyright (c) 2018 Pandaemonium Germanicuminfo:eu-repo/semantics/openAccessVillas Bôas, Luciana2016-04-08T19:46:41Zoai:revistas.usp.br:article/113855Revistahttp://www.scielo.br/pgPUBhttps://old.scielo.br/oai/scielo-oai.php||pandaemonium@usp.br1982-88371414-1906opendoar:2023-09-13T11:52:50.430951Pandaemonium Germanicum (Online) - Universidade de São Paulo (USP)false |
dc.title.none.fl_str_mv |
Portinari's Drawings of Hans Staden: Oblivion and Memory of the Colonial Past O Hans Staden de Portinari: esquecimento e memória do passado colonial |
title |
Portinari's Drawings of Hans Staden: Oblivion and Memory of the Colonial Past |
spellingShingle |
Portinari's Drawings of Hans Staden: Oblivion and Memory of the Colonial Past Villas Bôas, Luciana Candido Portinari Hans Staden memória colonial artes visuais nacionalismo Candido Portinari Hans Staden colonial memory visual arts nationalism |
title_short |
Portinari's Drawings of Hans Staden: Oblivion and Memory of the Colonial Past |
title_full |
Portinari's Drawings of Hans Staden: Oblivion and Memory of the Colonial Past |
title_fullStr |
Portinari's Drawings of Hans Staden: Oblivion and Memory of the Colonial Past |
title_full_unstemmed |
Portinari's Drawings of Hans Staden: Oblivion and Memory of the Colonial Past |
title_sort |
Portinari's Drawings of Hans Staden: Oblivion and Memory of the Colonial Past |
author |
Villas Bôas, Luciana |
author_facet |
Villas Bôas, Luciana |
author_role |
author |
dc.contributor.author.fl_str_mv |
Villas Bôas, Luciana |
dc.subject.por.fl_str_mv |
Candido Portinari Hans Staden memória colonial artes visuais nacionalismo Candido Portinari Hans Staden colonial memory visual arts nationalism |
topic |
Candido Portinari Hans Staden memória colonial artes visuais nacionalismo Candido Portinari Hans Staden colonial memory visual arts nationalism |
description |
This article explores the production and transmission of illustrations Candido Portinari made for a North-American edition of Hans Staden's book on sixteenth-century Brazil. Made in 1941, the drawings fell into oblivion for almost sixty years, until their posthumous publication in 1998 in Brazil. The article argues that the destiny of the drawings is symptomatic for the articulation of the cultural memory of the colonial past in Brazil. Based upon the analysis of their critical reception and visual repertoire, it suggests that the drawings diverge from traditional representations of the death of indigenous people by challenging the temporality underlying the national framework of colonial memory |
publishDate |
2016 |
dc.date.none.fl_str_mv |
2016-04-08 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.usp.br/pg/article/view/113855 10.11606/1982-88371927103125 |
url |
https://www.revistas.usp.br/pg/article/view/113855 |
identifier_str_mv |
10.11606/1982-88371927103125 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistas.usp.br/pg/article/view/113855/111717 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2018 Pandaemonium Germanicum info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2018 Pandaemonium Germanicum |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas |
publisher.none.fl_str_mv |
Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas |
dc.source.none.fl_str_mv |
Pandaemonium Germanicum; v. 19 n. 27 (2016); 103-125 1982-8837 1414-1906 reponame:Pandaemonium Germanicum (Online) instname:Universidade de São Paulo (USP) instacron:USP |
instname_str |
Universidade de São Paulo (USP) |
instacron_str |
USP |
institution |
USP |
reponame_str |
Pandaemonium Germanicum (Online) |
collection |
Pandaemonium Germanicum (Online) |
repository.name.fl_str_mv |
Pandaemonium Germanicum (Online) - Universidade de São Paulo (USP) |
repository.mail.fl_str_mv |
||pandaemonium@usp.br |
_version_ |
1800221978432372736 |