Humour et subjectivités: retour critique sur le film Intouchables
Autor(a) principal: | |
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Data de Publicação: | 2018 |
Tipo de documento: | Artigo |
Idioma: | fra |
Título da fonte: | Tempo Social (Online) |
Texto Completo: | https://www.revistas.usp.br/ts/article/view/127032 |
Resumo: | This work aims to understand certain socio-cultural elements through which the relationships between the two main characters of the French movie The intouchables are built. This fiction enables us to detect certain implicit codes that shape specific subjectivities in the French society. Focusing on how a public sphere intersects with a private one and – vice versa – we will see how some processes of assimilation and reproduction of a specific culture are built. At the same time, we aim to demonstrate that this analysis of those hidden intersections might be able to convey some critical and political potentialities. |
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Humour et subjectivités: retour critique sur le film IntouchablesHumour and subjectivities: critical comments on the movie The IntouchablesHumor e subjetividades: comentários críticos sobre o filme Os IntocáveisCinemaCultureHumourIdentityThe IntouchablesSubjectivitiesCinémaCultureHumourIdentitéIntouchablesSubjectivitésCinemaCulturaHumorIdentidadeOs IntocáveisSubjetividadesThis work aims to understand certain socio-cultural elements through which the relationships between the two main characters of the French movie The intouchables are built. This fiction enables us to detect certain implicit codes that shape specific subjectivities in the French society. Focusing on how a public sphere intersects with a private one and – vice versa – we will see how some processes of assimilation and reproduction of a specific culture are built. At the same time, we aim to demonstrate that this analysis of those hidden intersections might be able to convey some critical and political potentialities.O artigo procura entender algumas das bases socioculturais que presidem a construção das relações entre os dois personagens principais do filme Os Intocáveis. Essa ficção nos permitirá identificar os códigos implícitos que definem certas subjetividades da sociedade francesa atual. Ao estudar o cruzamento da esfera pública com a privada, e inversamente, podemos ver como são construídos processos de assimialção e de reprodução de uma cultura específica. Assim, nosso objetivo consiste em mostrar como a análise dessas intersecções ocultas pode revelar algumas potencialidades críticas e políticas.Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas2018-12-13info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.usp.br/ts/article/view/12703210.11606/0103-2070.ts.2018.127032Tempo Social; Vol. 30 No. 3 (2018); 271-288Tempo Social; v. 30 n. 3 (2018); 271-288Tempo Social; Vol. 30 Núm. 3 (2018); 271-2881809-45540103-2070reponame:Tempo Social (Online)instname:Universidade de São Paulo (USP)instacron:USPfrahttps://www.revistas.usp.br/ts/article/view/127032/148944Copyright (c) 2018 Tempo Socialhttp://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessPele, Antonio2023-05-02T12:30:59Zoai:revistas.usp.br:article/127032Revistahttps://www.revistas.usp.br/ts/indexPUBhttps://old.scielo.br/oai/scielo-oai.phptemposoc@edu.usp.br1809-45540103-2070opendoar:2023-05-02T12:30:59Tempo Social (Online) - Universidade de São Paulo (USP)false |
dc.title.none.fl_str_mv |
Humour et subjectivités: retour critique sur le film Intouchables Humour and subjectivities: critical comments on the movie The Intouchables Humor e subjetividades: comentários críticos sobre o filme Os Intocáveis |
title |
Humour et subjectivités: retour critique sur le film Intouchables |
spellingShingle |
Humour et subjectivités: retour critique sur le film Intouchables Pele, Antonio Cinema Culture Humour Identity The Intouchables Subjectivities Cinéma Culture Humour Identité Intouchables Subjectivités Cinema Cultura Humor Identidade Os Intocáveis Subjetividades |
title_short |
Humour et subjectivités: retour critique sur le film Intouchables |
title_full |
Humour et subjectivités: retour critique sur le film Intouchables |
title_fullStr |
Humour et subjectivités: retour critique sur le film Intouchables |
title_full_unstemmed |
Humour et subjectivités: retour critique sur le film Intouchables |
title_sort |
Humour et subjectivités: retour critique sur le film Intouchables |
author |
Pele, Antonio |
author_facet |
Pele, Antonio |
author_role |
author |
dc.contributor.author.fl_str_mv |
Pele, Antonio |
dc.subject.por.fl_str_mv |
Cinema Culture Humour Identity The Intouchables Subjectivities Cinéma Culture Humour Identité Intouchables Subjectivités Cinema Cultura Humor Identidade Os Intocáveis Subjetividades |
topic |
Cinema Culture Humour Identity The Intouchables Subjectivities Cinéma Culture Humour Identité Intouchables Subjectivités Cinema Cultura Humor Identidade Os Intocáveis Subjetividades |
description |
This work aims to understand certain socio-cultural elements through which the relationships between the two main characters of the French movie The intouchables are built. This fiction enables us to detect certain implicit codes that shape specific subjectivities in the French society. Focusing on how a public sphere intersects with a private one and – vice versa – we will see how some processes of assimilation and reproduction of a specific culture are built. At the same time, we aim to demonstrate that this analysis of those hidden intersections might be able to convey some critical and political potentialities. |
publishDate |
2018 |
dc.date.none.fl_str_mv |
2018-12-13 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.usp.br/ts/article/view/127032 10.11606/0103-2070.ts.2018.127032 |
url |
https://www.revistas.usp.br/ts/article/view/127032 |
identifier_str_mv |
10.11606/0103-2070.ts.2018.127032 |
dc.language.iso.fl_str_mv |
fra |
language |
fra |
dc.relation.none.fl_str_mv |
https://www.revistas.usp.br/ts/article/view/127032/148944 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2018 Tempo Social http://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2018 Tempo Social http://creativecommons.org/licenses/by-nc/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas |
publisher.none.fl_str_mv |
Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas |
dc.source.none.fl_str_mv |
Tempo Social; Vol. 30 No. 3 (2018); 271-288 Tempo Social; v. 30 n. 3 (2018); 271-288 Tempo Social; Vol. 30 Núm. 3 (2018); 271-288 1809-4554 0103-2070 reponame:Tempo Social (Online) instname:Universidade de São Paulo (USP) instacron:USP |
instname_str |
Universidade de São Paulo (USP) |
instacron_str |
USP |
institution |
USP |
reponame_str |
Tempo Social (Online) |
collection |
Tempo Social (Online) |
repository.name.fl_str_mv |
Tempo Social (Online) - Universidade de São Paulo (USP) |
repository.mail.fl_str_mv |
temposoc@edu.usp.br |
_version_ |
1800221916420636672 |