Hélio Oiticica: dobrar a moldura, de Irene V. Small

Detalhes bibliográficos
Autor(a) principal: Anagnost, Adrian
Data de Publicação: 2017
Tipo de documento: Artigo
Idioma: eng
Título da fonte: ARS (São Paulo. Online)
Texto Completo: https://www.revistas.usp.br/ars/article/view/138502
Resumo: In this review of Irene V. Small’s book Hélio Oiticica: folding the frame (2016), the author’s proposal of understanding “folding the frame” as a formal and conceptual procedure that emerges from the works of the artist themselves is discussed. In addition, the proposal of a History of Art in a contemporary globalized world as a way of avoiding the applying of normative theories from Modernism and the avant-garde, as is the case of Brazil, is analyzed.
id USP-45_a669620782ac2c022cdd8f548621685b
oai_identifier_str oai:revistas.usp.br:article/138502
network_acronym_str USP-45
network_name_str ARS (São Paulo. Online)
repository_id_str
spelling Hélio Oiticica: dobrar a moldura, de Irene V. SmallHélio Oiticica: folding the frame, of Irene V. SmallHélio Oiticicadobrar a molduraIrene SmallHélio Oiticicafolding the frameIrene SmallIn this review of Irene V. Small’s book Hélio Oiticica: folding the frame (2016), the author’s proposal of understanding “folding the frame” as a formal and conceptual procedure that emerges from the works of the artist themselves is discussed. In addition, the proposal of a History of Art in a contemporary globalized world as a way of avoiding the applying of normative theories from Modernism and the avant-garde, as is the case of Brazil, is analyzed.Nesta resenha sobre o livro Hélio Oiticica: folding the frame (2016), de Irene V. Small, discute-se a proposta da autora de compreender “dobrar a moldura” como um procedimento formal e conceitual que emerge das próprias obras do artista. Além disso, analisa-se a proposta de uma História da Arte do mundo contemporâneo globalizado como um modo de evitar a aplicação de teorias normativas do Modernismo e da vanguarda ao caso do Brasil.Universidade de São Paulo. Escola de Comunicações e Artes2017-10-27info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.usp.br/ars/article/view/13850210.11606/issn.2178-0447.ars.2017.138502ARS (São Paulo); v. 15 n. 30 (2017); 293-300ARS; Vol. 15 Núm. 30 (2017); 293-300ARS; Vol. 15 No. 30 (2017); 293-3002178-04471678-5320reponame:ARS (São Paulo. Online)instname:Universidade de São Paulo (USP)instacron:USPenghttps://www.revistas.usp.br/ars/article/view/138502/135034Copyright (c) 2017 Adrian Anagnosthttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessAnagnost, Adrian2023-05-24T13:05:15Zoai:revistas.usp.br:article/138502Revistahttp://www.scielo.br/arsPUBhttps://old.scielo.br/oai/scielo-oai.php||ars@usp.br2178-04471678-5320opendoar:2023-05-24T13:05:15ARS (São Paulo. Online) - Universidade de São Paulo (USP)false
dc.title.none.fl_str_mv Hélio Oiticica: dobrar a moldura, de Irene V. Small
Hélio Oiticica: folding the frame, of Irene V. Small
title Hélio Oiticica: dobrar a moldura, de Irene V. Small
spellingShingle Hélio Oiticica: dobrar a moldura, de Irene V. Small
Anagnost, Adrian
Hélio Oiticica
dobrar a moldura
Irene Small
Hélio Oiticica
folding the frame
Irene Small
title_short Hélio Oiticica: dobrar a moldura, de Irene V. Small
title_full Hélio Oiticica: dobrar a moldura, de Irene V. Small
title_fullStr Hélio Oiticica: dobrar a moldura, de Irene V. Small
title_full_unstemmed Hélio Oiticica: dobrar a moldura, de Irene V. Small
title_sort Hélio Oiticica: dobrar a moldura, de Irene V. Small
author Anagnost, Adrian
author_facet Anagnost, Adrian
author_role author
dc.contributor.author.fl_str_mv Anagnost, Adrian
dc.subject.por.fl_str_mv Hélio Oiticica
dobrar a moldura
Irene Small
Hélio Oiticica
folding the frame
Irene Small
topic Hélio Oiticica
dobrar a moldura
Irene Small
Hélio Oiticica
folding the frame
Irene Small
description In this review of Irene V. Small’s book Hélio Oiticica: folding the frame (2016), the author’s proposal of understanding “folding the frame” as a formal and conceptual procedure that emerges from the works of the artist themselves is discussed. In addition, the proposal of a History of Art in a contemporary globalized world as a way of avoiding the applying of normative theories from Modernism and the avant-garde, as is the case of Brazil, is analyzed.
publishDate 2017
dc.date.none.fl_str_mv 2017-10-27
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.usp.br/ars/article/view/138502
10.11606/issn.2178-0447.ars.2017.138502
url https://www.revistas.usp.br/ars/article/view/138502
identifier_str_mv 10.11606/issn.2178-0447.ars.2017.138502
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://www.revistas.usp.br/ars/article/view/138502/135034
dc.rights.driver.fl_str_mv Copyright (c) 2017 Adrian Anagnost
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2017 Adrian Anagnost
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade de São Paulo. Escola de Comunicações e Artes
publisher.none.fl_str_mv Universidade de São Paulo. Escola de Comunicações e Artes
dc.source.none.fl_str_mv ARS (São Paulo); v. 15 n. 30 (2017); 293-300
ARS; Vol. 15 Núm. 30 (2017); 293-300
ARS; Vol. 15 No. 30 (2017); 293-300
2178-0447
1678-5320
reponame:ARS (São Paulo. Online)
instname:Universidade de São Paulo (USP)
instacron:USP
instname_str Universidade de São Paulo (USP)
instacron_str USP
institution USP
reponame_str ARS (São Paulo. Online)
collection ARS (São Paulo. Online)
repository.name.fl_str_mv ARS (São Paulo. Online) - Universidade de São Paulo (USP)
repository.mail.fl_str_mv ||ars@usp.br
_version_ 1797688292683022336

Registros relacionados