Chronicle of a Summer: cinema as a sociological experience

Detalhes bibliográficos
Autor(a) principal: França, Fagner Torres de
Data de Publicação: 2018
Outros Autores: Almeida, Maria da Conceição de
Tipo de documento: Artigo
Idioma: por
eng
Título da fonte: Matrizes (Online)
Texto Completo: https://www.revistas.usp.br/matrizes/article/view/143984
Resumo: This article proposes to discuss the topicality of the method developed by the French thinker Edgar Morin (1921-) in the 1960s, coined as sociology of the present. Our hypothesis is that the sociology of the present allows for a multidimensional approach to reality, which is suitable to analyze increasingly complex social phenomena. As reference, we take two specific scenarios developed by the author in the works Commune en France: la métamorphose de Plozévet (1967) and Chronicle of a summer (1961). We thus conclude that the central notions of crisis and event, as highlighted by the author, become increasingly more operative and reflexive, just as the method of phenomenological observation, interview and intervention.
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spelling Chronicle of a Summer: cinema as a sociological experienceCrônica de um verão: cinema como experiência sociológicaSociology of the presentCinemaEdgar MorinSociologia do presenteCinemaEdgar MorinThis article proposes to discuss the topicality of the method developed by the French thinker Edgar Morin (1921-) in the 1960s, coined as sociology of the present. Our hypothesis is that the sociology of the present allows for a multidimensional approach to reality, which is suitable to analyze increasingly complex social phenomena. As reference, we take two specific scenarios developed by the author in the works Commune en France: la métamorphose de Plozévet (1967) and Chronicle of a summer (1961). We thus conclude that the central notions of crisis and event, as highlighted by the author, become increasingly more operative and reflexive, just as the method of phenomenological observation, interview and intervention.Este artigo propõe discutir a atualidade do método desenvolvido pelo pensador francês Edgar Morin (1921-) na década de 1960, denominado por ele de sociologia do presente. Nossa hipótese é que a sociologia do presente é uma via de abordagem multidimensional da realidade, adequada para analisar fenômenos sociais cada vez mais complexos. Tomamos como referências dois cenários específicos trabalhados pelo autor nas obras Commune en France: la métamorphose de Plozévet (1967) e Crônica de um verão (1961). A partir daí concluímos que as noções centrais de crise e acontecimento, destacadas pelo autor, tornam-se cada dia mais operativas e reflexivas, assim como o método de observação fenomenográfica, entrevista e intervenção.Universidade de São Paulo. Escola de Comunicações e Artes, Programa de Pós-Graduação em Ciências da Comunicação2018-12-26info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/pdfhttps://www.revistas.usp.br/matrizes/article/view/14398410.11606/issn.1982-8160.v12i3p237-255MATRIZes; v. 12 n. 3 (2018); 237-255MATRIZes; Vol. 12 No 3 (2018); 237-255MATRIZes; V. 12 N. 3 (2018); 237-255MATRIZes; Vol. 12 No. 3 (2018); 237-255MATRIZes; Vol. 12 Núm. 3 (2018); 237-2551982-81601982-2073reponame:Matrizes (Online)instname:Universidade de São Paulo (USP)instacron:USPporenghttps://www.revistas.usp.br/matrizes/article/view/143984/149840https://www.revistas.usp.br/matrizes/article/view/143984/149842Copyright (c) 2018 Matrizesinfo:eu-repo/semantics/openAccessFrança, Fagner Torres deAlmeida, Maria da Conceição de2020-06-02T09:50:48Zoai:revistas.usp.br:article/143984Revistahttps://www.revistas.usp.br/matrizesPUBhttps://www.revistas.usp.br/matrizes/oaimatrizes@usp.br1982-81601982-2073opendoar:2023-01-12T16:39:34.481102Matrizes (Online) - Universidade de São Paulo (USP)false
dc.title.none.fl_str_mv Chronicle of a Summer: cinema as a sociological experience
Crônica de um verão: cinema como experiência sociológica
title Chronicle of a Summer: cinema as a sociological experience
spellingShingle Chronicle of a Summer: cinema as a sociological experience
França, Fagner Torres de
Sociology of the present
Cinema
Edgar Morin
Sociologia do presente
Cinema
Edgar Morin
title_short Chronicle of a Summer: cinema as a sociological experience
title_full Chronicle of a Summer: cinema as a sociological experience
title_fullStr Chronicle of a Summer: cinema as a sociological experience
title_full_unstemmed Chronicle of a Summer: cinema as a sociological experience
title_sort Chronicle of a Summer: cinema as a sociological experience
author França, Fagner Torres de
author_facet França, Fagner Torres de
Almeida, Maria da Conceição de
author_role author
author2 Almeida, Maria da Conceição de
author2_role author
dc.contributor.author.fl_str_mv França, Fagner Torres de
Almeida, Maria da Conceição de
dc.subject.por.fl_str_mv Sociology of the present
Cinema
Edgar Morin
Sociologia do presente
Cinema
Edgar Morin
topic Sociology of the present
Cinema
Edgar Morin
Sociologia do presente
Cinema
Edgar Morin
description This article proposes to discuss the topicality of the method developed by the French thinker Edgar Morin (1921-) in the 1960s, coined as sociology of the present. Our hypothesis is that the sociology of the present allows for a multidimensional approach to reality, which is suitable to analyze increasingly complex social phenomena. As reference, we take two specific scenarios developed by the author in the works Commune en France: la métamorphose de Plozévet (1967) and Chronicle of a summer (1961). We thus conclude that the central notions of crisis and event, as highlighted by the author, become increasingly more operative and reflexive, just as the method of phenomenological observation, interview and intervention.
publishDate 2018
dc.date.none.fl_str_mv 2018-12-26
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.usp.br/matrizes/article/view/143984
10.11606/issn.1982-8160.v12i3p237-255
url https://www.revistas.usp.br/matrizes/article/view/143984
identifier_str_mv 10.11606/issn.1982-8160.v12i3p237-255
dc.language.iso.fl_str_mv por
eng
language por
eng
dc.relation.none.fl_str_mv https://www.revistas.usp.br/matrizes/article/view/143984/149840
https://www.revistas.usp.br/matrizes/article/view/143984/149842
dc.rights.driver.fl_str_mv Copyright (c) 2018 Matrizes
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2018 Matrizes
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Universidade de São Paulo. Escola de Comunicações e Artes, Programa de Pós-Graduação em Ciências da Comunicação
publisher.none.fl_str_mv Universidade de São Paulo. Escola de Comunicações e Artes, Programa de Pós-Graduação em Ciências da Comunicação
dc.source.none.fl_str_mv MATRIZes; v. 12 n. 3 (2018); 237-255
MATRIZes; Vol. 12 No 3 (2018); 237-255
MATRIZes; V. 12 N. 3 (2018); 237-255
MATRIZes; Vol. 12 No. 3 (2018); 237-255
MATRIZes; Vol. 12 Núm. 3 (2018); 237-255
1982-8160
1982-2073
reponame:Matrizes (Online)
instname:Universidade de São Paulo (USP)
instacron:USP
instname_str Universidade de São Paulo (USP)
instacron_str USP
institution USP
reponame_str Matrizes (Online)
collection Matrizes (Online)
repository.name.fl_str_mv Matrizes (Online) - Universidade de São Paulo (USP)
repository.mail.fl_str_mv matrizes@usp.br
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