The rock ethos, erasures and political conflicts on Roger Waters’ tour in Brazil

Detalhes bibliográficos
Autor(a) principal: Pilz, Jonas
Data de Publicação: 2020
Outros Autores: Janotti Junior, Jeder Silveira, Alberto, Thiago Pereira
Tipo de documento: Artigo
Idioma: eng
por
Título da fonte: Matrizes (Online)
Texto Completo: https://www.revistas.usp.br/matrizes/article/view/171173
Resumo: Choosing as a central object the Us + Them tour by musician Roger Waters, who passed through Brazil in 2018 accumulating controversies around his political position in the presentations, this article intends to analyze the tension between the rock ethos, the expectations and specificities of great shows in contemporary times and the quiproquós that arise from these arrangements. From these discussions, we propose that the rupture caused by the performances of Roger Waters in the 22 days he was in Brazil made visible several disputes, negotiations and possible reconfigurations in the affections among his fans. To the demonstrations, performed in digital environments, which we designate as erasures, we underline the attempts to boycott the artist, question his legitimacy, exempt him from responsibility and claim some authority over the show.
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spelling The rock ethos, erasures and political conflicts on Roger Waters’ tour in BrazilEthos roqueiro, rasuras e conflitos políticos na turnê de Roger Waters no BrasilRockRoger WatersErasuresRockRoger WatersRasurasChoosing as a central object the Us + Them tour by musician Roger Waters, who passed through Brazil in 2018 accumulating controversies around his political position in the presentations, this article intends to analyze the tension between the rock ethos, the expectations and specificities of great shows in contemporary times and the quiproquós that arise from these arrangements. From these discussions, we propose that the rupture caused by the performances of Roger Waters in the 22 days he was in Brazil made visible several disputes, negotiations and possible reconfigurations in the affections among his fans. To the demonstrations, performed in digital environments, which we designate as erasures, we underline the attempts to boycott the artist, question his legitimacy, exempt him from responsibility and claim some authority over the show.Elegendo como corpus a turnê Us + Them do músico Roger Waters, que passou pelo Brasil, em 2018, acumulando polêmicas em torno de seu posicionamento político, este artigo analisa os tensionamentos entre o ethos roqueiro e as especificidades dos grandes espetáculos na contemporaneidade. A partir destas discussões, propomos que a ruptura causada pelas performances de Roger Waters nos 22 dias em que esteve no Brasil visibilizou diversas disputas, negociações e reconfigurações nos afetos entre seus fãs. Analisando as rasuras performatizadas em ambientes digitais geradas pelos shows de Roger Waters no Brasil, localizamos uma crise em relação à ideia de ethos roqueiro e às expectativas em relação aos grandes shows de música.Universidade de São Paulo. Escola de Comunicações e Artes, Programa de Pós-Graduação em Ciências da Comunicação2020-12-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/pdfhttps://www.revistas.usp.br/matrizes/article/view/17117310.11606/issn.1982-8160.v14i2p195-215MATRIZes; v. 14 n. 2 (2020); 195-215MATRIZes; Vol. 14 No 2 (2020); 195-215MATRIZes; V. 14 N. 2 (2020); 195-215MATRIZes; Vol. 14 No. 2 (2020); 195-215MATRIZes; Vol. 14 Núm. 2 (2020); 195-2151982-81601982-2073reponame:Matrizes (Online)instname:Universidade de São Paulo (USP)instacron:USPengporhttps://www.revistas.usp.br/matrizes/article/view/171173/167652https://www.revistas.usp.br/matrizes/article/view/171173/167651http://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccessPilz, JonasJanotti Junior, Jeder SilveiraAlberto, Thiago Pereira2021-01-01T19:10:03Zoai:revistas.usp.br:article/171173Revistahttps://www.revistas.usp.br/matrizesPUBhttps://www.revistas.usp.br/matrizes/oaimatrizes@usp.br1982-81601982-2073opendoar:2023-01-12T16:39:39.238493Matrizes (Online) - Universidade de São Paulo (USP)false
dc.title.none.fl_str_mv The rock ethos, erasures and political conflicts on Roger Waters’ tour in Brazil
Ethos roqueiro, rasuras e conflitos políticos na turnê de Roger Waters no Brasil
title The rock ethos, erasures and political conflicts on Roger Waters’ tour in Brazil
spellingShingle The rock ethos, erasures and political conflicts on Roger Waters’ tour in Brazil
Pilz, Jonas
Rock
Roger Waters
Erasures
Rock
Roger Waters
Rasuras
title_short The rock ethos, erasures and political conflicts on Roger Waters’ tour in Brazil
title_full The rock ethos, erasures and political conflicts on Roger Waters’ tour in Brazil
title_fullStr The rock ethos, erasures and political conflicts on Roger Waters’ tour in Brazil
title_full_unstemmed The rock ethos, erasures and political conflicts on Roger Waters’ tour in Brazil
title_sort The rock ethos, erasures and political conflicts on Roger Waters’ tour in Brazil
author Pilz, Jonas
author_facet Pilz, Jonas
Janotti Junior, Jeder Silveira
Alberto, Thiago Pereira
author_role author
author2 Janotti Junior, Jeder Silveira
Alberto, Thiago Pereira
author2_role author
author
dc.contributor.author.fl_str_mv Pilz, Jonas
Janotti Junior, Jeder Silveira
Alberto, Thiago Pereira
dc.subject.por.fl_str_mv Rock
Roger Waters
Erasures
Rock
Roger Waters
Rasuras
topic Rock
Roger Waters
Erasures
Rock
Roger Waters
Rasuras
description Choosing as a central object the Us + Them tour by musician Roger Waters, who passed through Brazil in 2018 accumulating controversies around his political position in the presentations, this article intends to analyze the tension between the rock ethos, the expectations and specificities of great shows in contemporary times and the quiproquós that arise from these arrangements. From these discussions, we propose that the rupture caused by the performances of Roger Waters in the 22 days he was in Brazil made visible several disputes, negotiations and possible reconfigurations in the affections among his fans. To the demonstrations, performed in digital environments, which we designate as erasures, we underline the attempts to boycott the artist, question his legitimacy, exempt him from responsibility and claim some authority over the show.
publishDate 2020
dc.date.none.fl_str_mv 2020-12-31
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.usp.br/matrizes/article/view/171173
10.11606/issn.1982-8160.v14i2p195-215
url https://www.revistas.usp.br/matrizes/article/view/171173
identifier_str_mv 10.11606/issn.1982-8160.v14i2p195-215
dc.language.iso.fl_str_mv eng
por
language eng
por
dc.relation.none.fl_str_mv https://www.revistas.usp.br/matrizes/article/view/171173/167652
https://www.revistas.usp.br/matrizes/article/view/171173/167651
dc.rights.driver.fl_str_mv http://creativecommons.org/licenses/by-nc-sa/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by-nc-sa/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Universidade de São Paulo. Escola de Comunicações e Artes, Programa de Pós-Graduação em Ciências da Comunicação
publisher.none.fl_str_mv Universidade de São Paulo. Escola de Comunicações e Artes, Programa de Pós-Graduação em Ciências da Comunicação
dc.source.none.fl_str_mv MATRIZes; v. 14 n. 2 (2020); 195-215
MATRIZes; Vol. 14 No 2 (2020); 195-215
MATRIZes; V. 14 N. 2 (2020); 195-215
MATRIZes; Vol. 14 No. 2 (2020); 195-215
MATRIZes; Vol. 14 Núm. 2 (2020); 195-215
1982-8160
1982-2073
reponame:Matrizes (Online)
instname:Universidade de São Paulo (USP)
instacron:USP
instname_str Universidade de São Paulo (USP)
instacron_str USP
institution USP
reponame_str Matrizes (Online)
collection Matrizes (Online)
repository.name.fl_str_mv Matrizes (Online) - Universidade de São Paulo (USP)
repository.mail.fl_str_mv matrizes@usp.br
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