The syncretic strategies of the miniseries Suburbia

Detalhes bibliográficos
Autor(a) principal: Santana, Gelson
Data de Publicação: 2016
Outros Autores: Pucci Junior, Renato Luiz
Tipo de documento: Artigo
Idioma: por
eng
Título da fonte: Matrizes (Online)
Texto Completo: https://www.revistas.usp.br/matrizes/article/view/119455
Resumo: The miniseries Suburbia, directed by Luiz Fernando Carvalho (Globo Television Network, 2012), turns the concept of pre-logical into a way to expose the multiple audiovisual aspect. The miniseries blends temporalities, causes a lack of definition between fiction and reality, and, through Roberto Carlos’ ballads, emphasizes the dimensions of affection and faith in a community of Rio de Janeiro. Some points of the miniseries clarify the syncretic way that the narrative was shaped in and assess the possibility of a new trend to be explored in Brazilian television fiction. The analytical instruments are based in Raymond Bellour, the narrative examination is based in Kristin Thompson, and the idea of oral pre-logic cultures in Lévy-Bruhl
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spelling The syncretic strategies of the miniseries SuburbiaAs estratégias sincréticas da narrativa da minissérie SuburbiaTelevisãominissérieanálise audiovisualsincretismoTelevisionminiseriesaudiovisual analysissyncretismThe miniseries Suburbia, directed by Luiz Fernando Carvalho (Globo Television Network, 2012), turns the concept of pre-logical into a way to expose the multiple audiovisual aspect. The miniseries blends temporalities, causes a lack of definition between fiction and reality, and, through Roberto Carlos’ ballads, emphasizes the dimensions of affection and faith in a community of Rio de Janeiro. Some points of the miniseries clarify the syncretic way that the narrative was shaped in and assess the possibility of a new trend to be explored in Brazilian television fiction. The analytical instruments are based in Raymond Bellour, the narrative examination is based in Kristin Thompson, and the idea of oral pre-logic cultures in Lévy-BruhlA minissérie Suburbia, dirigida por Luiz Fernando Carvalho (Rede Globo, em 2012), faz do conceito de pré-lógico uma forma de expor o aspecto audiovisual múltiplo. Suburbia mistura temporalidades, provoca indefinição entre ficcional e real e, com baladas de Roberto Carlos, sublinha as dimensões do afeto e da fé em uma comunidade do subúrbio carioca. Pontos da minissérie esclarecem o modo sincrético com que foi moldada a narrativa e permite avaliar a possibilidade de uma nova tendência ficcional a ser explorada na ficção televisiva brasileira. O instrumental analítico tem base em Raymond Bellour e Jeremy Butler, o exame da narrativa se fundamenta em Kristin Thompson, e a ideia de culturas orais pré-lógicas em Lévy-BruhlUniversidade de São Paulo. Escola de Comunicações e Artes, Programa de Pós-Graduação em Ciências da Comunicação2016-08-23info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/pdfhttps://www.revistas.usp.br/matrizes/article/view/11945510.11606/issn.1982-8160.v10i1p109-131MATRIZes; v. 10 n. 1 (2016); 109-131MATRIZes; Vol. 10 No 1 (2016); 109-131MATRIZes; V. 10 N. 1 (2016); 109-131MATRIZes; Vol. 10 No. 1 (2016); 109-131MATRIZes; Vol. 10 Núm. 1 (2016); 109-1311982-81601982-2073reponame:Matrizes (Online)instname:Universidade de São Paulo (USP)instacron:USPporenghttps://www.revistas.usp.br/matrizes/article/view/119455/116876https://www.revistas.usp.br/matrizes/article/view/119455/116890Copyright (c) 2016 Matrizesinfo:eu-repo/semantics/openAccessSantana, GelsonPucci Junior, Renato Luiz2016-10-25T13:36:41Zoai:revistas.usp.br:article/119455Revistahttps://www.revistas.usp.br/matrizesPUBhttps://www.revistas.usp.br/matrizes/oaimatrizes@usp.br1982-81601982-2073opendoar:2023-01-12T16:39:29.497150Matrizes (Online) - Universidade de São Paulo (USP)false
dc.title.none.fl_str_mv The syncretic strategies of the miniseries Suburbia
As estratégias sincréticas da narrativa da minissérie Suburbia
title The syncretic strategies of the miniseries Suburbia
spellingShingle The syncretic strategies of the miniseries Suburbia
Santana, Gelson
Televisão
minissérie
análise audiovisual
sincretismo
Television
miniseries
audiovisual analysis
syncretism
title_short The syncretic strategies of the miniseries Suburbia
title_full The syncretic strategies of the miniseries Suburbia
title_fullStr The syncretic strategies of the miniseries Suburbia
title_full_unstemmed The syncretic strategies of the miniseries Suburbia
title_sort The syncretic strategies of the miniseries Suburbia
author Santana, Gelson
author_facet Santana, Gelson
Pucci Junior, Renato Luiz
author_role author
author2 Pucci Junior, Renato Luiz
author2_role author
dc.contributor.author.fl_str_mv Santana, Gelson
Pucci Junior, Renato Luiz
dc.subject.por.fl_str_mv Televisão
minissérie
análise audiovisual
sincretismo
Television
miniseries
audiovisual analysis
syncretism
topic Televisão
minissérie
análise audiovisual
sincretismo
Television
miniseries
audiovisual analysis
syncretism
description The miniseries Suburbia, directed by Luiz Fernando Carvalho (Globo Television Network, 2012), turns the concept of pre-logical into a way to expose the multiple audiovisual aspect. The miniseries blends temporalities, causes a lack of definition between fiction and reality, and, through Roberto Carlos’ ballads, emphasizes the dimensions of affection and faith in a community of Rio de Janeiro. Some points of the miniseries clarify the syncretic way that the narrative was shaped in and assess the possibility of a new trend to be explored in Brazilian television fiction. The analytical instruments are based in Raymond Bellour, the narrative examination is based in Kristin Thompson, and the idea of oral pre-logic cultures in Lévy-Bruhl
publishDate 2016
dc.date.none.fl_str_mv 2016-08-23
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistas.usp.br/matrizes/article/view/119455
10.11606/issn.1982-8160.v10i1p109-131
url https://www.revistas.usp.br/matrizes/article/view/119455
identifier_str_mv 10.11606/issn.1982-8160.v10i1p109-131
dc.language.iso.fl_str_mv por
eng
language por
eng
dc.relation.none.fl_str_mv https://www.revistas.usp.br/matrizes/article/view/119455/116876
https://www.revistas.usp.br/matrizes/article/view/119455/116890
dc.rights.driver.fl_str_mv Copyright (c) 2016 Matrizes
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2016 Matrizes
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Universidade de São Paulo. Escola de Comunicações e Artes, Programa de Pós-Graduação em Ciências da Comunicação
publisher.none.fl_str_mv Universidade de São Paulo. Escola de Comunicações e Artes, Programa de Pós-Graduação em Ciências da Comunicação
dc.source.none.fl_str_mv MATRIZes; v. 10 n. 1 (2016); 109-131
MATRIZes; Vol. 10 No 1 (2016); 109-131
MATRIZes; V. 10 N. 1 (2016); 109-131
MATRIZes; Vol. 10 No. 1 (2016); 109-131
MATRIZes; Vol. 10 Núm. 1 (2016); 109-131
1982-8160
1982-2073
reponame:Matrizes (Online)
instname:Universidade de São Paulo (USP)
instacron:USP
instname_str Universidade de São Paulo (USP)
instacron_str USP
institution USP
reponame_str Matrizes (Online)
collection Matrizes (Online)
repository.name.fl_str_mv Matrizes (Online) - Universidade de São Paulo (USP)
repository.mail.fl_str_mv matrizes@usp.br
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