Femmes fatales: representation in the movies and the spectrum of modernity

Detalhes bibliográficos
Autor(a) principal: de Moraes, Rita de Cássia Eleutério
Data de Publicação: 2017
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Revista de Letras
Texto Completo: https://periodicos.utfpr.edu.br/rl/article/view/2893
Resumo: In this essay, I aim at analyzing the popular reception of the femme fatale in the 1920’s, relating the emergence and presence of this figure to the modernist period by analyzing the female characters namely Lulu, in Pandora’s Box by G.W. Pabst (1928-9), The Woman from the City in Sunrise by F.W. Murnau (1927), and Maria the Robot in Metropolis by Fritz Lang (1926-7), as well as to verify how they fit the concept and can be addressed as “femme fatales” or “vamps”. My intention is to trace a root for the appearance of the femme fatale or vamp, beginning with an analysis of the term “flapper” and its origins as well as to trace a parallel among the female characters in the films under analysis to demonstrate how they  [the flappers/ femmes fatales] influenced and were influenced by modernity. 
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spelling Femmes fatales: representation in the movies and the spectrum of modernityIn this essay, I aim at analyzing the popular reception of the femme fatale in the 1920’s, relating the emergence and presence of this figure to the modernist period by analyzing the female characters namely Lulu, in Pandora’s Box by G.W. Pabst (1928-9), The Woman from the City in Sunrise by F.W. Murnau (1927), and Maria the Robot in Metropolis by Fritz Lang (1926-7), as well as to verify how they fit the concept and can be addressed as “femme fatales” or “vamps”. My intention is to trace a root for the appearance of the femme fatale or vamp, beginning with an analysis of the term “flapper” and its origins as well as to trace a parallel among the female characters in the films under analysis to demonstrate how they  [the flappers/ femmes fatales] influenced and were influenced by modernity. Universidade Tecnológica Federal do Paraná (UTFPR)de Moraes, Rita de Cássia Eleutério2017-11-07info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.utfpr.edu.br/rl/article/view/289310.3895/rl.v19n24.2893Revista de Letras; v. 19, n. 25 (2017)2179-52820104-999210.3895/rl.v19n25reponame:Revista de Letrasinstname:Universidade Tecnológica Federal do Paraná (UTFPR)instacron:UTFPRenghttps://periodicos.utfpr.edu.br/rl/article/view/2893/4554Direitos autorais 2017 CC Atribuição 4.0http://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccess2019-02-02T17:47:51Zoai:periodicos.utfpr:article/2893Revistahttps://periodicos.utfpr.edu.br/rlPUBhttps://periodicos.utfpr.edu.br/rl/oai||revistadeletras-ct@utfpr.edu.br2179-52820104-9992opendoar:2019-02-02T17:47:51Revista de Letras - Universidade Tecnológica Federal do Paraná (UTFPR)false
dc.title.none.fl_str_mv Femmes fatales: representation in the movies and the spectrum of modernity
title Femmes fatales: representation in the movies and the spectrum of modernity
spellingShingle Femmes fatales: representation in the movies and the spectrum of modernity
de Moraes, Rita de Cássia Eleutério
title_short Femmes fatales: representation in the movies and the spectrum of modernity
title_full Femmes fatales: representation in the movies and the spectrum of modernity
title_fullStr Femmes fatales: representation in the movies and the spectrum of modernity
title_full_unstemmed Femmes fatales: representation in the movies and the spectrum of modernity
title_sort Femmes fatales: representation in the movies and the spectrum of modernity
author de Moraes, Rita de Cássia Eleutério
author_facet de Moraes, Rita de Cássia Eleutério
author_role author
dc.contributor.none.fl_str_mv
dc.contributor.author.fl_str_mv de Moraes, Rita de Cássia Eleutério
description In this essay, I aim at analyzing the popular reception of the femme fatale in the 1920’s, relating the emergence and presence of this figure to the modernist period by analyzing the female characters namely Lulu, in Pandora’s Box by G.W. Pabst (1928-9), The Woman from the City in Sunrise by F.W. Murnau (1927), and Maria the Robot in Metropolis by Fritz Lang (1926-7), as well as to verify how they fit the concept and can be addressed as “femme fatales” or “vamps”. My intention is to trace a root for the appearance of the femme fatale or vamp, beginning with an analysis of the term “flapper” and its origins as well as to trace a parallel among the female characters in the films under analysis to demonstrate how they  [the flappers/ femmes fatales] influenced and were influenced by modernity. 
publishDate 2017
dc.date.none.fl_str_mv 2017-11-07
dc.type.none.fl_str_mv
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
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dc.identifier.uri.fl_str_mv https://periodicos.utfpr.edu.br/rl/article/view/2893
10.3895/rl.v19n24.2893
url https://periodicos.utfpr.edu.br/rl/article/view/2893
identifier_str_mv 10.3895/rl.v19n24.2893
dc.language.iso.fl_str_mv eng
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dc.relation.none.fl_str_mv https://periodicos.utfpr.edu.br/rl/article/view/2893/4554
dc.rights.driver.fl_str_mv Direitos autorais 2017 CC Atribuição 4.0
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Direitos autorais 2017 CC Atribuição 4.0
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
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dc.publisher.none.fl_str_mv Universidade Tecnológica Federal do Paraná (UTFPR)
publisher.none.fl_str_mv Universidade Tecnológica Federal do Paraná (UTFPR)
dc.source.none.fl_str_mv Revista de Letras; v. 19, n. 25 (2017)
2179-5282
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10.3895/rl.v19n25
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reponame_str Revista de Letras
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