O avesso da moda em the true cost (2015): a indústria do fast fashion no cinema documentário

Detalhes bibliográficos
Autor(a) principal: Silva, Mariane Velho da
Data de Publicação: 2018
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações do UTP
Texto Completo: http://tede.utp.br:8080/jspui/handle/tede/1316
Resumo: In addition to the wore figurines and costumes featured in films, cinema and fashion are sewn into other possibilities in contemporary screens. In the present study the theme of fashion in the cinema is approached through the documentary The True Cost (2015), of Andrew Morgan, in which the director presents through a discourse constructed by images, reports, and interviews, the operation of the fast industry fashion, current fashion system that aims at high speed of production and consumption of goods with fashion information. In analyzing such characteristics of the film, we problematize issues pertinent to truth and ethics in the documentary; how Morgan's production can be reliable, eloquent, persuasive depending on how it is seen and interpreted. To discuss the present discourse in The True Cost (2015), the paper uses the studies proposed by authors like Fernão Pessoa Ramos (2013), Bill Nichols (2005), among others, and their theories pertinent to the truth, reality, and ethics in documentary films. Another point presented and discussed in this research refers to the very theme discussed in The True Cost (2015); the social and environmental impacts of fast fashion, as well as changes in consumer behavior and its reflexes in contemporary fashion.
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spelling Fischer, SandraFort, MônicaJohn, Valquíriahttp://lattes.cnpq.br/2405070391008454Silva, Mariane Velho da2018-05-11T13:08:56Z2018-03-27Silva, Mariane Velho da. O avesso da moda em the true cost (2015): a indústria do fast fashion no cinema documentário. 2018. 112 f. Dissertação (Mestrado em Comunicação e Linguagens) - Universidade Tuiuti do Paraná, Curitiba, 2018.http://tede.utp.br:8080/jspui/handle/tede/1316In addition to the wore figurines and costumes featured in films, cinema and fashion are sewn into other possibilities in contemporary screens. In the present study the theme of fashion in the cinema is approached through the documentary The True Cost (2015), of Andrew Morgan, in which the director presents through a discourse constructed by images, reports, and interviews, the operation of the fast industry fashion, current fashion system that aims at high speed of production and consumption of goods with fashion information. In analyzing such characteristics of the film, we problematize issues pertinent to truth and ethics in the documentary; how Morgan's production can be reliable, eloquent, persuasive depending on how it is seen and interpreted. To discuss the present discourse in The True Cost (2015), the paper uses the studies proposed by authors like Fernão Pessoa Ramos (2013), Bill Nichols (2005), among others, and their theories pertinent to the truth, reality, and ethics in documentary films. Another point presented and discussed in this research refers to the very theme discussed in The True Cost (2015); the social and environmental impacts of fast fashion, as well as changes in consumer behavior and its reflexes in contemporary fashion.Para além dos figurinos trajados e costumes apresentados em filmes, cinema e moda costuram-se em outras possibilidades nas telas contemporâneas. No presente estudo a temática moda no cinema se faz abordada por meio do documentário The True Cost (2015), de Andrew Morgan, no qual o diretor apresenta mediante um discurso construído por imagens, relatos e entrevistas, o funcionamento da indústria do fast fashion, sistema de moda vigente nos dias atuais, que visa alta velocidade de produção e consumo de bens com informação de moda. Ao analisar tais características do citado filme, problematizamos questões pertinentes a verdade e ética no documentário; o quanto a produção de Morgan pode ser fidedigna, eloquente, persuasiva a depender do modo como se faz vista e interpretada. Para discorrer sobre o discurso presente em The True Cost (2015), o trabalho utiliza-se dos estudos propostos por autores como Fernão Pessoa Ramos (2013), Bill Nichols (2005), dentre outros, e suas teorias pertinentes à verdade, realidade e ética nos filmes documentários. Outro ponto apresentado e discutido nesta pesquisa, refere-se à própria temática discorrida em The True Cost (2015); os impactos sociais e ambientais do fast fashion, bem como as mudanças de comportamento de consumo e seus reflexos nos modos de fazer moda na contemporaneidade.Submitted by Heloisa Silva (heloisa.silva@utp.br) on 2018-05-11T13:08:56Z No. of bitstreams: 1 O AVESSO DA MODA EM THE.pdf: 4586482 bytes, checksum: 6541666bafa1e5cf2af6d39c0786c70f (MD5)Made available in DSpace on 2018-05-11T13:08:56Z (GMT). No. of bitstreams: 1 O AVESSO DA MODA EM THE.pdf: 4586482 bytes, checksum: 6541666bafa1e5cf2af6d39c0786c70f (MD5) Previous issue date: 2018-03-27Conselho Nacional de Pesquisa e Desenvolvimento Científico e Tecnológico - CNPqapplication/pdfporUniversidade Tuiuti do ParanaMestrado em Comunicação e LinguagensUTPBrasilComunicação e LinguagensModaCinemaDocumentárioFast fashionFashionDocumentaryCOMUNICACAO::COMUNICACAO VISUALO avesso da moda em the true cost (2015): a indústria do fast fashion no cinema documentárioinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis2739379193455549176500500600600-60721748092812989304521766161148730166-2555911436985713659info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações do UTPinstname:Universidade Tuiuti do Paranáinstacron:UTPLICENSElicense.txtlicense.txttext/plain; charset=utf-82165http://localhost:8080/tede/bitstream/tede/1316/1/license.txtbd3efa91386c1718a7f26a329fdcb468MD51ORIGINALO AVESSO DA MODA EM THE.pdfO AVESSO DA MODA EM THE.pdfapplication/pdf4586482http://localhost:8080/tede/bitstream/tede/1316/2/O+AVESSO+DA+MODA+EM+THE.pdf6541666bafa1e5cf2af6d39c0786c70fMD52tede/1316oai:localhost:tede/13162018-05-11 10:08:56.103TEDEtede@utp.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
dc.title.por.fl_str_mv O avesso da moda em the true cost (2015): a indústria do fast fashion no cinema documentário
title O avesso da moda em the true cost (2015): a indústria do fast fashion no cinema documentário
spellingShingle O avesso da moda em the true cost (2015): a indústria do fast fashion no cinema documentário
Silva, Mariane Velho da
Moda
Cinema
Documentário
Fast fashion
Fashion
Documentary
COMUNICACAO::COMUNICACAO VISUAL
title_short O avesso da moda em the true cost (2015): a indústria do fast fashion no cinema documentário
title_full O avesso da moda em the true cost (2015): a indústria do fast fashion no cinema documentário
title_fullStr O avesso da moda em the true cost (2015): a indústria do fast fashion no cinema documentário
title_full_unstemmed O avesso da moda em the true cost (2015): a indústria do fast fashion no cinema documentário
title_sort O avesso da moda em the true cost (2015): a indústria do fast fashion no cinema documentário
author Silva, Mariane Velho da
author_facet Silva, Mariane Velho da
author_role author
dc.contributor.advisor1.fl_str_mv Fischer, Sandra
dc.contributor.referee1.fl_str_mv Fort, Mônica
dc.contributor.referee2.fl_str_mv John, Valquíria
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/2405070391008454
dc.contributor.author.fl_str_mv Silva, Mariane Velho da
contributor_str_mv Fischer, Sandra
Fort, Mônica
John, Valquíria
dc.subject.por.fl_str_mv Moda
Cinema
Documentário
topic Moda
Cinema
Documentário
Fast fashion
Fashion
Documentary
COMUNICACAO::COMUNICACAO VISUAL
dc.subject.eng.fl_str_mv Fast fashion
Fashion
Documentary
dc.subject.cnpq.fl_str_mv COMUNICACAO::COMUNICACAO VISUAL
dc.description.sponsorship.fl_txt_mv Conselho Nacional de Pesquisa e Desenvolvimento Científico e Tecnológico - CNPq
dc.description.abstract.eng.fl_txt_mv In addition to the wore figurines and costumes featured in films, cinema and fashion are sewn into other possibilities in contemporary screens. In the present study the theme of fashion in the cinema is approached through the documentary The True Cost (2015), of Andrew Morgan, in which the director presents through a discourse constructed by images, reports, and interviews, the operation of the fast industry fashion, current fashion system that aims at high speed of production and consumption of goods with fashion information. In analyzing such characteristics of the film, we problematize issues pertinent to truth and ethics in the documentary; how Morgan's production can be reliable, eloquent, persuasive depending on how it is seen and interpreted. To discuss the present discourse in The True Cost (2015), the paper uses the studies proposed by authors like Fernão Pessoa Ramos (2013), Bill Nichols (2005), among others, and their theories pertinent to the truth, reality, and ethics in documentary films. Another point presented and discussed in this research refers to the very theme discussed in The True Cost (2015); the social and environmental impacts of fast fashion, as well as changes in consumer behavior and its reflexes in contemporary fashion.
dc.description.abstract.por.fl_txt_mv Para além dos figurinos trajados e costumes apresentados em filmes, cinema e moda costuram-se em outras possibilidades nas telas contemporâneas. No presente estudo a temática moda no cinema se faz abordada por meio do documentário The True Cost (2015), de Andrew Morgan, no qual o diretor apresenta mediante um discurso construído por imagens, relatos e entrevistas, o funcionamento da indústria do fast fashion, sistema de moda vigente nos dias atuais, que visa alta velocidade de produção e consumo de bens com informação de moda. Ao analisar tais características do citado filme, problematizamos questões pertinentes a verdade e ética no documentário; o quanto a produção de Morgan pode ser fidedigna, eloquente, persuasiva a depender do modo como se faz vista e interpretada. Para discorrer sobre o discurso presente em The True Cost (2015), o trabalho utiliza-se dos estudos propostos por autores como Fernão Pessoa Ramos (2013), Bill Nichols (2005), dentre outros, e suas teorias pertinentes à verdade, realidade e ética nos filmes documentários. Outro ponto apresentado e discutido nesta pesquisa, refere-se à própria temática discorrida em The True Cost (2015); os impactos sociais e ambientais do fast fashion, bem como as mudanças de comportamento de consumo e seus reflexos nos modos de fazer moda na contemporaneidade.
description In addition to the wore figurines and costumes featured in films, cinema and fashion are sewn into other possibilities in contemporary screens. In the present study the theme of fashion in the cinema is approached through the documentary The True Cost (2015), of Andrew Morgan, in which the director presents through a discourse constructed by images, reports, and interviews, the operation of the fast industry fashion, current fashion system that aims at high speed of production and consumption of goods with fashion information. In analyzing such characteristics of the film, we problematize issues pertinent to truth and ethics in the documentary; how Morgan's production can be reliable, eloquent, persuasive depending on how it is seen and interpreted. To discuss the present discourse in The True Cost (2015), the paper uses the studies proposed by authors like Fernão Pessoa Ramos (2013), Bill Nichols (2005), among others, and their theories pertinent to the truth, reality, and ethics in documentary films. Another point presented and discussed in this research refers to the very theme discussed in The True Cost (2015); the social and environmental impacts of fast fashion, as well as changes in consumer behavior and its reflexes in contemporary fashion.
publishDate 2018
dc.date.accessioned.fl_str_mv 2018-05-11T13:08:56Z
dc.date.issued.fl_str_mv 2018-03-27
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dc.identifier.citation.fl_str_mv Silva, Mariane Velho da. O avesso da moda em the true cost (2015): a indústria do fast fashion no cinema documentário. 2018. 112 f. Dissertação (Mestrado em Comunicação e Linguagens) - Universidade Tuiuti do Paraná, Curitiba, 2018.
dc.identifier.uri.fl_str_mv http://tede.utp.br:8080/jspui/handle/tede/1316
identifier_str_mv Silva, Mariane Velho da. O avesso da moda em the true cost (2015): a indústria do fast fashion no cinema documentário. 2018. 112 f. Dissertação (Mestrado em Comunicação e Linguagens) - Universidade Tuiuti do Paraná, Curitiba, 2018.
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