CALIBAN: REPRESENTATIVE OF MINORITIES, AT MARGIN OF HISTORY
Autor(a) principal: | |
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Data de Publicação: | 2011 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Travessias (Cascavel. Online) |
Texto Completo: | https://e-revista.unioeste.br/index.php/travessias/article/view/4880 |
Resumo: | In that article, we intend to analyze the identitary crisis of the character O Grande Caliban in “Brazil”, of Paule Marshall. When becoming famous comedian, Caliban has his essencialist identity extinguished, and in the search for recovering it, he notices that is impossible to come back be the common citizen Heitor, because the identitary positions suffer alterations along the history. Caliban then becomes a person in conflict. The character can be considered a symbol of the post-colonial societies, and his identitary crisis as resultant of the problems that they faced for the mutilation that the colonialism imposed. In that way, the character identifies with the minorities, to the margin of the history. As theoretical definitions concerning the theme cultural identity will be considered the studies of Stuart Hall (1996) and Kathryn Woodward (2000). |
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CALIBAN: REPRESENTATIVE OF MINORITIES, AT MARGIN OF HISTORYCALIBAN: REPRESENTANTE DAS MINORIAS, À MARGEM DA HISTÓRIACaliban“Brazil”IdentidadeConflitoSociedades pós-coloniais.In that article, we intend to analyze the identitary crisis of the character O Grande Caliban in “Brazil”, of Paule Marshall. When becoming famous comedian, Caliban has his essencialist identity extinguished, and in the search for recovering it, he notices that is impossible to come back be the common citizen Heitor, because the identitary positions suffer alterations along the history. Caliban then becomes a person in conflict. The character can be considered a symbol of the post-colonial societies, and his identitary crisis as resultant of the problems that they faced for the mutilation that the colonialism imposed. In that way, the character identifies with the minorities, to the margin of the history. As theoretical definitions concerning the theme cultural identity will be considered the studies of Stuart Hall (1996) and Kathryn Woodward (2000). Nesse artigo, propomos analisar a crise identitária do personagem O Grande Caliban em “Brazil”, de Paule Marshall. Ao tornar-se famoso comediante, Caliban tem sua identidade essencialista apagada, e na busca por reavê-la, percebe que é impossível voltar a ser o cidadão comum Heitor, pois as posições identitárias sofrem alterações ao longo da história. Caliban então torna-se um sujeito em conflito. O personagem pode ser considerado um símbolo das sociedades pós-coloniais, e sua crise de identidade como resultante dos problemas que elas enfrentaram pela mutilação que o colonialismo impôs. Dessa forma, o personagem se identifica com as minorias, à margem da história. Como definições teóricas acerca do tema identidade cultural serão levadas em consideração os estudos de Stuart Hall (1996) e Kathryn Woodward (2000). Unioeste2011-11-04info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://e-revista.unioeste.br/index.php/travessias/article/view/4880Travessias; Vol. 5 No. 2 (2011)Travessias; Vol. 5 Núm. 2 (2011)Travessias; v. 5 n. 2 (2011)1982-5935reponame:Travessias (Cascavel. Online)instname:Universidade Estadual do Oeste do Paraná (Unioeste)instacron:Unioesteporhttps://e-revista.unioeste.br/index.php/travessias/article/view/4880/4342Copyright (c) 2011 Autores mantêm os direitos autorais e concedem à revista o direito de primeira publicação, com o trabalho simultaneamente licenciado sob CC-BY-NC-SA 4.0 que permite o compartilhamento do trabalho com indicação da autoria e publicação inicial nesta revistainfo:eu-repo/semantics/openAccessSantos, Gabriela Cornelli dos2020-12-08T11:42:55Zoai:ojs.e-revista.unioeste.br:article/4880Revistahttps://e-revista.unioeste.br/index.php/travessiasPUBhttps://e-revista.unioeste.br/index.php/travessias/oairevista.travessias@unioeste.br1982-59351982-5935opendoar:2020-12-08T11:42:55Travessias (Cascavel. Online) - Universidade Estadual do Oeste do Paraná (Unioeste)false |
dc.title.none.fl_str_mv |
CALIBAN: REPRESENTATIVE OF MINORITIES, AT MARGIN OF HISTORY CALIBAN: REPRESENTANTE DAS MINORIAS, À MARGEM DA HISTÓRIA |
title |
CALIBAN: REPRESENTATIVE OF MINORITIES, AT MARGIN OF HISTORY |
spellingShingle |
CALIBAN: REPRESENTATIVE OF MINORITIES, AT MARGIN OF HISTORY Santos, Gabriela Cornelli dos Caliban “Brazil” Identidade Conflito Sociedades pós-coloniais. |
title_short |
CALIBAN: REPRESENTATIVE OF MINORITIES, AT MARGIN OF HISTORY |
title_full |
CALIBAN: REPRESENTATIVE OF MINORITIES, AT MARGIN OF HISTORY |
title_fullStr |
CALIBAN: REPRESENTATIVE OF MINORITIES, AT MARGIN OF HISTORY |
title_full_unstemmed |
CALIBAN: REPRESENTATIVE OF MINORITIES, AT MARGIN OF HISTORY |
title_sort |
CALIBAN: REPRESENTATIVE OF MINORITIES, AT MARGIN OF HISTORY |
author |
Santos, Gabriela Cornelli dos |
author_facet |
Santos, Gabriela Cornelli dos |
author_role |
author |
dc.contributor.author.fl_str_mv |
Santos, Gabriela Cornelli dos |
dc.subject.por.fl_str_mv |
Caliban “Brazil” Identidade Conflito Sociedades pós-coloniais. |
topic |
Caliban “Brazil” Identidade Conflito Sociedades pós-coloniais. |
description |
In that article, we intend to analyze the identitary crisis of the character O Grande Caliban in “Brazil”, of Paule Marshall. When becoming famous comedian, Caliban has his essencialist identity extinguished, and in the search for recovering it, he notices that is impossible to come back be the common citizen Heitor, because the identitary positions suffer alterations along the history. Caliban then becomes a person in conflict. The character can be considered a symbol of the post-colonial societies, and his identitary crisis as resultant of the problems that they faced for the mutilation that the colonialism imposed. In that way, the character identifies with the minorities, to the margin of the history. As theoretical definitions concerning the theme cultural identity will be considered the studies of Stuart Hall (1996) and Kathryn Woodward (2000). |
publishDate |
2011 |
dc.date.none.fl_str_mv |
2011-11-04 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://e-revista.unioeste.br/index.php/travessias/article/view/4880 |
url |
https://e-revista.unioeste.br/index.php/travessias/article/view/4880 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://e-revista.unioeste.br/index.php/travessias/article/view/4880/4342 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Unioeste |
publisher.none.fl_str_mv |
Unioeste |
dc.source.none.fl_str_mv |
Travessias; Vol. 5 No. 2 (2011) Travessias; Vol. 5 Núm. 2 (2011) Travessias; v. 5 n. 2 (2011) 1982-5935 reponame:Travessias (Cascavel. Online) instname:Universidade Estadual do Oeste do Paraná (Unioeste) instacron:Unioeste |
instname_str |
Universidade Estadual do Oeste do Paraná (Unioeste) |
instacron_str |
Unioeste |
institution |
Unioeste |
reponame_str |
Travessias (Cascavel. Online) |
collection |
Travessias (Cascavel. Online) |
repository.name.fl_str_mv |
Travessias (Cascavel. Online) - Universidade Estadual do Oeste do Paraná (Unioeste) |
repository.mail.fl_str_mv |
revista.travessias@unioeste.br |
_version_ |
1798044917439660032 |