THE PHOTOGRAPHER IN THE GARDEN OF THE CITIZEN: MEMORY OF A ‘LAMBE-LAMBE’

Detalhes bibliográficos
Autor(a) principal: Castro Soares, Taís
Data de Publicação: 2009
Outros Autores: Ferreira Michelon, Francisca
Tipo de documento: Artigo
Idioma: por
Título da fonte: Travessias (Cascavel. Online)
Texto Completo: https://e-revista.unioeste.br/index.php/travessias/article/view/3337
Resumo:  　This article proposes possible inflections for the senses that photographs made of the city and in the city acquire with the passing of time and it relates some of these inflections with the permanence of personages whose function and activity do not justify anymore in the universe of contemporary photographic making. The reflection is established on the trajectory of the „lambe-lambe‟ Edgar Borges that has been working as a photographer for almost forty years at Coronel Pedro Osório Square in the city of Pelotas, Rio Grande do Sul. The Edgar's work is emphasized as a popular craft, a street work, besides standing out the techniques and the photographic language used by the photographer throughout his trajectory. It is observed, as an aspect of the same importance the presence of the wooden ponies as a scenic element used by the photographer to cdefine his work in the interior of the square. Finally, such inflections contribute for discussions about photography and memory.
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spelling THE PHOTOGRAPHER IN THE GARDEN OF THE CITIZEN: MEMORY OF A ‘LAMBE-LAMBE’O FOTÓGRAFO NO JARDIM DO CIDADÃO: MEMÓRIA DE UM LAMBE-LAMBEFotografiaMemóriaFotógrafos Lambe-Lambe. 　This article proposes possible inflections for the senses that photographs made of the city and in the city acquire with the passing of time and it relates some of these inflections with the permanence of personages whose function and activity do not justify anymore in the universe of contemporary photographic making. The reflection is established on the trajectory of the „lambe-lambe‟ Edgar Borges that has been working as a photographer for almost forty years at Coronel Pedro Osório Square in the city of Pelotas, Rio Grande do Sul. The Edgar's work is emphasized as a popular craft, a street work, besides standing out the techniques and the photographic language used by the photographer throughout his trajectory. It is observed, as an aspect of the same importance the presence of the wooden ponies as a scenic element used by the photographer to cdefine his work in the interior of the square. Finally, such inflections contribute for discussions about photography and memory.  　O artigo propõe possíveis inflexões para os sentidos que fotografias da cidade e feitas na cidade adquirem com o passar do tempo e relaciona algumas dessas inflexões com a permanência de personagens cuja função e atividade exercida já não se justificam no universo do fazer fotográfico contemporâneo. A reflexão estabelece-se sobre a trajetória de quase quarenta anos do retratista lambe-lambe Edgar Borges que até hoje atua na Praça Coronel Pedro Osório na cidade de Pelotas, Rio Grande do Sul. Enfatiza-se o trabalho de Edgar como um ofício popular, de rua, além de ressaltar as técnicas e a linguagem fotográfica utilizada pelo retratista ao longo de sua trajetória. Observa-se, como aspecto de igual importância a presença dos cavalinhos de madeira enquanto elemento cênico utilizado pelo fotógrafo, para definir o seu trabalho no interior da praça. Por fim, tais inflexões contribuem para as discussões sobre fotografia e memória. Unioeste2009-08-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://e-revista.unioeste.br/index.php/travessias/article/view/3337Travessias; Vol. 3 No. 2 (2009)Travessias; Vol. 3 Núm. 2 (2009)Travessias; v. 3 n. 2 (2009)1982-5935reponame:Travessias (Cascavel. Online)instname:Universidade Estadual do Oeste do Paraná (Unioeste)instacron:Unioesteporhttps://e-revista.unioeste.br/index.php/travessias/article/view/3337/2638Copyright (c) 2009 Autores mantêm os direitos autorais e concedem à revista o direito de primeira publicação, com o trabalho simultaneamente licenciado sob CC-BY-NC-SA 4.0 que permite o compartilhamento do trabalho com indicação da autoria e publicação inicial nesta revistainfo:eu-repo/semantics/openAccessCastro Soares, TaísFerreira Michelon, Francisca2020-12-08T11:43:09Zoai:ojs.e-revista.unioeste.br:article/3337Revistahttps://e-revista.unioeste.br/index.php/travessiasPUBhttps://e-revista.unioeste.br/index.php/travessias/oairevista.travessias@unioeste.br1982-59351982-5935opendoar:2020-12-08T11:43:09Travessias (Cascavel. Online) - Universidade Estadual do Oeste do Paraná (Unioeste)false
dc.title.none.fl_str_mv THE PHOTOGRAPHER IN THE GARDEN OF THE CITIZEN: MEMORY OF A ‘LAMBE-LAMBE’
O FOTÓGRAFO NO JARDIM DO CIDADÃO: MEMÓRIA DE UM LAMBE-LAMBE
title THE PHOTOGRAPHER IN THE GARDEN OF THE CITIZEN: MEMORY OF A ‘LAMBE-LAMBE’
spellingShingle THE PHOTOGRAPHER IN THE GARDEN OF THE CITIZEN: MEMORY OF A ‘LAMBE-LAMBE’
Castro Soares, Taís
Fotografia
Memória
Fotógrafos Lambe-Lambe.
title_short THE PHOTOGRAPHER IN THE GARDEN OF THE CITIZEN: MEMORY OF A ‘LAMBE-LAMBE’
title_full THE PHOTOGRAPHER IN THE GARDEN OF THE CITIZEN: MEMORY OF A ‘LAMBE-LAMBE’
title_fullStr THE PHOTOGRAPHER IN THE GARDEN OF THE CITIZEN: MEMORY OF A ‘LAMBE-LAMBE’
title_full_unstemmed THE PHOTOGRAPHER IN THE GARDEN OF THE CITIZEN: MEMORY OF A ‘LAMBE-LAMBE’
title_sort THE PHOTOGRAPHER IN THE GARDEN OF THE CITIZEN: MEMORY OF A ‘LAMBE-LAMBE’
author Castro Soares, Taís
author_facet Castro Soares, Taís
Ferreira Michelon, Francisca
author_role author
author2 Ferreira Michelon, Francisca
author2_role author
dc.contributor.author.fl_str_mv Castro Soares, Taís
Ferreira Michelon, Francisca
dc.subject.por.fl_str_mv Fotografia
Memória
Fotógrafos Lambe-Lambe.
topic Fotografia
Memória
Fotógrafos Lambe-Lambe.
description  　This article proposes possible inflections for the senses that photographs made of the city and in the city acquire with the passing of time and it relates some of these inflections with the permanence of personages whose function and activity do not justify anymore in the universe of contemporary photographic making. The reflection is established on the trajectory of the „lambe-lambe‟ Edgar Borges that has been working as a photographer for almost forty years at Coronel Pedro Osório Square in the city of Pelotas, Rio Grande do Sul. The Edgar's work is emphasized as a popular craft, a street work, besides standing out the techniques and the photographic language used by the photographer throughout his trajectory. It is observed, as an aspect of the same importance the presence of the wooden ponies as a scenic element used by the photographer to cdefine his work in the interior of the square. Finally, such inflections contribute for discussions about photography and memory.
publishDate 2009
dc.date.none.fl_str_mv 2009-08-29
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://e-revista.unioeste.br/index.php/travessias/article/view/3337
url https://e-revista.unioeste.br/index.php/travessias/article/view/3337
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://e-revista.unioeste.br/index.php/travessias/article/view/3337/2638
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Unioeste
publisher.none.fl_str_mv Unioeste
dc.source.none.fl_str_mv Travessias; Vol. 3 No. 2 (2009)
Travessias; Vol. 3 Núm. 2 (2009)
Travessias; v. 3 n. 2 (2009)
1982-5935
reponame:Travessias (Cascavel. Online)
instname:Universidade Estadual do Oeste do Paraná (Unioeste)
instacron:Unioeste
instname_str Universidade Estadual do Oeste do Paraná (Unioeste)
instacron_str Unioeste
institution Unioeste
reponame_str Travessias (Cascavel. Online)
collection Travessias (Cascavel. Online)
repository.name.fl_str_mv Travessias (Cascavel. Online) - Universidade Estadual do Oeste do Paraná (Unioeste)
repository.mail.fl_str_mv revista.travessias@unioeste.br
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