The gag: dramaturgy of a conflict

Detalhes bibliográficos
Autor(a) principal: Dalvi, Maria Amélia
Data de Publicação: 2024
Outros Autores: Cei, Vitor
Tipo de documento: Artigo
Idioma: por
Título da fonte: Travessias (Cascavel. Online)
Texto Completo: https://e-revista.unioeste.br/index.php/travessias/article/view/32148
Resumo: This one-act play employs a comic-satirical dramaturgical approach, drawing inspiration from the Theatre of the Absurd, to explore the normalization of precarious work in universities. Set in a contemporary Brazilian public university during a department meeting, the act focuses on the artificiality, fragmented perspectives, and underlying hypocrisy embedded within the characters' discourses. The interactions between these fictional subjects expose historical, social, and ideological issues related to the academic environment, particularly concerning the treatment of university workers. The protagonist challenges the administration's demands for increased workload, which conflict with their contractual agreement. When requesting exemption from these excessive workloads, his demand is redirected to the personal field, as something to be dealt with in the private sphere, obfuscating the collective dimension of the issue. The conversations within the meeting are permeated by strategies that aim to ridicule him, revealing an ideology that systematically denies the labour rights of public servants (out of alienation, cynicism, or nihilism) and represses the ability to critically evaluate the present and plan for the future – aligning with contemporary neo-fascist tendencies.
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spelling The gag: dramaturgy of a conflictA mordaça: dramaturgia de um conflitoDramaturgiaprofessores universitáriosUniversidade PúblicaSobrecarga de TrabalhoDramaturgyUniversity professorsBrazilian public universityWorkoverloadThis one-act play employs a comic-satirical dramaturgical approach, drawing inspiration from the Theatre of the Absurd, to explore the normalization of precarious work in universities. Set in a contemporary Brazilian public university during a department meeting, the act focuses on the artificiality, fragmented perspectives, and underlying hypocrisy embedded within the characters' discourses. The interactions between these fictional subjects expose historical, social, and ideological issues related to the academic environment, particularly concerning the treatment of university workers. The protagonist challenges the administration's demands for increased workload, which conflict with their contractual agreement. When requesting exemption from these excessive workloads, his demand is redirected to the personal field, as something to be dealt with in the private sphere, obfuscating the collective dimension of the issue. The conversations within the meeting are permeated by strategies that aim to ridicule him, revealing an ideology that systematically denies the labour rights of public servants (out of alienation, cynicism, or nihilism) and represses the ability to critically evaluate the present and plan for the future – aligning with contemporary neo-fascist tendencies.Dramaturgia cômico-satírica que flerta com o teatro do absurdo, cuja cena ficcional é uma reunião de departamento em uma universidade pública, no contexto brasileiro coetâneo; define a artificialidade, a falta de uma perspectiva de totalidade em face da situação problemática e a hipocrisia como elementos nucleares dos discursos. A constelação de sujeitos ficcionais, em suas relações, faz emergir questões históricas, sociais e ideológicas, afins ao universo letrado. O argumento é a normalização da precarização do trabalho nas universidades. O protagonista, participante da luta sindical contra a hiperexploração e o adoecimento docente, reivindica a compatibilização entre sua jornada laboral e contratual; ao solicitar dispensa dos encargos excedentes, sua demanda é reendereçada ao campo pessoal, como algo a ser tratado na esfera privada, obnubilando a dimensão coletiva da questão. As interlocuções foram permeadas por estratégias que visavam ridicularizá-lo, revelando um ideário – que nega sistematicamente os direitos trabalhistas dos servidores públicos (por alienação, cinismo ou niilismo) e reprime a capacidade de criticar o presente e planejar o futuro – afim aos neofascismos contemporâneos.Unioeste2024-04-16info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://e-revista.unioeste.br/index.php/travessias/article/view/3214810.48075/rt.v18i1.32148Travessias; Vol. 18 No. 1 (2024); e32148Travessias; Vol. 18 Núm. 1 (2024); e32148Travessias; v. 18 n. 1 (2024); e321481982-5935reponame:Travessias (Cascavel. Online)instname:Universidade Estadual do Oeste do Paraná (UNIOESTE)instacron:Unioesteporhttps://e-revista.unioeste.br/index.php/travessias/article/view/32148/23203Copyright (c) 2024 Autores mantêm os direitos autorais e concedem à revista o direito de primeira publicação, com o trabalho simultaneamente licenciado sob CC-BY-NC-SA 4.0 que permite o compartilhamento do trabalho com indicação da autoria e publicação inicial nesta revistahttps://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccessDalvi, Maria AméliaCei, Vitor2024-04-29T14:26:28Zoai:ojs.e-revista.unioeste.br:article/32148Revistahttps://e-revista.unioeste.br/index.php/travessiasPUBhttps://e-revista.unioeste.br/index.php/travessias/oairevista.travessias@unioeste.br1982-59351982-5935opendoar:2024-04-29T14:26:28Travessias (Cascavel. Online) - Universidade Estadual do Oeste do Paraná (UNIOESTE)false
dc.title.none.fl_str_mv The gag: dramaturgy of a conflict
A mordaça: dramaturgia de um conflito
title The gag: dramaturgy of a conflict
spellingShingle The gag: dramaturgy of a conflict
Dalvi, Maria Amélia
Dramaturgia
professores universitários
Universidade Pública
Sobrecarga de Trabalho
Dramaturgy
University professors
Brazilian public university
Workoverload
title_short The gag: dramaturgy of a conflict
title_full The gag: dramaturgy of a conflict
title_fullStr The gag: dramaturgy of a conflict
title_full_unstemmed The gag: dramaturgy of a conflict
title_sort The gag: dramaturgy of a conflict
author Dalvi, Maria Amélia
author_facet Dalvi, Maria Amélia
Cei, Vitor
author_role author
author2 Cei, Vitor
author2_role author
dc.contributor.author.fl_str_mv Dalvi, Maria Amélia
Cei, Vitor
dc.subject.por.fl_str_mv Dramaturgia
professores universitários
Universidade Pública
Sobrecarga de Trabalho
Dramaturgy
University professors
Brazilian public university
Workoverload
topic Dramaturgia
professores universitários
Universidade Pública
Sobrecarga de Trabalho
Dramaturgy
University professors
Brazilian public university
Workoverload
description This one-act play employs a comic-satirical dramaturgical approach, drawing inspiration from the Theatre of the Absurd, to explore the normalization of precarious work in universities. Set in a contemporary Brazilian public university during a department meeting, the act focuses on the artificiality, fragmented perspectives, and underlying hypocrisy embedded within the characters' discourses. The interactions between these fictional subjects expose historical, social, and ideological issues related to the academic environment, particularly concerning the treatment of university workers. The protagonist challenges the administration's demands for increased workload, which conflict with their contractual agreement. When requesting exemption from these excessive workloads, his demand is redirected to the personal field, as something to be dealt with in the private sphere, obfuscating the collective dimension of the issue. The conversations within the meeting are permeated by strategies that aim to ridicule him, revealing an ideology that systematically denies the labour rights of public servants (out of alienation, cynicism, or nihilism) and represses the ability to critically evaluate the present and plan for the future – aligning with contemporary neo-fascist tendencies.
publishDate 2024
dc.date.none.fl_str_mv 2024-04-16
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://e-revista.unioeste.br/index.php/travessias/article/view/32148
10.48075/rt.v18i1.32148
url https://e-revista.unioeste.br/index.php/travessias/article/view/32148
identifier_str_mv 10.48075/rt.v18i1.32148
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://e-revista.unioeste.br/index.php/travessias/article/view/32148/23203
dc.rights.driver.fl_str_mv https://creativecommons.org/licenses/by-nc-sa/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc-sa/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Unioeste
publisher.none.fl_str_mv Unioeste
dc.source.none.fl_str_mv Travessias; Vol. 18 No. 1 (2024); e32148
Travessias; Vol. 18 Núm. 1 (2024); e32148
Travessias; v. 18 n. 1 (2024); e32148
1982-5935
reponame:Travessias (Cascavel. Online)
instname:Universidade Estadual do Oeste do Paraná (UNIOESTE)
instacron:Unioeste
instname_str Universidade Estadual do Oeste do Paraná (UNIOESTE)
instacron_str Unioeste
institution Unioeste
reponame_str Travessias (Cascavel. Online)
collection Travessias (Cascavel. Online)
repository.name.fl_str_mv Travessias (Cascavel. Online) - Universidade Estadual do Oeste do Paraná (UNIOESTE)
repository.mail.fl_str_mv revista.travessias@unioeste.br
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