DOUBLE SELF-PORTRAIT

• Autor(a) principal: Guralski, Luciano
• Data de Publicação: 2008
• Tipo de documento: Artigo
• Idioma: por
• Título da fonte: Travessias (Cascavel. Online)
• Texto Completo: https://e-revista.unioeste.br/index.php/travessias/article/view/2959
• topic: Nascimento; Identidade; Corpo; Marcas; Retrato

 The boby as purpose study is fond on photografics registry in a more or less explicit configuration. Such as being scanning, the self-portrait, with an assistance of metaphor presents itself through incisions, tattooing, uncodifying writings over the skin...The present work is divided in two parts: one of that became spired in body-art, I perform these interventions over my body; and another one using my face’s radiographys, superposing inside and outside. Through this technic I intend to put me far from Renaissances portraits styles. Employing body and radiography (inside photography) like applied resources I intend to arise an intimate work and in same time to induce to a strange or peculiar felling about the image, inducing people to question about the body and, in particular, about life. A diferent way to set my existence, prove that I exist in a diferent way to the prehistoric man that printed his hands on the wall. The Birth certificate is a document that legitimate my body on this world. This work introduces the difficulty of seeing the world, the way I meet myself just like the characters of Plato’s myths, it seems I’m arrested in a cavern seeing with extreme difficulty the reality. The reality hurts the humanity and let on them signs. These attacks aren’t essentially physics ones. There’s where we create subterfuge to hide some of our emotions. However, those are important to our development process. After the Post-Modernity most aside artists becomes to take part of the circuit. Thus, the speechs of this art style take more importance. Giving an account of something personal doesn’t exclude his side universal.