ALTAZOR VICENTE HUIDOBRO: GESTURE IN POLITICAL OF EPIC OF XX
Autor(a) principal: | |
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Data de Publicação: | 2010 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Travessias (Cascavel. Online) |
Texto Completo: | https://e-revista.unioeste.br/index.php/travessias/article/view/4178 |
Resumo: | This article proposes a lecture of the Vicente Huidobro’s poem Altazor (1931) assuming the epic genre postulations and its development conditions in the first half of the 20th century. Important works were produced in that period, putting in motion the epic genre from an unfolding of the vanguards and as a discussion of the metaphysical formulations that had considered it impossible as a discursive space in the modernity. Altazor is inserted in this movement as an autoconscience of the language problematic and its objective capacities. The work deals about the possible modes of enunciation to a great poet, Altazor, who is empty of the serenity of old and looks for one tongue able to transcend the maternal tongue, because he does not accept its origin. The political revolution works into the language, this artifice that says the history. |
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ALTAZOR VICENTE HUIDOBRO: GESTURE IN POLITICAL OF EPIC OF XXALTAZOR DE VICENTE HUIDOBRO: O GESTO POLÍTICO NUMA DAS EPOPÉIAS DE XXGênero épicoModernidadeLinguagem e história. This article proposes a lecture of the Vicente Huidobro’s poem Altazor (1931) assuming the epic genre postulations and its development conditions in the first half of the 20th century. Important works were produced in that period, putting in motion the epic genre from an unfolding of the vanguards and as a discussion of the metaphysical formulations that had considered it impossible as a discursive space in the modernity. Altazor is inserted in this movement as an autoconscience of the language problematic and its objective capacities. The work deals about the possible modes of enunciation to a great poet, Altazor, who is empty of the serenity of old and looks for one tongue able to transcend the maternal tongue, because he does not accept its origin. The political revolution works into the language, this artifice that says the history. Este artigo propõe uma leitura do poema Altazor (1931) de Vicente Huidobro assumindo as postulações do gênero épico e suas condições de desenvolvimento na primeira metade do século XX. Nesse período se encontram importantes obras que põem em circulação tal gênero a partir de um desdobramento das vanguardas e enquanto questionamento das formulações metafísicas que o consideravam como um espaço discursivo impossível na modernidade. Nesse movimento, Altazor se insere como uma autoconsciência da problemática da linguagem e suas capacidades objetivas; trata-se dos modos possíveis de enunciação de um grande poeta, Altazor, esvaziado da serenidade de outrora e em busca de uma língua que vá mais além da língua materna, já que ele não aceita sua origem. Sua revolução política se opera na linguagem, o artifício que diz a história. Unioeste2010-08-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://e-revista.unioeste.br/index.php/travessias/article/view/4178Travessias; Vol. 4 No. 2 (2010)Travessias; Vol. 4 Núm. 2 (2010)Travessias; v. 4 n. 2 (2010)1982-5935reponame:Travessias (Cascavel. Online)instname:Universidade Estadual do Oeste do Paraná (Unioeste)instacron:Unioesteporhttps://e-revista.unioeste.br/index.php/travessias/article/view/4178/3246Copyright (c) 2010 Autores mantêm os direitos autorais e concedem à revista o direito de primeira publicação, com o trabalho simultaneamente licenciado sob CC-BY-NC-SA 4.0 que permite o compartilhamento do trabalho com indicação da autoria e publicação inicial nesta revistainfo:eu-repo/semantics/openAccessGlaydson Ribeiro, Daniel2020-12-08T11:43:01Zoai:ojs.e-revista.unioeste.br:article/4178Revistahttps://e-revista.unioeste.br/index.php/travessiasPUBhttps://e-revista.unioeste.br/index.php/travessias/oairevista.travessias@unioeste.br1982-59351982-5935opendoar:2020-12-08T11:43:01Travessias (Cascavel. Online) - Universidade Estadual do Oeste do Paraná (Unioeste)false |
dc.title.none.fl_str_mv |
ALTAZOR VICENTE HUIDOBRO: GESTURE IN POLITICAL OF EPIC OF XX ALTAZOR DE VICENTE HUIDOBRO: O GESTO POLÍTICO NUMA DAS EPOPÉIAS DE XX |
title |
ALTAZOR VICENTE HUIDOBRO: GESTURE IN POLITICAL OF EPIC OF XX |
spellingShingle |
ALTAZOR VICENTE HUIDOBRO: GESTURE IN POLITICAL OF EPIC OF XX Glaydson Ribeiro, Daniel Gênero épico Modernidade Linguagem e história. |
title_short |
ALTAZOR VICENTE HUIDOBRO: GESTURE IN POLITICAL OF EPIC OF XX |
title_full |
ALTAZOR VICENTE HUIDOBRO: GESTURE IN POLITICAL OF EPIC OF XX |
title_fullStr |
ALTAZOR VICENTE HUIDOBRO: GESTURE IN POLITICAL OF EPIC OF XX |
title_full_unstemmed |
ALTAZOR VICENTE HUIDOBRO: GESTURE IN POLITICAL OF EPIC OF XX |
title_sort |
ALTAZOR VICENTE HUIDOBRO: GESTURE IN POLITICAL OF EPIC OF XX |
author |
Glaydson Ribeiro, Daniel |
author_facet |
Glaydson Ribeiro, Daniel |
author_role |
author |
dc.contributor.author.fl_str_mv |
Glaydson Ribeiro, Daniel |
dc.subject.por.fl_str_mv |
Gênero épico Modernidade Linguagem e história. |
topic |
Gênero épico Modernidade Linguagem e história. |
description |
This article proposes a lecture of the Vicente Huidobro’s poem Altazor (1931) assuming the epic genre postulations and its development conditions in the first half of the 20th century. Important works were produced in that period, putting in motion the epic genre from an unfolding of the vanguards and as a discussion of the metaphysical formulations that had considered it impossible as a discursive space in the modernity. Altazor is inserted in this movement as an autoconscience of the language problematic and its objective capacities. The work deals about the possible modes of enunciation to a great poet, Altazor, who is empty of the serenity of old and looks for one tongue able to transcend the maternal tongue, because he does not accept its origin. The political revolution works into the language, this artifice that says the history. |
publishDate |
2010 |
dc.date.none.fl_str_mv |
2010-08-30 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://e-revista.unioeste.br/index.php/travessias/article/view/4178 |
url |
https://e-revista.unioeste.br/index.php/travessias/article/view/4178 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://e-revista.unioeste.br/index.php/travessias/article/view/4178/3246 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Unioeste |
publisher.none.fl_str_mv |
Unioeste |
dc.source.none.fl_str_mv |
Travessias; Vol. 4 No. 2 (2010) Travessias; Vol. 4 Núm. 2 (2010) Travessias; v. 4 n. 2 (2010) 1982-5935 reponame:Travessias (Cascavel. Online) instname:Universidade Estadual do Oeste do Paraná (Unioeste) instacron:Unioeste |
instname_str |
Universidade Estadual do Oeste do Paraná (Unioeste) |
instacron_str |
Unioeste |
institution |
Unioeste |
reponame_str |
Travessias (Cascavel. Online) |
collection |
Travessias (Cascavel. Online) |
repository.name.fl_str_mv |
Travessias (Cascavel. Online) - Universidade Estadual do Oeste do Paraná (Unioeste) |
repository.mail.fl_str_mv |
revista.travessias@unioeste.br |
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1798044916789542912 |