CURATORSHIP
Autor(a) principal: | |
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Data de Publicação: | 2010 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Travessias (Cascavel. Online) |
Texto Completo: | https://e-revista.unioeste.br/index.php/travessias/article/view/3577 |
Resumo: | Every art exhibition influences the public and leads to a better or worse reception of an artist. The exhibitions contribute to the discussion about the artist’s work, asking relevant questions and proposing answers. A successful exhibition is able to enrich the research by making important contributions to the discourse about the artist in case it develops a concept that is displayed throughout the whole structure of the exhibition. The concept presents an idea that is accomplished through the meaningful presentation of the art works leading to a satisfactory conclusion. An exhibition that is not well prepared can, on the other hand, avert the public and the critic, even though the art works are of good quality. That’s why the art curatorship has to be well pondered and executed in the awareness of its ability to negatively or positively affect the reception of one or more artists. |
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CURATORSHIPCURADORIAArtes plásticasMuseuExposiçãoCuradoriaModigliani. Every art exhibition influences the public and leads to a better or worse reception of an artist. The exhibitions contribute to the discussion about the artist’s work, asking relevant questions and proposing answers. A successful exhibition is able to enrich the research by making important contributions to the discourse about the artist in case it develops a concept that is displayed throughout the whole structure of the exhibition. The concept presents an idea that is accomplished through the meaningful presentation of the art works leading to a satisfactory conclusion. An exhibition that is not well prepared can, on the other hand, avert the public and the critic, even though the art works are of good quality. That’s why the art curatorship has to be well pondered and executed in the awareness of its ability to negatively or positively affect the reception of one or more artists. Toda exposição de arte provoca reações entre o público que podem auxiliar ou prejudicar a recepção de um artista. Exposições contribuem além disso para o debate profissional a respeito da obra e de seu criador, levantando questões relevantes e propondo respostas. Uma exposição bem sucedida pode portanto tanto enriquecer a pesquisa quanto influenciar a recepção positiva de um artista entre o público. Uma exposição mal executada pode, por outro lado, provocar o desinteresse do público e da crítica, ainda que as obras expostas não faltem em qualidade. Por isso a curadoria de uma exposição deve ser bem refletida e realizada em plena consciência do seu poder de influenciar positiva ou negativamente a recepção de um ou mais artistas e suas respectivas obras.Unioeste2010-04-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://e-revista.unioeste.br/index.php/travessias/article/view/3577Travessias; Vol. 4 No. 1 (2010)Travessias; Vol. 4 Núm. 1 (2010)Travessias; v. 4 n. 1 (2010)1982-5935reponame:Travessias (Cascavel. Online)instname:Universidade Estadual do Oeste do Paraná (Unioeste)instacron:Unioesteporhttps://e-revista.unioeste.br/index.php/travessias/article/view/3577/2836Copyright (c) 2010 Autores mantêm os direitos autorais e concedem à revista o direito de primeira publicação, com o trabalho simultaneamente licenciado sob CC-BY-NC-SA 4.0 que permite o compartilhamento do trabalho com indicação da autoria e publicação inicial nesta revistainfo:eu-repo/semantics/openAccessRodrigues Noehles, Laura2020-12-08T11:43:08Zoai:ojs.e-revista.unioeste.br:article/3577Revistahttps://e-revista.unioeste.br/index.php/travessiasPUBhttps://e-revista.unioeste.br/index.php/travessias/oairevista.travessias@unioeste.br1982-59351982-5935opendoar:2020-12-08T11:43:08Travessias (Cascavel. Online) - Universidade Estadual do Oeste do Paraná (Unioeste)false |
dc.title.none.fl_str_mv |
CURATORSHIP CURADORIA |
title |
CURATORSHIP |
spellingShingle |
CURATORSHIP Rodrigues Noehles, Laura Artes plásticas Museu Exposição Curadoria Modigliani. |
title_short |
CURATORSHIP |
title_full |
CURATORSHIP |
title_fullStr |
CURATORSHIP |
title_full_unstemmed |
CURATORSHIP |
title_sort |
CURATORSHIP |
author |
Rodrigues Noehles, Laura |
author_facet |
Rodrigues Noehles, Laura |
author_role |
author |
dc.contributor.author.fl_str_mv |
Rodrigues Noehles, Laura |
dc.subject.por.fl_str_mv |
Artes plásticas Museu Exposição Curadoria Modigliani. |
topic |
Artes plásticas Museu Exposição Curadoria Modigliani. |
description |
Every art exhibition influences the public and leads to a better or worse reception of an artist. The exhibitions contribute to the discussion about the artist’s work, asking relevant questions and proposing answers. A successful exhibition is able to enrich the research by making important contributions to the discourse about the artist in case it develops a concept that is displayed throughout the whole structure of the exhibition. The concept presents an idea that is accomplished through the meaningful presentation of the art works leading to a satisfactory conclusion. An exhibition that is not well prepared can, on the other hand, avert the public and the critic, even though the art works are of good quality. That’s why the art curatorship has to be well pondered and executed in the awareness of its ability to negatively or positively affect the reception of one or more artists. |
publishDate |
2010 |
dc.date.none.fl_str_mv |
2010-04-29 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://e-revista.unioeste.br/index.php/travessias/article/view/3577 |
url |
https://e-revista.unioeste.br/index.php/travessias/article/view/3577 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://e-revista.unioeste.br/index.php/travessias/article/view/3577/2836 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Unioeste |
publisher.none.fl_str_mv |
Unioeste |
dc.source.none.fl_str_mv |
Travessias; Vol. 4 No. 1 (2010) Travessias; Vol. 4 Núm. 1 (2010) Travessias; v. 4 n. 1 (2010) 1982-5935 reponame:Travessias (Cascavel. Online) instname:Universidade Estadual do Oeste do Paraná (Unioeste) instacron:Unioeste |
instname_str |
Universidade Estadual do Oeste do Paraná (Unioeste) |
instacron_str |
Unioeste |
institution |
Unioeste |
reponame_str |
Travessias (Cascavel. Online) |
collection |
Travessias (Cascavel. Online) |
repository.name.fl_str_mv |
Travessias (Cascavel. Online) - Universidade Estadual do Oeste do Paraná (Unioeste) |
repository.mail.fl_str_mv |
revista.travessias@unioeste.br |
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1798044916132085760 |