STRANGENESS AND PROPOSALS FOR REFLECTION IN THE LYRICS DOMINGO NO PARQUE
Autor(a) principal: | |
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Data de Publicação: | 2010 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Travessias (Cascavel. Online) |
Texto Completo: | https://e-revista.unioeste.br/index.php/travessias/article/view/4175 |
Resumo: | On this paper, the object of analysis is the lyrics Domingo no parque, written by Gilberto Gil, which presents a narrative marked by an interesting breaking on the expectations. In the lyrics the character José, although been presented on the beginning as “a king of jokes” realize, influenced by a strong impulse, a bigger and serious “confusion”: a double murderer where the victims are Juliana and João who is presented in the beginning as the “king of confusion”. Taking as a theoretical basis the greimasian semiotics, we will seek to make explicit the intradiscursive mechanisms which generate the meaning effect of strangeness obtained by the text. This way, we intend to show, investigating the veridictory modalities (which articulate /being/ and /appearing/) that the breaking of the expectations is connected to the unveiling of an illusion (/appearing/ /not being/). We intend to further demonstrate how the development of the passionate course of the subject José , of which certain steps are implied, is crucial to the effect that takes the reader/listener to an inevitable reflection about the essence and the appearance and, hence, / nature / versus / culture /. |
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STRANGENESS AND PROPOSALS FOR REFLECTION IN THE LYRICS DOMINGO NO PARQUEESTRANHAMENTO E PROPOSTAS DE REFLEXÃO NA CANÇÃO DOMINGO NO PARQUEestranhamentopercurso gerativo de sentidocanção. On this paper, the object of analysis is the lyrics Domingo no parque, written by Gilberto Gil, which presents a narrative marked by an interesting breaking on the expectations. In the lyrics the character José, although been presented on the beginning as “a king of jokes” realize, influenced by a strong impulse, a bigger and serious “confusion”: a double murderer where the victims are Juliana and João who is presented in the beginning as the “king of confusion”. Taking as a theoretical basis the greimasian semiotics, we will seek to make explicit the intradiscursive mechanisms which generate the meaning effect of strangeness obtained by the text. This way, we intend to show, investigating the veridictory modalities (which articulate /being/ and /appearing/) that the breaking of the expectations is connected to the unveiling of an illusion (/appearing/ /not being/). We intend to further demonstrate how the development of the passionate course of the subject José , of which certain steps are implied, is crucial to the effect that takes the reader/listener to an inevitable reflection about the essence and the appearance and, hence, / nature / versus / culture /. O objeto de análise deste trabalho é a letra da canção Domingo no parque, de Gilberto Gil, que apresenta uma narrativa marcada por uma interessante quebra de expectativas. Na trama, o personagem José, apesar de apresentado inicialmente como rei da brincadeira, realiza, movido por um forte impulso, a “confusão” maior e mais séria: um duplo assassinato, cujas vítimas são Juliana e João, sujeito apresentado inicialmente como o rei da confusão. Tendo como suporte teórico a semiótica greimasiana, procuraremos explicitar os mecanismos intradiscursivos responsáveis pelo efeito de sentido de estranhamento obtido pelo texto. Nesse sentido, pretendemos demonstrar, investigando as modalidades veridictórias (que articulam o /ser/ e o /parecer/), que a quebra de expectativas apontada acima liga-se ao desvelamento de uma ilusão (/parecer/ /não-ser/). Pretendemos demonstrar ainda como o desenvolvimento do percurso passional do sujeito José, do qual algumas etapas encontram-se implícitas, é determinante para o efeito obtido, que leva o leitor/ouvinte a uma inevitável reflexão sobre essência e aparência e, por consequência, sobre /natureza/ versus /cultura/. Unioeste2010-08-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://e-revista.unioeste.br/index.php/travessias/article/view/4175Travessias; Vol. 4 No. 2 (2010)Travessias; Vol. 4 Núm. 2 (2010)Travessias; v. 4 n. 2 (2010)1982-5935reponame:Travessias (Cascavel. Online)instname:Universidade Estadual do Oeste do Paraná (Unioeste)instacron:Unioesteporhttps://e-revista.unioeste.br/index.php/travessias/article/view/4175/3243Copyright (c) 2010 Autores mantêm os direitos autorais e concedem à revista o direito de primeira publicação, com o trabalho simultaneamente licenciado sob CC-BY-NC-SA 4.0 que permite o compartilhamento do trabalho com indicação da autoria e publicação inicial nesta revistainfo:eu-repo/semantics/openAccessde Brito, Clebson LuizJáuregui, Carlos2020-12-08T11:43:01Zoai:ojs.e-revista.unioeste.br:article/4175Revistahttps://e-revista.unioeste.br/index.php/travessiasPUBhttps://e-revista.unioeste.br/index.php/travessias/oairevista.travessias@unioeste.br1982-59351982-5935opendoar:2020-12-08T11:43:01Travessias (Cascavel. Online) - Universidade Estadual do Oeste do Paraná (Unioeste)false |
dc.title.none.fl_str_mv |
STRANGENESS AND PROPOSALS FOR REFLECTION IN THE LYRICS DOMINGO NO PARQUE ESTRANHAMENTO E PROPOSTAS DE REFLEXÃO NA CANÇÃO DOMINGO NO PARQUE |
title |
STRANGENESS AND PROPOSALS FOR REFLECTION IN THE LYRICS DOMINGO NO PARQUE |
spellingShingle |
STRANGENESS AND PROPOSALS FOR REFLECTION IN THE LYRICS DOMINGO NO PARQUE de Brito, Clebson Luiz estranhamento percurso gerativo de sentido canção. |
title_short |
STRANGENESS AND PROPOSALS FOR REFLECTION IN THE LYRICS DOMINGO NO PARQUE |
title_full |
STRANGENESS AND PROPOSALS FOR REFLECTION IN THE LYRICS DOMINGO NO PARQUE |
title_fullStr |
STRANGENESS AND PROPOSALS FOR REFLECTION IN THE LYRICS DOMINGO NO PARQUE |
title_full_unstemmed |
STRANGENESS AND PROPOSALS FOR REFLECTION IN THE LYRICS DOMINGO NO PARQUE |
title_sort |
STRANGENESS AND PROPOSALS FOR REFLECTION IN THE LYRICS DOMINGO NO PARQUE |
author |
de Brito, Clebson Luiz |
author_facet |
de Brito, Clebson Luiz Jáuregui, Carlos |
author_role |
author |
author2 |
Jáuregui, Carlos |
author2_role |
author |
dc.contributor.author.fl_str_mv |
de Brito, Clebson Luiz Jáuregui, Carlos |
dc.subject.por.fl_str_mv |
estranhamento percurso gerativo de sentido canção. |
topic |
estranhamento percurso gerativo de sentido canção. |
description |
On this paper, the object of analysis is the lyrics Domingo no parque, written by Gilberto Gil, which presents a narrative marked by an interesting breaking on the expectations. In the lyrics the character José, although been presented on the beginning as “a king of jokes” realize, influenced by a strong impulse, a bigger and serious “confusion”: a double murderer where the victims are Juliana and João who is presented in the beginning as the “king of confusion”. Taking as a theoretical basis the greimasian semiotics, we will seek to make explicit the intradiscursive mechanisms which generate the meaning effect of strangeness obtained by the text. This way, we intend to show, investigating the veridictory modalities (which articulate /being/ and /appearing/) that the breaking of the expectations is connected to the unveiling of an illusion (/appearing/ /not being/). We intend to further demonstrate how the development of the passionate course of the subject José , of which certain steps are implied, is crucial to the effect that takes the reader/listener to an inevitable reflection about the essence and the appearance and, hence, / nature / versus / culture /. |
publishDate |
2010 |
dc.date.none.fl_str_mv |
2010-08-30 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://e-revista.unioeste.br/index.php/travessias/article/view/4175 |
url |
https://e-revista.unioeste.br/index.php/travessias/article/view/4175 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://e-revista.unioeste.br/index.php/travessias/article/view/4175/3243 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Unioeste |
publisher.none.fl_str_mv |
Unioeste |
dc.source.none.fl_str_mv |
Travessias; Vol. 4 No. 2 (2010) Travessias; Vol. 4 Núm. 2 (2010) Travessias; v. 4 n. 2 (2010) 1982-5935 reponame:Travessias (Cascavel. Online) instname:Universidade Estadual do Oeste do Paraná (Unioeste) instacron:Unioeste |
instname_str |
Universidade Estadual do Oeste do Paraná (Unioeste) |
instacron_str |
Unioeste |
institution |
Unioeste |
reponame_str |
Travessias (Cascavel. Online) |
collection |
Travessias (Cascavel. Online) |
repository.name.fl_str_mv |
Travessias (Cascavel. Online) - Universidade Estadual do Oeste do Paraná (Unioeste) |
repository.mail.fl_str_mv |
revista.travessias@unioeste.br |
_version_ |
1798044916786397184 |