NARRATIVE AND MEMORY IN LAVOURA ARCAICA

• Autor(a) principal: Piatti, Deise Ellen
• Data de Publicação: 2007
• Tipo de documento: Artigo
• Idioma: por
• Título da fonte: Travessias (Cascavel. Online)
• Texto Completo: https://e-revista.unioeste.br/index.php/travessias/article/view/2720
• topic: Narração; Memória estética; Lavoura Arcaica.

We will show in this study an interpretation of narrative and memory inthe work Lavoura Arcaica (1975) of writer Raduan Nassar to investigate the treatment forms present in the literary narrative translation to the cinema narrative LavouraArcaica (2001), directed by Luiz Fernando Carvalho. The study has passed through the artstic creations of a common theme, because we recognize at both the works, thepresence folmal and thematic motives which are peculiar to other art works: visuality.The text organization revelates, above all, several discourses and the political aestheticproject of the text writer and film director. So, while interpreting Lavoura Arcaica, we shall focus the narratives considering them as a discourse made by several voices whichare crocks and shrapnels of many times and places and, they are fiction creation, alanguage fact and a discourse produced and controlled by a producer source; whoseliterary and languages don't exceed a dictatorial action in the narrative condution, butthey have mystery; and they depend not only on the reader attention to be built as ameaning. They depend, above all, on its memory and soul. So, our intention is to showthat, while interpreting a text, if it is literary, filmed, pictoric, etc., it is necessary to seekthe soul of words and images as well as the forme as they are placed and to pay attetionto what the aesthetic form adopted is opposed because an element is also constituted bywhat it is not.