Are all women the same? Representations and intersectionalities in the tales Maria, from Conceição Evaristo and Amor, from Clarice Lispector

Detalhes bibliográficos
Autor(a) principal: Verastegui, Bruna Agliardi
Data de Publicação: 2023
Tipo de documento: Artigo
Idioma: por
Título da fonte: Travessias (Cascavel. Online)
Texto Completo: https://e-revista.unioeste.br/index.php/travessias/article/view/31460
Resumo: This paper aims to analyze the representations of gender, race and class included in the tales Maria, from Conceição Evaristo (1991) and Amor, from Clarice Lispector (1960), in an intersectional way. Both tales were written in contemporary times, but bring out different representations, once the characters Maria and Ana, respectively, are positioned as individuals in different locations and, as a consequence, go through different factors. In the methodological field, a cultural analysis is done, while in the theoretical field, authors such as Bell Hooks (2019); Grada Kilomba (2019); Lélia González (1982) among others, are used. Preliminary is possible to see that, though both characters are women, they are not represented in the same way, since that while Ana is a middle-class housewife that can take care of her children full time, Maria is a housekeeper that works excessively to support hers, what causes different concerns pass through each of them.
id Unioeste-1_d26a91c71938284bc8ad8bcec7d53f17
oai_identifier_str oai:ojs.e-revista.unioeste.br:article/31460
network_acronym_str Unioeste-1
network_name_str Travessias (Cascavel. Online)
repository_id_str
spelling Are all women the same? Representations and intersectionalities in the tales Maria, from Conceição Evaristo and Amor, from Clarice LispectorAs mulheres são todas iguais? Representações e interseccionalidades nos contos Maria, de Conceição Evaristo, e Amor, de Clarice LispectorEstudos CulturaisInterseccionalidadeLiteratura BrasileiraCultural StudiesIntersectionalitiesBrazilian LiteratureThis paper aims to analyze the representations of gender, race and class included in the tales Maria, from Conceição Evaristo (1991) and Amor, from Clarice Lispector (1960), in an intersectional way. Both tales were written in contemporary times, but bring out different representations, once the characters Maria and Ana, respectively, are positioned as individuals in different locations and, as a consequence, go through different factors. In the methodological field, a cultural analysis is done, while in the theoretical field, authors such as Bell Hooks (2019); Grada Kilomba (2019); Lélia González (1982) among others, are used. Preliminary is possible to see that, though both characters are women, they are not represented in the same way, since that while Ana is a middle-class housewife that can take care of her children full time, Maria is a housekeeper that works excessively to support hers, what causes different concerns pass through each of them.Este artigo tem o objetivo de analisar as representações de gênero, raça e classe contidas nos contos Maria, de Conceição Evaristo (1991), e Amor, de Clarice Lispector (1960), de forma interseccional. As duas narrativas foram escritas na contemporaneidade, mas trazem representações distintas, uma vez que as personagens Maria e Ana, respectivamente, estão posicionadas enquanto sujeitas em locais diferentes e, portanto, perpassadas por fatores diversos. No âmbito metodológico, realiza-se uma análise cultural, enquanto no âmbito teórico faz-se uso de autoras como bell hooks (2019); Grada Kilomba (2019); Lélia González (1982); entre outras. De modo preliminar, é possível perceber que, embora as duas personagens sejam mulheres, elas não são representadas do mesmo modo, já que enquanto Ana é uma dona de casa de classe média que pode cuidar de seus filhos em período integral, Maria é uma empregada doméstica que trabalha excessivamente para sustentar os seus, o que faz com que preocupações diferentes atravessem cada uma.Unioeste2023-08-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://e-revista.unioeste.br/index.php/travessias/article/view/3146010.48075/rt.v17i2.31460Travessias; Vol. 17 No. 2 (2023); e31460Travessias; Vol. 17 Núm. 2 (2023); e31460Travessias; v. 17 n. 2 (2023); e314601982-5935reponame:Travessias (Cascavel. Online)instname:Universidade Estadual do Oeste do Paraná (UNIOESTE)instacron:Unioesteporhttps://e-revista.unioeste.br/index.php/travessias/article/view/31460/22384Copyright (c) 2023 Autores mantêm os direitos autorais e concedem à revista o direito de primeira publicação, com o trabalho simultaneamente licenciado sob CC-BY-NC-SA 4.0 que permite o compartilhamento do trabalho com indicação da autoria e publicação inicial nesta revistahttps://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccessVerastegui, Bruna Agliardi2023-12-22T20:21:18Zoai:ojs.e-revista.unioeste.br:article/31460Revistahttps://e-revista.unioeste.br/index.php/travessiasPUBhttps://e-revista.unioeste.br/index.php/travessias/oairevista.travessias@unioeste.br1982-59351982-5935opendoar:2023-12-22T20:21:18Travessias (Cascavel. Online) - Universidade Estadual do Oeste do Paraná (UNIOESTE)false
dc.title.none.fl_str_mv Are all women the same? Representations and intersectionalities in the tales Maria, from Conceição Evaristo and Amor, from Clarice Lispector
As mulheres são todas iguais? Representações e interseccionalidades nos contos Maria, de Conceição Evaristo, e Amor, de Clarice Lispector
title Are all women the same? Representations and intersectionalities in the tales Maria, from Conceição Evaristo and Amor, from Clarice Lispector
spellingShingle Are all women the same? Representations and intersectionalities in the tales Maria, from Conceição Evaristo and Amor, from Clarice Lispector
Verastegui, Bruna Agliardi
Estudos Culturais
Interseccionalidade
Literatura Brasileira
Cultural Studies
Intersectionalities
Brazilian Literature
title_short Are all women the same? Representations and intersectionalities in the tales Maria, from Conceição Evaristo and Amor, from Clarice Lispector
title_full Are all women the same? Representations and intersectionalities in the tales Maria, from Conceição Evaristo and Amor, from Clarice Lispector
title_fullStr Are all women the same? Representations and intersectionalities in the tales Maria, from Conceição Evaristo and Amor, from Clarice Lispector
title_full_unstemmed Are all women the same? Representations and intersectionalities in the tales Maria, from Conceição Evaristo and Amor, from Clarice Lispector
title_sort Are all women the same? Representations and intersectionalities in the tales Maria, from Conceição Evaristo and Amor, from Clarice Lispector
author Verastegui, Bruna Agliardi
author_facet Verastegui, Bruna Agliardi
author_role author
dc.contributor.author.fl_str_mv Verastegui, Bruna Agliardi
dc.subject.por.fl_str_mv Estudos Culturais
Interseccionalidade
Literatura Brasileira
Cultural Studies
Intersectionalities
Brazilian Literature
topic Estudos Culturais
Interseccionalidade
Literatura Brasileira
Cultural Studies
Intersectionalities
Brazilian Literature
description This paper aims to analyze the representations of gender, race and class included in the tales Maria, from Conceição Evaristo (1991) and Amor, from Clarice Lispector (1960), in an intersectional way. Both tales were written in contemporary times, but bring out different representations, once the characters Maria and Ana, respectively, are positioned as individuals in different locations and, as a consequence, go through different factors. In the methodological field, a cultural analysis is done, while in the theoretical field, authors such as Bell Hooks (2019); Grada Kilomba (2019); Lélia González (1982) among others, are used. Preliminary is possible to see that, though both characters are women, they are not represented in the same way, since that while Ana is a middle-class housewife that can take care of her children full time, Maria is a housekeeper that works excessively to support hers, what causes different concerns pass through each of them.
publishDate 2023
dc.date.none.fl_str_mv 2023-08-29
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://e-revista.unioeste.br/index.php/travessias/article/view/31460
10.48075/rt.v17i2.31460
url https://e-revista.unioeste.br/index.php/travessias/article/view/31460
identifier_str_mv 10.48075/rt.v17i2.31460
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://e-revista.unioeste.br/index.php/travessias/article/view/31460/22384
dc.rights.driver.fl_str_mv https://creativecommons.org/licenses/by-nc-sa/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc-sa/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Unioeste
publisher.none.fl_str_mv Unioeste
dc.source.none.fl_str_mv Travessias; Vol. 17 No. 2 (2023); e31460
Travessias; Vol. 17 Núm. 2 (2023); e31460
Travessias; v. 17 n. 2 (2023); e31460
1982-5935
reponame:Travessias (Cascavel. Online)
instname:Universidade Estadual do Oeste do Paraná (UNIOESTE)
instacron:Unioeste
instname_str Universidade Estadual do Oeste do Paraná (UNIOESTE)
instacron_str Unioeste
institution Unioeste
reponame_str Travessias (Cascavel. Online)
collection Travessias (Cascavel. Online)
repository.name.fl_str_mv Travessias (Cascavel. Online) - Universidade Estadual do Oeste do Paraná (UNIOESTE)
repository.mail.fl_str_mv revista.travessias@unioeste.br
_version_ 1798044912139108352