CREATIVE PROCESS IN ADVERTISING AND ALL TYPE, ALL IMAGE AND MIX FORMATS

Detalhes bibliográficos
Autor(a) principal: Negri, Marina Aparecida Espinosa
Data de Publicação: 2010
Tipo de documento: Artigo
Idioma: por
Título da fonte: Travessias (Cascavel. Online)
Texto Completo: https://e-revista.unioeste.br/index.php/travessias/article/view/3697
Resumo: This article appears as a part of a PhD research in progress, directed to the making of advertising in contemporary society, and its intertextuality with the arts and technology. It is understood the noun arts here, as the expression of consistent statements. This approach, specifically, is located in a work phase, which considers the conceptual definitions relative to creative adds formats, searching to consolidate two intentions: to stablish a parallel among the three basic, named All Type, All Image and Mix; and to check the interference of the creative processes, and high technology in the execution of each of these models. The research journey beckons to some conclusions, among which the most effusive would be that the high tech apparatus, in most cases, has replaced the creative process, and conditioning targets to understand Advertising as a communication activity eminently visual, and not always committed to the logic.
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spelling CREATIVE PROCESS IN ADVERTISING AND ALL TYPE, ALL IMAGE AND MIX FORMATSO PROCESSO CRIATIVO EM PUBLICIDADE E OS FORMATOS "ALL TYPE", "ALL IMAGE" E VERBO-VISUALArte e ComunicaçãoThis article appears as a part of a PhD research in progress, directed to the making of advertising in contemporary society, and its intertextuality with the arts and technology. It is understood the noun arts here, as the expression of consistent statements. This approach, specifically, is located in a work phase, which considers the conceptual definitions relative to creative adds formats, searching to consolidate two intentions: to stablish a parallel among the three basic, named All Type, All Image and Mix; and to check the interference of the creative processes, and high technology in the execution of each of these models. The research journey beckons to some conclusions, among which the most effusive would be that the high tech apparatus, in most cases, has replaced the creative process, and conditioning targets to understand Advertising as a communication activity eminently visual, and not always committed to the logic. Este artigo figura como parte constituinte de uma pesquisa de doutorado ora em andamento, direcionada à construção da mensagem publicitária na contemporaneidade, e sua intertextualidade com as artes e a tecnologia. Entenda-se o substantivo artes, aqui, como a expressão de enunciados consistentes. Esta abordagem, especificamente, localiza-se em uma fase do trabalho que considera as definições conceituais referentes aos formatos criativos de anúncios, em busca de consolidar duas intenções: estabelecer um paralelo entre os três básicos, denominados All Type, All Image e Verbo-Visual; e avaliar a interferência tanto dos processos criativos, como do aparato tecnológico, na execução de cada um deles. O percurso investigativo acena para algumas conclusões, dentre as quais a mais efusiva seria a de que recursos gráficos, na maioria dos casos, têm substituído processos de criação, e condicionado os públicos-alvo a compreenderem a Publicidade como uma atividade comunicacional eminentemente imagética, e nem sempre  comprometida com a lógica. Unioeste2010-09-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/mswordhttps://e-revista.unioeste.br/index.php/travessias/article/view/3697Travessias; Vol. 4 No. 2 (2010)Travessias; Vol. 4 Núm. 2 (2010)Travessias; v. 4 n. 2 (2010)1982-5935reponame:Travessias (Cascavel. Online)instname:Universidade Estadual do Oeste do Paraná (Unioeste)instacron:Unioesteporhttps://e-revista.unioeste.br/index.php/travessias/article/view/3697/3213https://e-revista.unioeste.br/index.php/travessias/article/view/3697/17887Copyright (c) 2010 Autores mantêm os direitos autorais e concedem à revista o direito de primeira publicação, com o trabalho simultaneamente licenciado sob CC-BY-NC-SA 4.0 que permite o compartilhamento do trabalho com indicação da autoria e publicação inicial nesta revistainfo:eu-repo/semantics/openAccessNegri, Marina Aparecida Espinosa2020-12-08T11:43:01Zoai:ojs.e-revista.unioeste.br:article/3697Revistahttps://e-revista.unioeste.br/index.php/travessiasPUBhttps://e-revista.unioeste.br/index.php/travessias/oairevista.travessias@unioeste.br1982-59351982-5935opendoar:2020-12-08T11:43:01Travessias (Cascavel. Online) - Universidade Estadual do Oeste do Paraná (Unioeste)false
dc.title.none.fl_str_mv CREATIVE PROCESS IN ADVERTISING AND ALL TYPE, ALL IMAGE AND MIX FORMATS
O PROCESSO CRIATIVO EM PUBLICIDADE E OS FORMATOS "ALL TYPE", "ALL IMAGE" E VERBO-VISUAL
title CREATIVE PROCESS IN ADVERTISING AND ALL TYPE, ALL IMAGE AND MIX FORMATS
spellingShingle CREATIVE PROCESS IN ADVERTISING AND ALL TYPE, ALL IMAGE AND MIX FORMATS
Negri, Marina Aparecida Espinosa
Arte e Comunicação
title_short CREATIVE PROCESS IN ADVERTISING AND ALL TYPE, ALL IMAGE AND MIX FORMATS
title_full CREATIVE PROCESS IN ADVERTISING AND ALL TYPE, ALL IMAGE AND MIX FORMATS
title_fullStr CREATIVE PROCESS IN ADVERTISING AND ALL TYPE, ALL IMAGE AND MIX FORMATS
title_full_unstemmed CREATIVE PROCESS IN ADVERTISING AND ALL TYPE, ALL IMAGE AND MIX FORMATS
title_sort CREATIVE PROCESS IN ADVERTISING AND ALL TYPE, ALL IMAGE AND MIX FORMATS
author Negri, Marina Aparecida Espinosa
author_facet Negri, Marina Aparecida Espinosa
author_role author
dc.contributor.author.fl_str_mv Negri, Marina Aparecida Espinosa
dc.subject.por.fl_str_mv Arte e Comunicação
topic Arte e Comunicação
description This article appears as a part of a PhD research in progress, directed to the making of advertising in contemporary society, and its intertextuality with the arts and technology. It is understood the noun arts here, as the expression of consistent statements. This approach, specifically, is located in a work phase, which considers the conceptual definitions relative to creative adds formats, searching to consolidate two intentions: to stablish a parallel among the three basic, named All Type, All Image and Mix; and to check the interference of the creative processes, and high technology in the execution of each of these models. The research journey beckons to some conclusions, among which the most effusive would be that the high tech apparatus, in most cases, has replaced the creative process, and conditioning targets to understand Advertising as a communication activity eminently visual, and not always committed to the logic.
publishDate 2010
dc.date.none.fl_str_mv 2010-09-22
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info:eu-repo/semantics/publishedVersion
format article
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dc.identifier.uri.fl_str_mv https://e-revista.unioeste.br/index.php/travessias/article/view/3697
url https://e-revista.unioeste.br/index.php/travessias/article/view/3697
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://e-revista.unioeste.br/index.php/travessias/article/view/3697/3213
https://e-revista.unioeste.br/index.php/travessias/article/view/3697/17887
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
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application/msword
dc.publisher.none.fl_str_mv Unioeste
publisher.none.fl_str_mv Unioeste
dc.source.none.fl_str_mv Travessias; Vol. 4 No. 2 (2010)
Travessias; Vol. 4 Núm. 2 (2010)
Travessias; v. 4 n. 2 (2010)
1982-5935
reponame:Travessias (Cascavel. Online)
instname:Universidade Estadual do Oeste do Paraná (Unioeste)
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instacron_str Unioeste
institution Unioeste
reponame_str Travessias (Cascavel. Online)
collection Travessias (Cascavel. Online)
repository.name.fl_str_mv Travessias (Cascavel. Online) - Universidade Estadual do Oeste do Paraná (Unioeste)
repository.mail.fl_str_mv revista.travessias@unioeste.br
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