THE WETLANDER SOUND: CHORDS TO THE CONSTITUTION OF THE IDENTITY, CULTURE AND SUBJECT’S EDUCATION
Autor(a) principal: | |
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Data de Publicação: | 2011 |
Outros Autores: | , |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Travessias (Cascavel. Online) |
Texto Completo: | https://e-revista.unioeste.br/index.php/travessias/article/view/3839 |
Resumo: | The present work results of the regionals music letters’s setting-up about the wetlander man sul-mato-grossense1 which, on the other hand, has the intention of realize how that man is uncovered and how is the formation of his culture and constitution. In the development of the work we realize that the music is important in this process of apprehension and devolution, because it reveals the subject that is inserted in this culture. In this study, we consider that the music, also is the product of this culture, together with its rhythms, musicalities, letters and ways of singing. However, and for the achievement of this research, we will highlight, in the middle of these aspects components of the musical manifestation, only the musical letters as an instrument for the examination of the identity of this wetlander man. Considering that the music (from of its letters) is an important cultural expression that reveals the constitution of this man. From its we can, in the same way, recognize the educational process of a culture and the main characteristics that compose the man. The theoretical reference that we utilize for the analysis, quoted before, is based on the Cultural-Historical Theory, mainly in the Theory of Activity of Leontiev. In the setting-up phase, were found out 133 songs that accost the wetland, hear were prioritized only which contained, in the title or in the verses of the songs, the word “wetland”, totalizing 36 works that will be analyzed. The research`s results show up that the identity constitution of the “sul-mato-grossense” wetlander is related with the pawns, cowboys and ropers, because these traces help to compose the identity and the wetlander way of life. |
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THE WETLANDER SOUND: CHORDS TO THE CONSTITUTION OF THE IDENTITY, CULTURE AND SUBJECT’S EDUCATIONO SOM PANTANEIRO: ACORDES PARA A CONSTITUIÇÃO DA IDENTIDADE, DA CULTURA E DA EDUCAÇÃO DOS SUJEITOSMúsica pantaneiraEducação e cultura pantaneiraConstituição do sujeito pantaneiro. The present work results of the regionals music letters’s setting-up about the wetlander man sul-mato-grossense1 which, on the other hand, has the intention of realize how that man is uncovered and how is the formation of his culture and constitution. In the development of the work we realize that the music is important in this process of apprehension and devolution, because it reveals the subject that is inserted in this culture. In this study, we consider that the music, also is the product of this culture, together with its rhythms, musicalities, letters and ways of singing. However, and for the achievement of this research, we will highlight, in the middle of these aspects components of the musical manifestation, only the musical letters as an instrument for the examination of the identity of this wetlander man. Considering that the music (from of its letters) is an important cultural expression that reveals the constitution of this man. From its we can, in the same way, recognize the educational process of a culture and the main characteristics that compose the man. The theoretical reference that we utilize for the analysis, quoted before, is based on the Cultural-Historical Theory, mainly in the Theory of Activity of Leontiev. In the setting-up phase, were found out 133 songs that accost the wetland, hear were prioritized only which contained, in the title or in the verses of the songs, the word “wetland”, totalizing 36 works that will be analyzed. The research`s results show up that the identity constitution of the “sul-mato-grossense” wetlander is related with the pawns, cowboys and ropers, because these traces help to compose the identity and the wetlander way of life. O presente trabalho resulta de levantamentos de letras de músicas regionais sobre o homem pantaneiro sul-mato-grossense que, por sua vez, têm o intuito de perceber como esse homem é revelado e como se dá sua cultura e constituição. No desenvolvimento do trabalho percebemos que a música é importante nesse processo de apreensão e de devolução, pois ela revela o sujeito que se insere nesta cultura. Neste estudo, consideramos que a música, também, é produto dessa cultura, juntamente com seus ritmos, musicalidades, letras e maneiras de cantar. No entanto, e para a realização desta pesquisa, destacaremos, em meio a esses aspectos componentes da manifestação musical, apenas as letras musicais como instrumento para verificação da identidade de tal homem pantaneiro. Consideramos que a música (a partir de suas letras) é uma expressão cultural importante e que revela a constituição desse homem. A partir dela pode-se, igualmente, reconhecer o processo educativo de uma cultura e as principais características que constituem o homem. O referencial teórico que utilizamos para análise, citado anteriormente, está baseado na Teoria Histórico-Cultural, principalmente na teoria da Atividade de Leontiev. Na fase do levantamento, foram encontradas 133 músicas que abordam o pantanal, aqui foram priorizadas apenas as que continham, no título ou nos versos das músicas, a palavra “pantanal”, totalizando 36 obras que serão analisadas. Os resultados da pesquisa mostram que a constituição identitária do pantaneiro sul-mato-grossense relacionando-a as atividades de peões, boiadeiros e laçadores, pois esses traços ajudam a compor a identidade e o jeito de ser pantaneiro.Unioeste2011-05-26info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://e-revista.unioeste.br/index.php/travessias/article/view/3839Travessias; Vol. 5 No. 1 (2011); e3839Travessias; Vol. 5 Núm. 1 (2011); e3839Travessias; v. 5 n. 1 (2011); e38391982-5935reponame:Travessias (Cascavel. Online)instname:Universidade Estadual do Oeste do Paraná (UNIOESTE)instacron:Unioesteporhttps://e-revista.unioeste.br/index.php/travessias/article/view/3839/3876Copyright (c) 2011 Autores mantêm os direitos autorais e concedem à revista o direito de primeira publicação, com o trabalho simultaneamente licenciado sob CC-BY-NC-SA 4.0 que permite o compartilhamento do trabalho com indicação da autoria e publicação inicial nesta revistahttps://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccessPeres Gonçalves, JosianeAhmad Charaf Eddine, EderUrt, Sônia da Cunha2023-05-03T15:58:11Zoai:ojs.e-revista.unioeste.br:article/3839Revistahttps://e-revista.unioeste.br/index.php/travessiasPUBhttps://e-revista.unioeste.br/index.php/travessias/oairevista.travessias@unioeste.br1982-59351982-5935opendoar:2023-05-03T15:58:11Travessias (Cascavel. Online) - Universidade Estadual do Oeste do Paraná (UNIOESTE)false |
dc.title.none.fl_str_mv |
THE WETLANDER SOUND: CHORDS TO THE CONSTITUTION OF THE IDENTITY, CULTURE AND SUBJECT’S EDUCATION O SOM PANTANEIRO: ACORDES PARA A CONSTITUIÇÃO DA IDENTIDADE, DA CULTURA E DA EDUCAÇÃO DOS SUJEITOS |
title |
THE WETLANDER SOUND: CHORDS TO THE CONSTITUTION OF THE IDENTITY, CULTURE AND SUBJECT’S EDUCATION |
spellingShingle |
THE WETLANDER SOUND: CHORDS TO THE CONSTITUTION OF THE IDENTITY, CULTURE AND SUBJECT’S EDUCATION Peres Gonçalves, Josiane Música pantaneira Educação e cultura pantaneira Constituição do sujeito pantaneiro. |
title_short |
THE WETLANDER SOUND: CHORDS TO THE CONSTITUTION OF THE IDENTITY, CULTURE AND SUBJECT’S EDUCATION |
title_full |
THE WETLANDER SOUND: CHORDS TO THE CONSTITUTION OF THE IDENTITY, CULTURE AND SUBJECT’S EDUCATION |
title_fullStr |
THE WETLANDER SOUND: CHORDS TO THE CONSTITUTION OF THE IDENTITY, CULTURE AND SUBJECT’S EDUCATION |
title_full_unstemmed |
THE WETLANDER SOUND: CHORDS TO THE CONSTITUTION OF THE IDENTITY, CULTURE AND SUBJECT’S EDUCATION |
title_sort |
THE WETLANDER SOUND: CHORDS TO THE CONSTITUTION OF THE IDENTITY, CULTURE AND SUBJECT’S EDUCATION |
author |
Peres Gonçalves, Josiane |
author_facet |
Peres Gonçalves, Josiane Ahmad Charaf Eddine, Eder Urt, Sônia da Cunha |
author_role |
author |
author2 |
Ahmad Charaf Eddine, Eder Urt, Sônia da Cunha |
author2_role |
author author |
dc.contributor.author.fl_str_mv |
Peres Gonçalves, Josiane Ahmad Charaf Eddine, Eder Urt, Sônia da Cunha |
dc.subject.por.fl_str_mv |
Música pantaneira Educação e cultura pantaneira Constituição do sujeito pantaneiro. |
topic |
Música pantaneira Educação e cultura pantaneira Constituição do sujeito pantaneiro. |
description |
The present work results of the regionals music letters’s setting-up about the wetlander man sul-mato-grossense1 which, on the other hand, has the intention of realize how that man is uncovered and how is the formation of his culture and constitution. In the development of the work we realize that the music is important in this process of apprehension and devolution, because it reveals the subject that is inserted in this culture. In this study, we consider that the music, also is the product of this culture, together with its rhythms, musicalities, letters and ways of singing. However, and for the achievement of this research, we will highlight, in the middle of these aspects components of the musical manifestation, only the musical letters as an instrument for the examination of the identity of this wetlander man. Considering that the music (from of its letters) is an important cultural expression that reveals the constitution of this man. From its we can, in the same way, recognize the educational process of a culture and the main characteristics that compose the man. The theoretical reference that we utilize for the analysis, quoted before, is based on the Cultural-Historical Theory, mainly in the Theory of Activity of Leontiev. In the setting-up phase, were found out 133 songs that accost the wetland, hear were prioritized only which contained, in the title or in the verses of the songs, the word “wetland”, totalizing 36 works that will be analyzed. The research`s results show up that the identity constitution of the “sul-mato-grossense” wetlander is related with the pawns, cowboys and ropers, because these traces help to compose the identity and the wetlander way of life. |
publishDate |
2011 |
dc.date.none.fl_str_mv |
2011-05-26 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://e-revista.unioeste.br/index.php/travessias/article/view/3839 |
url |
https://e-revista.unioeste.br/index.php/travessias/article/view/3839 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://e-revista.unioeste.br/index.php/travessias/article/view/3839/3876 |
dc.rights.driver.fl_str_mv |
https://creativecommons.org/licenses/by-nc-sa/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
https://creativecommons.org/licenses/by-nc-sa/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Unioeste |
publisher.none.fl_str_mv |
Unioeste |
dc.source.none.fl_str_mv |
Travessias; Vol. 5 No. 1 (2011); e3839 Travessias; Vol. 5 Núm. 1 (2011); e3839 Travessias; v. 5 n. 1 (2011); e3839 1982-5935 reponame:Travessias (Cascavel. Online) instname:Universidade Estadual do Oeste do Paraná (UNIOESTE) instacron:Unioeste |
instname_str |
Universidade Estadual do Oeste do Paraná (UNIOESTE) |
instacron_str |
Unioeste |
institution |
Unioeste |
reponame_str |
Travessias (Cascavel. Online) |
collection |
Travessias (Cascavel. Online) |
repository.name.fl_str_mv |
Travessias (Cascavel. Online) - Universidade Estadual do Oeste do Paraná (UNIOESTE) |
repository.mail.fl_str_mv |
revista.travessias@unioeste.br |
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1798044912038445056 |