THE WETLANDER SOUND: CHORDS TO THE CONSTITUTION OF THE IDENTITY, CULTURE AND SUBJECT’S EDUCATION

Detalhes bibliográficos
Autor(a) principal: Peres Gonçalves, Josiane
Data de Publicação: 2011
Outros Autores: Ahmad Charaf Eddine, Eder, Urt, Sônia da Cunha
Tipo de documento: Artigo
Idioma: por
Título da fonte: Travessias (Cascavel. Online)
Texto Completo: https://e-revista.unioeste.br/index.php/travessias/article/view/3839
Resumo: The present work results of the regionals music letters’s setting-up about the wetlander man sul-mato-grossense1   which, on the other hand, has the intention of realize how that man is uncovered and how is the formation of his culture and constitution. In the development of the work we realize that the music is important in this process of apprehension and devolution, because it reveals the subject that is inserted in this culture. In this study, we consider that the music, also is the product of this culture, together with its rhythms, musicalities, letters and ways of singing. However, and for the achievement of this research, we will highlight, in the middle of these aspects components of the musical manifestation, only the musical letters as an instrument for the examination of the identity of this wetlander man. Considering that the music (from of its letters) is an important cultural expression that reveals the constitution of this man. From its we can, in the same way, recognize the educational process of a culture and the main characteristics that compose the man. The theoretical reference that we utilize for the analysis, quoted before, is based on the Cultural-Historical Theory, mainly in the Theory of Activity of Leontiev. In the setting-up phase, were found out 133 songs that accost the wetland, hear were prioritized only which contained, in the title or in the verses of the songs, the word “wetland”, totalizing 36 works that will be analyzed. The research`s results show up that the identity constitution of the “sul-mato-grossense” wetlander is related with the pawns, cowboys and ropers, because these traces help to compose the identity and the wetlander way of life.
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spelling THE WETLANDER SOUND: CHORDS TO THE CONSTITUTION OF THE IDENTITY, CULTURE AND SUBJECT’S EDUCATIONO SOM PANTANEIRO: ACORDES PARA A CONSTITUIÇÃO DA IDENTIDADE, DA CULTURA E DA EDUCAÇÃO DOS SUJEITOSMúsica pantaneiraEducação e cultura pantaneiraConstituição do sujeito pantaneiro. The present work results of the regionals music letters’s setting-up about the wetlander man sul-mato-grossense1   which, on the other hand, has the intention of realize how that man is uncovered and how is the formation of his culture and constitution. In the development of the work we realize that the music is important in this process of apprehension and devolution, because it reveals the subject that is inserted in this culture. In this study, we consider that the music, also is the product of this culture, together with its rhythms, musicalities, letters and ways of singing. However, and for the achievement of this research, we will highlight, in the middle of these aspects components of the musical manifestation, only the musical letters as an instrument for the examination of the identity of this wetlander man. Considering that the music (from of its letters) is an important cultural expression that reveals the constitution of this man. From its we can, in the same way, recognize the educational process of a culture and the main characteristics that compose the man. The theoretical reference that we utilize for the analysis, quoted before, is based on the Cultural-Historical Theory, mainly in the Theory of Activity of Leontiev. In the setting-up phase, were found out 133 songs that accost the wetland, hear were prioritized only which contained, in the title or in the verses of the songs, the word “wetland”, totalizing 36 works that will be analyzed. The research`s results show up that the identity constitution of the “sul-mato-grossense” wetlander is related with the pawns, cowboys and ropers, because these traces help to compose the identity and the wetlander way of life. O presente trabalho resulta de levantamentos de letras de músicas regionais sobre o homem pantaneiro sul-mato-grossense que, por sua vez, têm o intuito de perceber como esse homem é revelado e como se dá sua cultura e constituição. No desenvolvimento do trabalho percebemos que a música é importante nesse processo de apreensão e de devolução, pois ela revela o sujeito que se insere nesta cultura. Neste estudo, consideramos que a música, também, é produto dessa cultura, juntamente com seus ritmos, musicalidades, letras e maneiras de cantar. No entanto, e para a realização desta pesquisa, destacaremos, em meio a esses aspectos componentes da manifestação musical, apenas as letras musicais como instrumento para verificação da identidade de tal homem pantaneiro. Consideramos que a música (a partir de suas letras) é uma expressão cultural importante e que revela a constituição desse homem. A partir dela pode-se, igualmente, reconhecer o processo educativo de uma cultura e as principais características que constituem o homem. O referencial teórico que utilizamos para análise, citado anteriormente, está baseado na Teoria Histórico-Cultural, principalmente na teoria da Atividade de Leontiev. Na fase do levantamento, foram encontradas 133 músicas que abordam o pantanal, aqui foram priorizadas apenas as que continham, no título ou nos versos das músicas, a palavra “pantanal”, totalizando 36 obras que serão analisadas. Os resultados da pesquisa mostram que a constituição identitária do pantaneiro sul-mato-grossense relacionando-a as atividades de peões, boiadeiros e laçadores, pois esses traços ajudam a compor a identidade e o jeito de ser pantaneiro.Unioeste2011-05-26info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://e-revista.unioeste.br/index.php/travessias/article/view/3839Travessias; Vol. 5 No. 1 (2011); e3839Travessias; Vol. 5 Núm. 1 (2011); e3839Travessias; v. 5 n. 1 (2011); e38391982-5935reponame:Travessias (Cascavel. Online)instname:Universidade Estadual do Oeste do Paraná (UNIOESTE)instacron:Unioesteporhttps://e-revista.unioeste.br/index.php/travessias/article/view/3839/3876Copyright (c) 2011 Autores mantêm os direitos autorais e concedem à revista o direito de primeira publicação, com o trabalho simultaneamente licenciado sob CC-BY-NC-SA 4.0 que permite o compartilhamento do trabalho com indicação da autoria e publicação inicial nesta revistahttps://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccessPeres Gonçalves, JosianeAhmad Charaf Eddine, EderUrt, Sônia da Cunha2023-05-03T15:58:11Zoai:ojs.e-revista.unioeste.br:article/3839Revistahttps://e-revista.unioeste.br/index.php/travessiasPUBhttps://e-revista.unioeste.br/index.php/travessias/oairevista.travessias@unioeste.br1982-59351982-5935opendoar:2023-05-03T15:58:11Travessias (Cascavel. Online) - Universidade Estadual do Oeste do Paraná (UNIOESTE)false
dc.title.none.fl_str_mv THE WETLANDER SOUND: CHORDS TO THE CONSTITUTION OF THE IDENTITY, CULTURE AND SUBJECT’S EDUCATION
O SOM PANTANEIRO: ACORDES PARA A CONSTITUIÇÃO DA IDENTIDADE, DA CULTURA E DA EDUCAÇÃO DOS SUJEITOS
title THE WETLANDER SOUND: CHORDS TO THE CONSTITUTION OF THE IDENTITY, CULTURE AND SUBJECT’S EDUCATION
spellingShingle THE WETLANDER SOUND: CHORDS TO THE CONSTITUTION OF THE IDENTITY, CULTURE AND SUBJECT’S EDUCATION
Peres Gonçalves, Josiane
Música pantaneira
Educação e cultura pantaneira
Constituição do sujeito pantaneiro.
title_short THE WETLANDER SOUND: CHORDS TO THE CONSTITUTION OF THE IDENTITY, CULTURE AND SUBJECT’S EDUCATION
title_full THE WETLANDER SOUND: CHORDS TO THE CONSTITUTION OF THE IDENTITY, CULTURE AND SUBJECT’S EDUCATION
title_fullStr THE WETLANDER SOUND: CHORDS TO THE CONSTITUTION OF THE IDENTITY, CULTURE AND SUBJECT’S EDUCATION
title_full_unstemmed THE WETLANDER SOUND: CHORDS TO THE CONSTITUTION OF THE IDENTITY, CULTURE AND SUBJECT’S EDUCATION
title_sort THE WETLANDER SOUND: CHORDS TO THE CONSTITUTION OF THE IDENTITY, CULTURE AND SUBJECT’S EDUCATION
author Peres Gonçalves, Josiane
author_facet Peres Gonçalves, Josiane
Ahmad Charaf Eddine, Eder
Urt, Sônia da Cunha
author_role author
author2 Ahmad Charaf Eddine, Eder
Urt, Sônia da Cunha
author2_role author
author
dc.contributor.author.fl_str_mv Peres Gonçalves, Josiane
Ahmad Charaf Eddine, Eder
Urt, Sônia da Cunha
dc.subject.por.fl_str_mv Música pantaneira
Educação e cultura pantaneira
Constituição do sujeito pantaneiro.
topic Música pantaneira
Educação e cultura pantaneira
Constituição do sujeito pantaneiro.
description The present work results of the regionals music letters’s setting-up about the wetlander man sul-mato-grossense1   which, on the other hand, has the intention of realize how that man is uncovered and how is the formation of his culture and constitution. In the development of the work we realize that the music is important in this process of apprehension and devolution, because it reveals the subject that is inserted in this culture. In this study, we consider that the music, also is the product of this culture, together with its rhythms, musicalities, letters and ways of singing. However, and for the achievement of this research, we will highlight, in the middle of these aspects components of the musical manifestation, only the musical letters as an instrument for the examination of the identity of this wetlander man. Considering that the music (from of its letters) is an important cultural expression that reveals the constitution of this man. From its we can, in the same way, recognize the educational process of a culture and the main characteristics that compose the man. The theoretical reference that we utilize for the analysis, quoted before, is based on the Cultural-Historical Theory, mainly in the Theory of Activity of Leontiev. In the setting-up phase, were found out 133 songs that accost the wetland, hear were prioritized only which contained, in the title or in the verses of the songs, the word “wetland”, totalizing 36 works that will be analyzed. The research`s results show up that the identity constitution of the “sul-mato-grossense” wetlander is related with the pawns, cowboys and ropers, because these traces help to compose the identity and the wetlander way of life.
publishDate 2011
dc.date.none.fl_str_mv 2011-05-26
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dc.relation.none.fl_str_mv https://e-revista.unioeste.br/index.php/travessias/article/view/3839/3876
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dc.source.none.fl_str_mv Travessias; Vol. 5 No. 1 (2011); e3839
Travessias; Vol. 5 Núm. 1 (2011); e3839
Travessias; v. 5 n. 1 (2011); e3839
1982-5935
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