Poetics on stage and memorial weavings in Quizá (2015), a collective creation by Roxana Ávila, Magdalena Morales y Vania Vargas

Detalhes bibliográficos
Autor(a) principal: Contreras , Lilibeth Janneth Zambrano
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: spa
Título da fonte: Travessias (Cascavel. Online)
Texto Completo: https://e-revista.unioeste.br/index.php/travessias/article/view/30166
Resumo: The main purpose of this article is to show the particularities of the particularities of the crossing of borders between media, based on the intermedial combinatory that takes place in Quizá (2015), by the project collective Scenic-Poetics, of the Centro Cultural de España in Guatemala. Quizá has a singular publication by the independent publishing house Catafixia, a creation made up of the poetic production of Vania Vargas, photographs by Cecilia Porras Sáenz, with texts by the Guatemalan actress Magdalena Morales and Costa Rican theatre director Roxana Ávila, who directs it. The contemporary intermedial project Scenic-Poetics favors the encounter between theatre and poetry. Quizá it is a monologue in which the Guatemalan actress Magdalena Morales dialogues with the women who inhabit it and who figure one or the other in different facets of her life: the Girl-the Mother-the Grandmother: the Woman: the actress. Through the staging of Vania Vargas's poetry, a singular scenic space is created in which the actress, motivated by the question of who she is, reaffirms her condition as an artist.
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spelling Poetics on stage and memorial weavings in Quizá (2015), a collective creation by Roxana Ávila, Magdalena Morales y Vania VargasPoética en escena y tejidos memoriales en Quizá (2015), creación colectiva de Roxana Ávila, Magdalena Morales y Vania Vargas Poética em cena e tecidos memoriais em Quizá (2015), uma criação coletiva de Roxana Ávila, Magdalena Morales e Vania VargasScenic-PoeticsIntermedialitypoetry on stagepoetry in actionEscénica-PoéticaIntermedialidadpoesía en escenapoesía en acciónPoética cênicaintermedialidadepoesia em palcopoesia em açãoThe main purpose of this article is to show the particularities of the particularities of the crossing of borders between media, based on the intermedial combinatory that takes place in Quizá (2015), by the project collective Scenic-Poetics, of the Centro Cultural de España in Guatemala. Quizá has a singular publication by the independent publishing house Catafixia, a creation made up of the poetic production of Vania Vargas, photographs by Cecilia Porras Sáenz, with texts by the Guatemalan actress Magdalena Morales and Costa Rican theatre director Roxana Ávila, who directs it. The contemporary intermedial project Scenic-Poetics favors the encounter between theatre and poetry. Quizá it is a monologue in which the Guatemalan actress Magdalena Morales dialogues with the women who inhabit it and who figure one or the other in different facets of her life: the Girl-the Mother-the Grandmother: the Woman: the actress. Through the staging of Vania Vargas's poetry, a singular scenic space is created in which the actress, motivated by the question of who she is, reaffirms her condition as an artist.El propósito fundamental de este artículo es mostrar las particularidades del cruce de fronteras entre medios, a partir de la combinatoria intermedial que se da en Quizá (2015), del proyecto colectivo Escénica-Poética, del Centro Cultural de España en Guatemala. Quizá cuenta con una singular publicación por la editorial independiente Catafixia, una creación compuesta por la producción poética de Vania Vargas, fotografías de Cecilia Porras Sáenz, con textos de la actriz guatemalteca Magdalena Morales y de la directora de teatro costarricense Roxana Ávila, quien la dirige. El proyecto intermedial contemporáneo Escénica-Poética propicia el encuentro entre el teatro y la poesía. Quizá es un monólogo en el cual la actriz guatemalteca Magdalena Morales diáloga con las mujeres que la habitan y que figuran a una u otra en distintas facetas de su vida: la Niña-la Madre-la Abuela: la Mujer: la actriz. A través de la puesta en escena de la poesía de Vania Vargas, se crea un espacio escénico singular en el cual la actriz, motivada por la pregunta de quién es, se reafirma en su condición de artista.O objetivo fundamental deste artigo é mostrar as particularidades da passagem das fronteiras entre os meios de comunicação social, com base na combinação intermediária que tem lugar em Quizá (2015), pelo projeto coletivo Escénica-Poética, do Centro Cultural de España na Guatemala. Quizá tem uma publicação singular da editora independente Catafixia, uma criação composta pela produção poética de Vania Vargas, fotografias de Cecilia Porras Sáenz, com textos da atriz guatemalteca Magdalena Morales e da diretora de teatro costa-riquenha Roxana Ávila, que a dirige. O projeto intermédio contemporâneo Escénica-Poética favorece o encontro entre teatro e poesia. Quizá seja um monólogo em que a atriz guatemalteca Magdalena Morales dialoga com as mulheres que a habitam e que figuram em diferentes facetas da sua vida: a Rapariga - a Mãe - a Avó: a Mulher: a atriz. Através da encenação da poesia de Vania Vargas, é criado um espaço cénico singular no qual a atriz, motivada pela questão de quem ela é, reafirma a sua condição de artista.Unioeste2022-12-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://e-revista.unioeste.br/index.php/travessias/article/view/3016610.48075/rt.v16i3.30166Travessias; Vol. 16 No. 3 (2022); e30166Travessias; Vol. 16 Núm. 3 (2022); e30166Travessias; v. 16 n. 3 (2022); e301661982-5935reponame:Travessias (Cascavel. Online)instname:Universidade Estadual do Oeste do Paraná (UNIOESTE)instacron:Unioestespahttps://e-revista.unioeste.br/index.php/travessias/article/view/30166/21197Copyright (c) 2022 Autores mantêm os direitos autorais e concedem à revista o direito de primeira publicação, com o trabalho simultaneamente licenciado sob CC-BY-NC-SA 4.0 que permite o compartilhamento do trabalho com indicação da autoria e publicação inicial nesta revistahttps://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccessContreras , Lilibeth Janneth Zambrano2023-01-10T14:18:29Zoai:ojs.e-revista.unioeste.br:article/30166Revistahttps://e-revista.unioeste.br/index.php/travessiasPUBhttps://e-revista.unioeste.br/index.php/travessias/oairevista.travessias@unioeste.br1982-59351982-5935opendoar:2023-01-10T14:18:29Travessias (Cascavel. Online) - Universidade Estadual do Oeste do Paraná (UNIOESTE)false
dc.title.none.fl_str_mv Poetics on stage and memorial weavings in Quizá (2015), a collective creation by Roxana Ávila, Magdalena Morales y Vania Vargas
Poética en escena y tejidos memoriales en Quizá (2015), creación colectiva de Roxana Ávila, Magdalena Morales y Vania Vargas
Poética em cena e tecidos memoriais em Quizá (2015), uma criação coletiva de Roxana Ávila, Magdalena Morales e Vania Vargas
title Poetics on stage and memorial weavings in Quizá (2015), a collective creation by Roxana Ávila, Magdalena Morales y Vania Vargas
spellingShingle Poetics on stage and memorial weavings in Quizá (2015), a collective creation by Roxana Ávila, Magdalena Morales y Vania Vargas
Contreras , Lilibeth Janneth Zambrano
Scenic-Poetics
Intermediality
poetry on stage
poetry in action
Escénica-Poética
Intermedialidad
poesía en escena
poesía en acción
Poética cênica
intermedialidade
poesia em palco
poesia em ação
title_short Poetics on stage and memorial weavings in Quizá (2015), a collective creation by Roxana Ávila, Magdalena Morales y Vania Vargas
title_full Poetics on stage and memorial weavings in Quizá (2015), a collective creation by Roxana Ávila, Magdalena Morales y Vania Vargas
title_fullStr Poetics on stage and memorial weavings in Quizá (2015), a collective creation by Roxana Ávila, Magdalena Morales y Vania Vargas
title_full_unstemmed Poetics on stage and memorial weavings in Quizá (2015), a collective creation by Roxana Ávila, Magdalena Morales y Vania Vargas
title_sort Poetics on stage and memorial weavings in Quizá (2015), a collective creation by Roxana Ávila, Magdalena Morales y Vania Vargas
author Contreras , Lilibeth Janneth Zambrano
author_facet Contreras , Lilibeth Janneth Zambrano
author_role author
dc.contributor.author.fl_str_mv Contreras , Lilibeth Janneth Zambrano
dc.subject.por.fl_str_mv Scenic-Poetics
Intermediality
poetry on stage
poetry in action
Escénica-Poética
Intermedialidad
poesía en escena
poesía en acción
Poética cênica
intermedialidade
poesia em palco
poesia em ação
topic Scenic-Poetics
Intermediality
poetry on stage
poetry in action
Escénica-Poética
Intermedialidad
poesía en escena
poesía en acción
Poética cênica
intermedialidade
poesia em palco
poesia em ação
description The main purpose of this article is to show the particularities of the particularities of the crossing of borders between media, based on the intermedial combinatory that takes place in Quizá (2015), by the project collective Scenic-Poetics, of the Centro Cultural de España in Guatemala. Quizá has a singular publication by the independent publishing house Catafixia, a creation made up of the poetic production of Vania Vargas, photographs by Cecilia Porras Sáenz, with texts by the Guatemalan actress Magdalena Morales and Costa Rican theatre director Roxana Ávila, who directs it. The contemporary intermedial project Scenic-Poetics favors the encounter between theatre and poetry. Quizá it is a monologue in which the Guatemalan actress Magdalena Morales dialogues with the women who inhabit it and who figure one or the other in different facets of her life: the Girl-the Mother-the Grandmother: the Woman: the actress. Through the staging of Vania Vargas's poetry, a singular scenic space is created in which the actress, motivated by the question of who she is, reaffirms her condition as an artist.
publishDate 2022
dc.date.none.fl_str_mv 2022-12-19
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://e-revista.unioeste.br/index.php/travessias/article/view/30166
10.48075/rt.v16i3.30166
url https://e-revista.unioeste.br/index.php/travessias/article/view/30166
identifier_str_mv 10.48075/rt.v16i3.30166
dc.language.iso.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://e-revista.unioeste.br/index.php/travessias/article/view/30166/21197
dc.rights.driver.fl_str_mv https://creativecommons.org/licenses/by-nc-sa/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc-sa/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Unioeste
publisher.none.fl_str_mv Unioeste
dc.source.none.fl_str_mv Travessias; Vol. 16 No. 3 (2022); e30166
Travessias; Vol. 16 Núm. 3 (2022); e30166
Travessias; v. 16 n. 3 (2022); e30166
1982-5935
reponame:Travessias (Cascavel. Online)
instname:Universidade Estadual do Oeste do Paraná (UNIOESTE)
instacron:Unioeste
instname_str Universidade Estadual do Oeste do Paraná (UNIOESTE)
instacron_str Unioeste
institution Unioeste
reponame_str Travessias (Cascavel. Online)
collection Travessias (Cascavel. Online)
repository.name.fl_str_mv Travessias (Cascavel. Online) - Universidade Estadual do Oeste do Paraná (UNIOESTE)
repository.mail.fl_str_mv revista.travessias@unioeste.br
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