The intersemiotics traits of the discursive ethos in the Rosinha and Catimbau moda de viola
Autor(a) principal: | |
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Data de Publicação: | 2017 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Calidoscópio (Online) |
Texto Completo: | https://revistas.unisinos.br/index.php/calidoscopio/article/view/cld.2017.152.13 |
Resumo: | This article has in scope to analyze the intersemiotics traits revealed in the discursive ethos in Catimbau song. We seek to ascertain to what extent these traits reveal identity aspects and socio-cultural practices of countrified man in moda de viola, which can be considered a major musical and discursive practices of Brazilian culture. We selected as the analysis corpus, the Catimbau song, taken here as discourse, composed by Teddy Vieira and Carreirinho and recorded by musicians and instrumentalists Tião Carreiro and Pardinho. From this text, apart seven indentations in the linear process of Brazilian songbook narrative. Separate statements are intended to mobilize the intersemiotics plan for us here cited, however the speech contained in the overall plan of the song will be taken in the field of countrified narrative, that is, and the socio-cultural practice known as moda de viola. Said that, it is necessary to know that, to handle for the purpose of analysis, we mobilize one dialectics of theoretical frameworks arising from the Discourse Analysis and Semiotics Song. The first, based on studies of enunciation-discursive perspective of Dominique Maingueneau, we mobilize the category of scenography and ethos. The second, in Semiotics of the theoretical framework Song studied Luiz Tatit, we operate with the author calls the general project of diction of the songweiter, namely: the figurativization, passionalization and relay the dominance of one process over the other. The analysis of corpus selected reveals that the utterer is invested an ethos that values the identity practices and socio-discursive practices housed in the discursive memory of the listener/coenunciator. Indeed, we are facing a socio-cultural and discursive musical file of society, ultimately, an intangible heritage of Brazilian culture.Keywords: moda de viola, intersemiotics traits, discursive Ethos. |
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The intersemiotics traits of the discursive ethos in the Rosinha and Catimbau moda de violaOs traços intersemióticos do ethos discursivo na moda de viola Rosinha e CatimbauThis article has in scope to analyze the intersemiotics traits revealed in the discursive ethos in Catimbau song. We seek to ascertain to what extent these traits reveal identity aspects and socio-cultural practices of countrified man in moda de viola, which can be considered a major musical and discursive practices of Brazilian culture. We selected as the analysis corpus, the Catimbau song, taken here as discourse, composed by Teddy Vieira and Carreirinho and recorded by musicians and instrumentalists Tião Carreiro and Pardinho. From this text, apart seven indentations in the linear process of Brazilian songbook narrative. Separate statements are intended to mobilize the intersemiotics plan for us here cited, however the speech contained in the overall plan of the song will be taken in the field of countrified narrative, that is, and the socio-cultural practice known as moda de viola. Said that, it is necessary to know that, to handle for the purpose of analysis, we mobilize one dialectics of theoretical frameworks arising from the Discourse Analysis and Semiotics Song. The first, based on studies of enunciation-discursive perspective of Dominique Maingueneau, we mobilize the category of scenography and ethos. The second, in Semiotics of the theoretical framework Song studied Luiz Tatit, we operate with the author calls the general project of diction of the songweiter, namely: the figurativization, passionalization and relay the dominance of one process over the other. The analysis of corpus selected reveals that the utterer is invested an ethos that values the identity practices and socio-discursive practices housed in the discursive memory of the listener/coenunciator. Indeed, we are facing a socio-cultural and discursive musical file of society, ultimately, an intangible heritage of Brazilian culture.Keywords: moda de viola, intersemiotics traits, discursive Ethos.Este artigo tem por escopo analisar os traços intersemióticos revelados no ethos discursivo na canção Catimbau. Buscamos verificar em que medida estes traços revelam aspectos identitários e práticas socioculturais do homem caipira na moda de viola, a qual pode ser considerada uma das principais práticas musicais e discursivas da cultura brasileira. Selecionamos, como corpus de análise, a canção Catimbau, tomada aqui como discurso, composta por Teddy Vieira e Carreirinho e gravada pelos músicos e instrumentistas Tião Carreiro e Pardinho. Deste texto, separamos, sete recortes no processo linear da narrativa cancioneira. Os enunciados separados visam a mobilizar o plano intersemiótico por nós aqui referido, todavia o discurso contido no plano global da canção será tomado no campo da narrativa caipira, ou seja, da prática sociocultural conhecida como moda de viola. Dito isto, faz-se necessário saber que, para dar conta do objetivo da análise, mobilizamos uma dialética de quadros teóricos advindo da Análise do Discurso e da Semiótica da Canção. Da primeira, como base nos estudos de perspectiva enunciativo-discursiva de Dominique Maingueneau, mobilizamos a categoria de cenografia e de ethos. Da segunda, no quadro teórico da Semiótica da Canção estudada por Luiz Tatit, operamos com que o autor chama de projeto geral de dicção do cancionista, qual seja: a figuratização, a passionalização e a tematização e o revezamento das dominâncias de um processo sobre o outro. A análise do corpus selecionado revela que o enunciador investe-se de um ethos que valoriza as práticas identitárias e as práticas sociodiscursivas alojadas na memória discursiva do ouvinte/coenunciador. Com efeito, estamos diante de um arquivo sociocultural e discursivo-musical da sociedade, e, em última instância, de um patrimônio imaterial da cultura brasileira.Palavras-chave: moda de viola, traços intersemióticos, Ethos discursivo.Unisinos2017-06-21info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.unisinos.br/index.php/calidoscopio/article/view/cld.2017.152.13Calidoscópio; Vol. 15 No. 2 (2017): May/August; 362-374Calidoscópio; v. 15 n. 2 (2017): maio/agosto; 362-3742177-6202reponame:Calidoscópio (Online)instname:Universidade do Vale do Rio dos Sinos (UNISINOS)instacron:Unisinosporhttps://revistas.unisinos.br/index.php/calidoscopio/article/view/cld.2017.152.13/6182Ferreira, Cristiane da SilvaFerreira, Andersoninfo:eu-repo/semantics/openAccess2017-10-09T18:30:45Zoai:ojs2.revistas.unisinos.br:article/12797Revistahttps://revistas.unisinos.br/index.php/calidoscopioPUBhttps://revistas.unisinos.br/index.php/calidoscopio/oaicmira@unisinos.br || cmira@unisinos.br2177-62022177-6202opendoar:2017-10-09T18:30:45Calidoscópio (Online) - Universidade do Vale do Rio dos Sinos (UNISINOS)false |
dc.title.none.fl_str_mv |
The intersemiotics traits of the discursive ethos in the Rosinha and Catimbau moda de viola Os traços intersemióticos do ethos discursivo na moda de viola Rosinha e Catimbau |
title |
The intersemiotics traits of the discursive ethos in the Rosinha and Catimbau moda de viola |
spellingShingle |
The intersemiotics traits of the discursive ethos in the Rosinha and Catimbau moda de viola Ferreira, Cristiane da Silva |
title_short |
The intersemiotics traits of the discursive ethos in the Rosinha and Catimbau moda de viola |
title_full |
The intersemiotics traits of the discursive ethos in the Rosinha and Catimbau moda de viola |
title_fullStr |
The intersemiotics traits of the discursive ethos in the Rosinha and Catimbau moda de viola |
title_full_unstemmed |
The intersemiotics traits of the discursive ethos in the Rosinha and Catimbau moda de viola |
title_sort |
The intersemiotics traits of the discursive ethos in the Rosinha and Catimbau moda de viola |
author |
Ferreira, Cristiane da Silva |
author_facet |
Ferreira, Cristiane da Silva Ferreira, Anderson |
author_role |
author |
author2 |
Ferreira, Anderson |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Ferreira, Cristiane da Silva Ferreira, Anderson |
description |
This article has in scope to analyze the intersemiotics traits revealed in the discursive ethos in Catimbau song. We seek to ascertain to what extent these traits reveal identity aspects and socio-cultural practices of countrified man in moda de viola, which can be considered a major musical and discursive practices of Brazilian culture. We selected as the analysis corpus, the Catimbau song, taken here as discourse, composed by Teddy Vieira and Carreirinho and recorded by musicians and instrumentalists Tião Carreiro and Pardinho. From this text, apart seven indentations in the linear process of Brazilian songbook narrative. Separate statements are intended to mobilize the intersemiotics plan for us here cited, however the speech contained in the overall plan of the song will be taken in the field of countrified narrative, that is, and the socio-cultural practice known as moda de viola. Said that, it is necessary to know that, to handle for the purpose of analysis, we mobilize one dialectics of theoretical frameworks arising from the Discourse Analysis and Semiotics Song. The first, based on studies of enunciation-discursive perspective of Dominique Maingueneau, we mobilize the category of scenography and ethos. The second, in Semiotics of the theoretical framework Song studied Luiz Tatit, we operate with the author calls the general project of diction of the songweiter, namely: the figurativization, passionalization and relay the dominance of one process over the other. The analysis of corpus selected reveals that the utterer is invested an ethos that values the identity practices and socio-discursive practices housed in the discursive memory of the listener/coenunciator. Indeed, we are facing a socio-cultural and discursive musical file of society, ultimately, an intangible heritage of Brazilian culture.Keywords: moda de viola, intersemiotics traits, discursive Ethos. |
publishDate |
2017 |
dc.date.none.fl_str_mv |
2017-06-21 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.unisinos.br/index.php/calidoscopio/article/view/cld.2017.152.13 |
url |
https://revistas.unisinos.br/index.php/calidoscopio/article/view/cld.2017.152.13 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.unisinos.br/index.php/calidoscopio/article/view/cld.2017.152.13/6182 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Unisinos |
publisher.none.fl_str_mv |
Unisinos |
dc.source.none.fl_str_mv |
Calidoscópio; Vol. 15 No. 2 (2017): May/August; 362-374 Calidoscópio; v. 15 n. 2 (2017): maio/agosto; 362-374 2177-6202 reponame:Calidoscópio (Online) instname:Universidade do Vale do Rio dos Sinos (UNISINOS) instacron:Unisinos |
instname_str |
Universidade do Vale do Rio dos Sinos (UNISINOS) |
instacron_str |
Unisinos |
institution |
Unisinos |
reponame_str |
Calidoscópio (Online) |
collection |
Calidoscópio (Online) |
repository.name.fl_str_mv |
Calidoscópio (Online) - Universidade do Vale do Rio dos Sinos (UNISINOS) |
repository.mail.fl_str_mv |
cmira@unisinos.br || cmira@unisinos.br |
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1792203886781530112 |