The recognition of Brazilian samba de roda and reunion maloya as intangible cultural heritage of humanity
Autor(a) principal: | |
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Data de Publicação: | 2013 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Vibrant |
Texto Completo: | http://old.scielo.br/scielo.php?script=sci_arttext&pid=S1809-43412013000100022 |
Resumo: | In this essay, we present a comparative analysis of the UNESCO heritage nomination process for two African Diaspora music and dance forms: samba de roda, from the Bahian Recôncavo (a coastal area of the northeastern Brazilian state of Bahia), and maloya, from Reunion Island (a former French colony in the Indian Ocean, which is now officially an "overseas department of France"). samba de roda, as the Brazilian candidate, was included in the III Proclamation of Masterpieces of the Intangible Heritage of Humanity, in 2005. And maloya, the French candidate, was inscribed onto the Representative List of the Intangible Cultural Heritage of Humanity, in 2009. Despite a number of formal commonalities between samba de roda and maloya, such as responsorial singing, choreography, and the main musical instrument types, the controversies raised during their respective processes of nomination were quite distinct. The former is regarded as a traditional and less well known style of samba, the musical genre widely recognized as the musical emblem of Brazil. The latter competes with séga-a genre of popular music consolidated in the local media-for the position of chief musical representative of Reunion Island. The disparate symbolic identities attributed to these musical expressions pave the way for a distinct manner of employing the international resources related to the safeguarding of intangible heritage. This suggests that the local impact of the inclusion onto international lists depends as much on the contextual particularities of each candidacy as on central decision-making bodies such as UNESCO. |
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The recognition of Brazilian samba de roda and reunion maloya as intangible cultural heritage of humanitysamba de rodamaloyaBahia (Brazil): Music and danceReunion (France, overseas departement): Music and danceIntangible cultural heritageCultural policiesIn this essay, we present a comparative analysis of the UNESCO heritage nomination process for two African Diaspora music and dance forms: samba de roda, from the Bahian Recôncavo (a coastal area of the northeastern Brazilian state of Bahia), and maloya, from Reunion Island (a former French colony in the Indian Ocean, which is now officially an "overseas department of France"). samba de roda, as the Brazilian candidate, was included in the III Proclamation of Masterpieces of the Intangible Heritage of Humanity, in 2005. And maloya, the French candidate, was inscribed onto the Representative List of the Intangible Cultural Heritage of Humanity, in 2009. Despite a number of formal commonalities between samba de roda and maloya, such as responsorial singing, choreography, and the main musical instrument types, the controversies raised during their respective processes of nomination were quite distinct. The former is regarded as a traditional and less well known style of samba, the musical genre widely recognized as the musical emblem of Brazil. The latter competes with séga-a genre of popular music consolidated in the local media-for the position of chief musical representative of Reunion Island. The disparate symbolic identities attributed to these musical expressions pave the way for a distinct manner of employing the international resources related to the safeguarding of intangible heritage. This suggests that the local impact of the inclusion onto international lists depends as much on the contextual particularities of each candidacy as on central decision-making bodies such as UNESCO.Associação Brasileira de Antropologia (ABA)2013-06-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontext/htmlhttp://old.scielo.br/scielo.php?script=sci_arttext&pid=S1809-43412013000100022Vibrant: Virtual Brazilian Anthropology v.10 n.1 2013reponame:Vibrantinstname:Associação Brasileira de Antropologiainstacron:ABA10.1590/S1809-43412013000100022info:eu-repo/semantics/openAccessSamson,GuillaumeSandroni,Carloseng2013-07-29T00:00:00Zoai:scielo:S1809-43412013000100022Revistahttp://www.vibrant.org.br/https://old.scielo.br/oai/scielo-oai.phpvibrant.aba@gmail.com1809-43411809-4341opendoar:2013-07-29T00:00Vibrant - Associação Brasileira de Antropologiafalse |
dc.title.none.fl_str_mv |
The recognition of Brazilian samba de roda and reunion maloya as intangible cultural heritage of humanity |
title |
The recognition of Brazilian samba de roda and reunion maloya as intangible cultural heritage of humanity |
spellingShingle |
The recognition of Brazilian samba de roda and reunion maloya as intangible cultural heritage of humanity Samson,Guillaume samba de roda maloya Bahia (Brazil): Music and dance Reunion (France, overseas departement): Music and dance Intangible cultural heritage Cultural policies |
title_short |
The recognition of Brazilian samba de roda and reunion maloya as intangible cultural heritage of humanity |
title_full |
The recognition of Brazilian samba de roda and reunion maloya as intangible cultural heritage of humanity |
title_fullStr |
The recognition of Brazilian samba de roda and reunion maloya as intangible cultural heritage of humanity |
title_full_unstemmed |
The recognition of Brazilian samba de roda and reunion maloya as intangible cultural heritage of humanity |
title_sort |
The recognition of Brazilian samba de roda and reunion maloya as intangible cultural heritage of humanity |
author |
Samson,Guillaume |
author_facet |
Samson,Guillaume Sandroni,Carlos |
author_role |
author |
author2 |
Sandroni,Carlos |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Samson,Guillaume Sandroni,Carlos |
dc.subject.por.fl_str_mv |
samba de roda maloya Bahia (Brazil): Music and dance Reunion (France, overseas departement): Music and dance Intangible cultural heritage Cultural policies |
topic |
samba de roda maloya Bahia (Brazil): Music and dance Reunion (France, overseas departement): Music and dance Intangible cultural heritage Cultural policies |
description |
In this essay, we present a comparative analysis of the UNESCO heritage nomination process for two African Diaspora music and dance forms: samba de roda, from the Bahian Recôncavo (a coastal area of the northeastern Brazilian state of Bahia), and maloya, from Reunion Island (a former French colony in the Indian Ocean, which is now officially an "overseas department of France"). samba de roda, as the Brazilian candidate, was included in the III Proclamation of Masterpieces of the Intangible Heritage of Humanity, in 2005. And maloya, the French candidate, was inscribed onto the Representative List of the Intangible Cultural Heritage of Humanity, in 2009. Despite a number of formal commonalities between samba de roda and maloya, such as responsorial singing, choreography, and the main musical instrument types, the controversies raised during their respective processes of nomination were quite distinct. The former is regarded as a traditional and less well known style of samba, the musical genre widely recognized as the musical emblem of Brazil. The latter competes with séga-a genre of popular music consolidated in the local media-for the position of chief musical representative of Reunion Island. The disparate symbolic identities attributed to these musical expressions pave the way for a distinct manner of employing the international resources related to the safeguarding of intangible heritage. This suggests that the local impact of the inclusion onto international lists depends as much on the contextual particularities of each candidacy as on central decision-making bodies such as UNESCO. |
publishDate |
2013 |
dc.date.none.fl_str_mv |
2013-06-01 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://old.scielo.br/scielo.php?script=sci_arttext&pid=S1809-43412013000100022 |
url |
http://old.scielo.br/scielo.php?script=sci_arttext&pid=S1809-43412013000100022 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
10.1590/S1809-43412013000100022 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
text/html |
dc.publisher.none.fl_str_mv |
Associação Brasileira de Antropologia (ABA) |
publisher.none.fl_str_mv |
Associação Brasileira de Antropologia (ABA) |
dc.source.none.fl_str_mv |
Vibrant: Virtual Brazilian Anthropology v.10 n.1 2013 reponame:Vibrant instname:Associação Brasileira de Antropologia instacron:ABA |
instname_str |
Associação Brasileira de Antropologia |
instacron_str |
ABA |
institution |
ABA |
reponame_str |
Vibrant |
collection |
Vibrant |
repository.name.fl_str_mv |
Vibrant - Associação Brasileira de Antropologia |
repository.mail.fl_str_mv |
vibrant.aba@gmail.com |
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1754302960557359105 |