300 years of bodies and corsets in their rhythmic manifestations: for a fashion semiotics
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Revista dObra[s] |
Texto Completo: | https://dobras.emnuvens.com.br/dobras/article/view/1286 |
Resumo: | The article reflects on a research project analysing 300 years of the practice ofconstraining the feminine torso, aiming at presenting the theories supporting the investigationto expose how their intersection and articulation could become a method for analysing fashionobjects. Stemming from the semiotics works concerned with the plastic of objects, mainlythe theories proposed by Greimas and further developed by Floch and Oliveira, we present anaddress of Fashion beyond its visual dimension, exploring the manners in which the relationsbetween the body and its dress are problems of discourse and narrative interactions, returningto Greimas’ Standard Semiotics and Landowski’s Socio-semiotics. The combination of theoriespresented in this piece was used to examine a corpus of feminine apparatuses utilised to reshapea woman’s silhouette throughout history, from the 18th century to the present, such ascorsets and crinolines, as well as various other types of shapewear, in combination with theanalysis of supporting texts, such as Artworks, literary works, pieces of popular culture andadvertisement. The work presents the steps of the investigation taking place between 2012and 2014 – the selection of the corpus and its analysis – and the future developments stemmingfrom that first exam, bringing about a reconstruction of the work and its results as a methodologicproposition that can serve the analysis of sartorial objects but is equally pertinent to theanalysis of any other manifestation that is subjected to rhythmic changes. |
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300 years of bodies and corsets in their rhythmic manifestations: for a fashion semiotics300 anos de corpos e corsets em suas manifestações rítmicas: por uma semiótica da modaCorsetFeminine bodyWestern fashionVisual semioticsSocio-semioticsCorsetCorpo femininoModa ocidentalSemiótica visualSociossemióticaThe article reflects on a research project analysing 300 years of the practice ofconstraining the feminine torso, aiming at presenting the theories supporting the investigationto expose how their intersection and articulation could become a method for analysing fashionobjects. Stemming from the semiotics works concerned with the plastic of objects, mainlythe theories proposed by Greimas and further developed by Floch and Oliveira, we present anaddress of Fashion beyond its visual dimension, exploring the manners in which the relationsbetween the body and its dress are problems of discourse and narrative interactions, returningto Greimas’ Standard Semiotics and Landowski’s Socio-semiotics. The combination of theoriespresented in this piece was used to examine a corpus of feminine apparatuses utilised to reshapea woman’s silhouette throughout history, from the 18th century to the present, such ascorsets and crinolines, as well as various other types of shapewear, in combination with theanalysis of supporting texts, such as Artworks, literary works, pieces of popular culture andadvertisement. The work presents the steps of the investigation taking place between 2012and 2014 – the selection of the corpus and its analysis – and the future developments stemmingfrom that first exam, bringing about a reconstruction of the work and its results as a methodologicproposition that can serve the analysis of sartorial objects but is equally pertinent to theanalysis of any other manifestation that is subjected to rhythmic changes.O presente artigo parte do projeto de pesquisa que analisou 300 anos da práticade constrição do torso feminino, com o objetivo de apresentar as teorias que ofereceram o suporteteórico à investigação, explorando em que medida sua intersecção e articulação pode serpostulada como um método de análise de objetos da moda. Partindo dos trabalhos semióticospreocupados com a plástica dos objetos, particularmente as teorias propostas por Greimas esubsequentemente desenvolvidas por Floch e Oliveira, propomos um exame da moda além desua plástica, explorando as maneiras como as relações entre corpo e vestimenta se traduzemem problemas do discurso e das interações narrativas, retornando à semiótica de Greimas e àsociossemiótica de Landowski. A combinação de teorias apresentadas neste artigo foi utilizadana investigação de um corpus de dispositivos femininos utilizados para re-modelar a silhuetada mulher pela História, tais como corsets e crinolinas, e também os vários tipos de shapers,em conjunto com a análise de textos de suporte, como obras de arte, trabalhos literários, peçasda cultura popular e anúncios publicitários. O trabalho apresenta os passos da investigação queocorreram entre 2012 e 2014 – a seleção do corpus e seu estudo – bem como os desenvolvimentosfuturos que partem desse primeiro exame, promovendo a reconstrução do trabalho que resultaem uma proposição metodológica que serve não apenas à análise de objetos vestimentares,mas que é pertinente a quaisquer outras manifestações que sejam sujeitas a mudanças rítmicas.Associação Brasileira de Estudos e Pesquisas em Moda - Abepem2021-04-14info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://dobras.emnuvens.com.br/dobras/article/view/128610.26563/dobras.i31.1286dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda; n. 31 (2021); 41-632358-00031982-0313reponame:Revista dObra[s]instname:Associação Brasileira de Estudos e Pesquisas em Moda (Abepem)instacron:ABEPEMenghttps://dobras.emnuvens.com.br/dobras/article/view/1286/669Jardim, Mariliainfo:eu-repo/semantics/openAccess2021-04-23T16:56:11Zoai:ojs.dobras.emnuvens.com.br:article/1286Revistahttps://dobras.emnuvens.com.br/dobras/indexONGhttps://dobras.emnuvens.com.br/dobras/oaidobras.abepem@gmail.com2358-00031982-0313opendoar:2023-01-12T16:05:44.198612Revista dObra[s] - Associação Brasileira de Estudos e Pesquisas em Moda (Abepem)true |
dc.title.none.fl_str_mv |
300 years of bodies and corsets in their rhythmic manifestations: for a fashion semiotics 300 anos de corpos e corsets em suas manifestações rítmicas: por uma semiótica da moda |
title |
300 years of bodies and corsets in their rhythmic manifestations: for a fashion semiotics |
spellingShingle |
300 years of bodies and corsets in their rhythmic manifestations: for a fashion semiotics Jardim, Marilia Corset Feminine body Western fashion Visual semiotics Socio-semiotics Corset Corpo feminino Moda ocidental Semiótica visual Sociossemiótica |
title_short |
300 years of bodies and corsets in their rhythmic manifestations: for a fashion semiotics |
title_full |
300 years of bodies and corsets in their rhythmic manifestations: for a fashion semiotics |
title_fullStr |
300 years of bodies and corsets in their rhythmic manifestations: for a fashion semiotics |
title_full_unstemmed |
300 years of bodies and corsets in their rhythmic manifestations: for a fashion semiotics |
title_sort |
300 years of bodies and corsets in their rhythmic manifestations: for a fashion semiotics |
author |
Jardim, Marilia |
author_facet |
Jardim, Marilia |
author_role |
author |
dc.contributor.author.fl_str_mv |
Jardim, Marilia |
dc.subject.por.fl_str_mv |
Corset Feminine body Western fashion Visual semiotics Socio-semiotics Corset Corpo feminino Moda ocidental Semiótica visual Sociossemiótica |
topic |
Corset Feminine body Western fashion Visual semiotics Socio-semiotics Corset Corpo feminino Moda ocidental Semiótica visual Sociossemiótica |
description |
The article reflects on a research project analysing 300 years of the practice ofconstraining the feminine torso, aiming at presenting the theories supporting the investigationto expose how their intersection and articulation could become a method for analysing fashionobjects. Stemming from the semiotics works concerned with the plastic of objects, mainlythe theories proposed by Greimas and further developed by Floch and Oliveira, we present anaddress of Fashion beyond its visual dimension, exploring the manners in which the relationsbetween the body and its dress are problems of discourse and narrative interactions, returningto Greimas’ Standard Semiotics and Landowski’s Socio-semiotics. The combination of theoriespresented in this piece was used to examine a corpus of feminine apparatuses utilised to reshapea woman’s silhouette throughout history, from the 18th century to the present, such ascorsets and crinolines, as well as various other types of shapewear, in combination with theanalysis of supporting texts, such as Artworks, literary works, pieces of popular culture andadvertisement. The work presents the steps of the investigation taking place between 2012and 2014 – the selection of the corpus and its analysis – and the future developments stemmingfrom that first exam, bringing about a reconstruction of the work and its results as a methodologicproposition that can serve the analysis of sartorial objects but is equally pertinent to theanalysis of any other manifestation that is subjected to rhythmic changes. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-04-14 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://dobras.emnuvens.com.br/dobras/article/view/1286 10.26563/dobras.i31.1286 |
url |
https://dobras.emnuvens.com.br/dobras/article/view/1286 |
identifier_str_mv |
10.26563/dobras.i31.1286 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://dobras.emnuvens.com.br/dobras/article/view/1286/669 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Associação Brasileira de Estudos e Pesquisas em Moda - Abepem |
publisher.none.fl_str_mv |
Associação Brasileira de Estudos e Pesquisas em Moda - Abepem |
dc.source.none.fl_str_mv |
dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda; n. 31 (2021); 41-63 2358-0003 1982-0313 reponame:Revista dObra[s] instname:Associação Brasileira de Estudos e Pesquisas em Moda (Abepem) instacron:ABEPEM |
instname_str |
Associação Brasileira de Estudos e Pesquisas em Moda (Abepem) |
instacron_str |
ABEPEM |
institution |
ABEPEM |
reponame_str |
Revista dObra[s] |
collection |
Revista dObra[s] |
repository.name.fl_str_mv |
Revista dObra[s] - Associação Brasileira de Estudos e Pesquisas em Moda (Abepem) |
repository.mail.fl_str_mv |
dobras.abepem@gmail.com |
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1797054041861128192 |