Teenagers From Outer Space: Contributions to a genealogy of the threads that wove fashion and do-it-yourself in Portugal
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista dObra[s] |
Texto Completo: | https://dobras.emnuvens.com.br/dobras/article/view/1470 |
Resumo: | Fashion - in Portugal - remains somewhat remote in academic studies. Few are the investigations, of historical-social focus, that have addressed the importance of fashion in Portugal with the exception of the work of Cristina L. Duarte (2016). Seeking to address this relative omission, we propose a diachronic exercise - since the late 1970s - focused on the relationship between the do-it-yourself (DIY), the fashion manifested in urban (youth) cultures and the (post)-punk emphasizing a qualitative and ethnographic approach. This article aims, above all, clarify, analyze and reflect on the triad fashion, DIY and punk, trying to explain the metamorphosis that the DIY ethos and praxis have undergone since the mid-1970s (post-Carnation Revolution) to the present day. We prioritize, in this sense, the approach of the following axes: anti-fashion, punk, cosmopolitanism and inevitability of DIY in the late 1970s; fashion, (post)-punk, resistance and implementation of DIY in the 1980s; fashion commodification and punk aesthetics and the development of DIY in social movements and alternative lifestyles in the 1990s; fashion, DIY commodification, artistic production, ecological activism and slow fashion movements in the 2000s and beyond. Thus, through these four compass-axes, we add an empirical-conceptual path around the evolution of DIY and fashion in Portugal, embarking on a mnemonic tour, where we revisit shops, events, happenings, leisure spaces, actors and aesthetics; inquiring, in each of these topics, the threads with which DIY was sewn in view of the Barthesian principle that a variation of clothing is necessarily accompanied by a variation of the world and vice versa. |
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Teenagers From Outer Space: Contributions to a genealogy of the threads that wove fashion and do-it-yourself in PortugalTeenagers From Outer Space: Contributos para uma genealogia dos fios que teceram a moda e o do-it-yourself em PortugalFashionPunkDIYPortugalModaPunkDo-it-yourself (DIY)PortugalFashion - in Portugal - remains somewhat remote in academic studies. Few are the investigations, of historical-social focus, that have addressed the importance of fashion in Portugal with the exception of the work of Cristina L. Duarte (2016). Seeking to address this relative omission, we propose a diachronic exercise - since the late 1970s - focused on the relationship between the do-it-yourself (DIY), the fashion manifested in urban (youth) cultures and the (post)-punk emphasizing a qualitative and ethnographic approach. This article aims, above all, clarify, analyze and reflect on the triad fashion, DIY and punk, trying to explain the metamorphosis that the DIY ethos and praxis have undergone since the mid-1970s (post-Carnation Revolution) to the present day. We prioritize, in this sense, the approach of the following axes: anti-fashion, punk, cosmopolitanism and inevitability of DIY in the late 1970s; fashion, (post)-punk, resistance and implementation of DIY in the 1980s; fashion commodification and punk aesthetics and the development of DIY in social movements and alternative lifestyles in the 1990s; fashion, DIY commodification, artistic production, ecological activism and slow fashion movements in the 2000s and beyond. Thus, through these four compass-axes, we add an empirical-conceptual path around the evolution of DIY and fashion in Portugal, embarking on a mnemonic tour, where we revisit shops, events, happenings, leisure spaces, actors and aesthetics; inquiring, in each of these topics, the threads with which DIY was sewn in view of the Barthesian principle that a variation of clothing is necessarily accompanied by a variation of the world and vice versa.A moda - em Portugal - ainda permanece algo remota nos estudos académicos. Poucas são as investigações, de enfoque histórico-social, que se debruçaram sobre a importância da moda em Portugal à exceção dos trabalhos de Cristina L. Duarte (2016). Procurando obviar esta relativa omissão, propomos um exercício diacrónico – desde finais dos anos 1970 – incidente na relação entre o do-it-yourself (DIY), a moda manifesta nas culturas urbanas (juvenis) e o (pós)-punk privilegiando uma abordagem de caráter qualitativo e etnográfico. O presente artigo visa, sobretudo, elucidar, analisar e refletir sobre a tríade moda, DIY e punk, procurando dar conta das metamorfoses que a praxis e o ethos DIY sofreram desde meados da década de 1970 (no pós Revolução dos Cravos) até à atualidade. Prioriza-se, nesse sentido, a abordagem dos seguintes eixos: a anti-moda, o punk, o cosmopolitismo e a inevitabilidade do DIY no final dos anos 1970; a moda, o (pós)-punk, a resistência e a implantação do DIY nos anos 1980; a penetração da moda e da estética punk e o desenvolvimento do DIY nos movimentos sociais e lifestyles alternativos nos anos 1990; e ainda, a moda, a comodificação do DIY, a produção artística, o ativismo ecológico e os slow fashion movements nos anos 2000 e subsequentes. Assim, através destes quatro eixos-bússola, aduzimos um percurso empírico-concetual em torno da evolução do DIY e da moda em Portugal, enveredando por um périplo mnemónico, onde revisitámos lojas, eventos, acontecimentos, espaços de lazer, atores e estéticas; indagando, em cada um destes tópicos, os fios com que se foi costurando o DIY tendo em vista o princípio barthesiano de que uma variação do vestuário se faz necessariamente escoltar por uma variação do mundo e vice-versa.Associação Brasileira de Estudos e Pesquisas em Moda - Abepem2022-03-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://dobras.emnuvens.com.br/dobras/article/view/147010.26563/dobras.i34.1470dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda; n. 34 (2022); 19-632358-00031982-0313reponame:Revista dObra[s]instname:Associação Brasileira de Estudos e Pesquisas em Moda (Abepem)instacron:ABEPEMporhttps://dobras.emnuvens.com.br/dobras/article/view/1470/737https://creativecommons.org/licenses/by-nc-sa/4.0/info:eu-repo/semantics/openAccessGuerra, Paula2022-03-29T19:27:05Zoai:ojs.dobras.emnuvens.com.br:article/1470Revistahttps://dobras.emnuvens.com.br/dobras/indexONGhttps://dobras.emnuvens.com.br/dobras/oaidobras.abepem@gmail.com2358-00031982-0313opendoar:2023-01-12T16:05:48.322821Revista dObra[s] - Associação Brasileira de Estudos e Pesquisas em Moda (Abepem)true |
dc.title.none.fl_str_mv |
Teenagers From Outer Space: Contributions to a genealogy of the threads that wove fashion and do-it-yourself in Portugal Teenagers From Outer Space: Contributos para uma genealogia dos fios que teceram a moda e o do-it-yourself em Portugal |
title |
Teenagers From Outer Space: Contributions to a genealogy of the threads that wove fashion and do-it-yourself in Portugal |
spellingShingle |
Teenagers From Outer Space: Contributions to a genealogy of the threads that wove fashion and do-it-yourself in Portugal Guerra, Paula Fashion Punk DIY Portugal Moda Punk Do-it-yourself (DIY) Portugal |
title_short |
Teenagers From Outer Space: Contributions to a genealogy of the threads that wove fashion and do-it-yourself in Portugal |
title_full |
Teenagers From Outer Space: Contributions to a genealogy of the threads that wove fashion and do-it-yourself in Portugal |
title_fullStr |
Teenagers From Outer Space: Contributions to a genealogy of the threads that wove fashion and do-it-yourself in Portugal |
title_full_unstemmed |
Teenagers From Outer Space: Contributions to a genealogy of the threads that wove fashion and do-it-yourself in Portugal |
title_sort |
Teenagers From Outer Space: Contributions to a genealogy of the threads that wove fashion and do-it-yourself in Portugal |
author |
Guerra, Paula |
author_facet |
Guerra, Paula |
author_role |
author |
dc.contributor.author.fl_str_mv |
Guerra, Paula |
dc.subject.por.fl_str_mv |
Fashion Punk DIY Portugal Moda Punk Do-it-yourself (DIY) Portugal |
topic |
Fashion Punk DIY Portugal Moda Punk Do-it-yourself (DIY) Portugal |
description |
Fashion - in Portugal - remains somewhat remote in academic studies. Few are the investigations, of historical-social focus, that have addressed the importance of fashion in Portugal with the exception of the work of Cristina L. Duarte (2016). Seeking to address this relative omission, we propose a diachronic exercise - since the late 1970s - focused on the relationship between the do-it-yourself (DIY), the fashion manifested in urban (youth) cultures and the (post)-punk emphasizing a qualitative and ethnographic approach. This article aims, above all, clarify, analyze and reflect on the triad fashion, DIY and punk, trying to explain the metamorphosis that the DIY ethos and praxis have undergone since the mid-1970s (post-Carnation Revolution) to the present day. We prioritize, in this sense, the approach of the following axes: anti-fashion, punk, cosmopolitanism and inevitability of DIY in the late 1970s; fashion, (post)-punk, resistance and implementation of DIY in the 1980s; fashion commodification and punk aesthetics and the development of DIY in social movements and alternative lifestyles in the 1990s; fashion, DIY commodification, artistic production, ecological activism and slow fashion movements in the 2000s and beyond. Thus, through these four compass-axes, we add an empirical-conceptual path around the evolution of DIY and fashion in Portugal, embarking on a mnemonic tour, where we revisit shops, events, happenings, leisure spaces, actors and aesthetics; inquiring, in each of these topics, the threads with which DIY was sewn in view of the Barthesian principle that a variation of clothing is necessarily accompanied by a variation of the world and vice versa. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-03-29 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://dobras.emnuvens.com.br/dobras/article/view/1470 10.26563/dobras.i34.1470 |
url |
https://dobras.emnuvens.com.br/dobras/article/view/1470 |
identifier_str_mv |
10.26563/dobras.i34.1470 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://dobras.emnuvens.com.br/dobras/article/view/1470/737 |
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https://creativecommons.org/licenses/by-nc-sa/4.0/ info:eu-repo/semantics/openAccess |
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https://creativecommons.org/licenses/by-nc-sa/4.0/ |
eu_rights_str_mv |
openAccess |
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application/pdf |
dc.publisher.none.fl_str_mv |
Associação Brasileira de Estudos e Pesquisas em Moda - Abepem |
publisher.none.fl_str_mv |
Associação Brasileira de Estudos e Pesquisas em Moda - Abepem |
dc.source.none.fl_str_mv |
dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda; n. 34 (2022); 19-63 2358-0003 1982-0313 reponame:Revista dObra[s] instname:Associação Brasileira de Estudos e Pesquisas em Moda (Abepem) instacron:ABEPEM |
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Associação Brasileira de Estudos e Pesquisas em Moda (Abepem) |
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ABEPEM |
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ABEPEM |
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Revista dObra[s] |
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Revista dObra[s] |
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Revista dObra[s] - Associação Brasileira de Estudos e Pesquisas em Moda (Abepem) |
repository.mail.fl_str_mv |
dobras.abepem@gmail.com |
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