Between photography and fashion: from the dual principle to the fashion image in Steichen and Poiret
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Outros Autores: | , |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista dObra[s] |
Texto Completo: | https://dobras.emnuvens.com.br/dobras/article/view/1612 |
Resumo: | In this work, we present fashion as a phenomenon that is outlined from dual principles, having as an important milestone in its history the encounter with photography. If both integrate a heterogeneous device, which awakens other ways of seeing the female bodies, in the editorial productions carried out in the bond between the photographer Edward Steichen and the couturier Paul Poiret, we observe a two-way street in the discursive construction through the image, where it is possible to glimpse an active circuit of narrative production that takes place on and in the body, which reverberates in codes that explore the gestures of this body in movement and in modification. |
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Between photography and fashion: from the dual principle to the fashion image in Steichen and PoiretEntre a fotografia e a moda: do princípio dual à imagem de moda em Steichen e PoiretFashionDoublePhotographyDiscourseModaDuploFotografiaDiscursoIn this work, we present fashion as a phenomenon that is outlined from dual principles, having as an important milestone in its history the encounter with photography. If both integrate a heterogeneous device, which awakens other ways of seeing the female bodies, in the editorial productions carried out in the bond between the photographer Edward Steichen and the couturier Paul Poiret, we observe a two-way street in the discursive construction through the image, where it is possible to glimpse an active circuit of narrative production that takes place on and in the body, which reverberates in codes that explore the gestures of this body in movement and in modification.Neste trabalho, apresentamos a moda como um fenômeno que se esboça a partir de princípios duais, tendo como um marco importante em sua história o encontro com a fotografia. Se ambos integram um dispositivo heterogêneo, que despertam outros modos de ver os corpos femininos, nas produções editoriais realizadas no vínculo entre o fotógrafo Edward Steichen e o costureiro Paul Poiret, observamos uma via de mão dupla na construção discursiva pela imagem, na qual é possível vislumbrar um circuito ativo de produção narrativa que se dá sobre e no corpo, que reverbera em códigos que exploram as gestualidades desse corpo em movimento e em modificação.Associação Brasileira de Estudos e Pesquisas em Moda - Abepem2022-12-05info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://dobras.emnuvens.com.br/dobras/article/view/161210.26563/dobras.i36.1612dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda; n. 36 (2022); 204-2202358-00031982-0313reponame:Revista dObra[s]instname:Associação Brasileira de Estudos e Pesquisas em Moda (Abepem)instacron:ABEPEMporhttps://dobras.emnuvens.com.br/dobras/article/view/1612/776https://creativecommons.org/licenses/by-nc-sa/4.0/info:eu-repo/semantics/openAccessMarcier, Luiza Félix da Costa, Carlos EduardoTravassos Sarinho, Rafaela 2022-12-05T21:25:09Zoai:ojs.dobras.emnuvens.com.br:article/1612Revistahttps://dobras.emnuvens.com.br/dobras/indexONGhttps://dobras.emnuvens.com.br/dobras/oaidobras.abepem@gmail.com2358-00031982-0313opendoar:2023-01-12T16:05:50.187249Revista dObra[s] - Associação Brasileira de Estudos e Pesquisas em Moda (Abepem)true |
dc.title.none.fl_str_mv |
Between photography and fashion: from the dual principle to the fashion image in Steichen and Poiret Entre a fotografia e a moda: do princípio dual à imagem de moda em Steichen e Poiret |
title |
Between photography and fashion: from the dual principle to the fashion image in Steichen and Poiret |
spellingShingle |
Between photography and fashion: from the dual principle to the fashion image in Steichen and Poiret Marcier, Luiza Fashion Double Photography Discourse Moda Duplo Fotografia Discurso |
title_short |
Between photography and fashion: from the dual principle to the fashion image in Steichen and Poiret |
title_full |
Between photography and fashion: from the dual principle to the fashion image in Steichen and Poiret |
title_fullStr |
Between photography and fashion: from the dual principle to the fashion image in Steichen and Poiret |
title_full_unstemmed |
Between photography and fashion: from the dual principle to the fashion image in Steichen and Poiret |
title_sort |
Between photography and fashion: from the dual principle to the fashion image in Steichen and Poiret |
author |
Marcier, Luiza |
author_facet |
Marcier, Luiza Félix da Costa, Carlos Eduardo Travassos Sarinho, Rafaela |
author_role |
author |
author2 |
Félix da Costa, Carlos Eduardo Travassos Sarinho, Rafaela |
author2_role |
author author |
dc.contributor.author.fl_str_mv |
Marcier, Luiza Félix da Costa, Carlos Eduardo Travassos Sarinho, Rafaela |
dc.subject.por.fl_str_mv |
Fashion Double Photography Discourse Moda Duplo Fotografia Discurso |
topic |
Fashion Double Photography Discourse Moda Duplo Fotografia Discurso |
description |
In this work, we present fashion as a phenomenon that is outlined from dual principles, having as an important milestone in its history the encounter with photography. If both integrate a heterogeneous device, which awakens other ways of seeing the female bodies, in the editorial productions carried out in the bond between the photographer Edward Steichen and the couturier Paul Poiret, we observe a two-way street in the discursive construction through the image, where it is possible to glimpse an active circuit of narrative production that takes place on and in the body, which reverberates in codes that explore the gestures of this body in movement and in modification. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-12-05 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://dobras.emnuvens.com.br/dobras/article/view/1612 10.26563/dobras.i36.1612 |
url |
https://dobras.emnuvens.com.br/dobras/article/view/1612 |
identifier_str_mv |
10.26563/dobras.i36.1612 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://dobras.emnuvens.com.br/dobras/article/view/1612/776 |
dc.rights.driver.fl_str_mv |
https://creativecommons.org/licenses/by-nc-sa/4.0/ info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
https://creativecommons.org/licenses/by-nc-sa/4.0/ |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Associação Brasileira de Estudos e Pesquisas em Moda - Abepem |
publisher.none.fl_str_mv |
Associação Brasileira de Estudos e Pesquisas em Moda - Abepem |
dc.source.none.fl_str_mv |
dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda; n. 36 (2022); 204-220 2358-0003 1982-0313 reponame:Revista dObra[s] instname:Associação Brasileira de Estudos e Pesquisas em Moda (Abepem) instacron:ABEPEM |
instname_str |
Associação Brasileira de Estudos e Pesquisas em Moda (Abepem) |
instacron_str |
ABEPEM |
institution |
ABEPEM |
reponame_str |
Revista dObra[s] |
collection |
Revista dObra[s] |
repository.name.fl_str_mv |
Revista dObra[s] - Associação Brasileira de Estudos e Pesquisas em Moda (Abepem) |
repository.mail.fl_str_mv |
dobras.abepem@gmail.com |
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1797054042218692608 |