Monoculture, Monotechnic, Mononature – conflicts of technobiodiverse existences in hegemonic systems
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | DATJournal |
Texto Completo: | https://datjournal.anhembi.br/dat/article/view/766 |
Resumo: | Thinking of different forms of existence in the digital is an exercise of articulating the technobiodiverse agents of their environment. We propose an ecological thinking that encompasses technology through poetic creation. Thus, we discuss the interactive installation “monoculture, monotenic, mononature” in the context of an ontological investigation of technology, reviewing the Modern ruptures between culture, technique and nature. We start with an investigation with the Eucalyptus, the most planted tree in Brazil, but of Australian origin. While in its native territory it is responsible for maintaining much of the local biodiversity and is seen as sacred by the aboriginal populations, in Brazil it was introduced in a monoculture system that interferes with biodiversity and generates conflict in territories with local populations. Therefore, we propose a reflection with distinct elements of the artwork, from the concept of cosmotechnics, to highlight the conflicts of multiple and technobiodiverse existences in the current hegemonic technological systems, pointing out how the construction of a poetics of care can indicate new paths for technological thinking. |
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Monoculture, Monotechnic, Mononature – conflicts of technobiodiverse existences in hegemonic systemsMonocultivo, Monotecnología, Mononatura - conflictos de las existencias tecnobiodiversas en los sistemas hegemónicosMonocultura, Monotécnica, Mononatura – conflitos de existências tecnobiodiversas em sistemas hegemônicosCosmotécnicaArte-TecnologiaInstalação InterativaFilosofia da TecnologiaCosmotechnicsArt-TechnologyInteractive InstallationPhilosophy Of TechnologyCosmotécnicaArte-TecnologíaInstalación InteractivaFilosofía De La tecnologíaThinking of different forms of existence in the digital is an exercise of articulating the technobiodiverse agents of their environment. We propose an ecological thinking that encompasses technology through poetic creation. Thus, we discuss the interactive installation “monoculture, monotenic, mononature” in the context of an ontological investigation of technology, reviewing the Modern ruptures between culture, technique and nature. We start with an investigation with the Eucalyptus, the most planted tree in Brazil, but of Australian origin. While in its native territory it is responsible for maintaining much of the local biodiversity and is seen as sacred by the aboriginal populations, in Brazil it was introduced in a monoculture system that interferes with biodiversity and generates conflict in territories with local populations. Therefore, we propose a reflection with distinct elements of the artwork, from the concept of cosmotechnics, to highlight the conflicts of multiple and technobiodiverse existences in the current hegemonic technological systems, pointing out how the construction of a poetics of care can indicate new paths for technological thinking.Pensar las diversas existencias en lo digital implica articular los agentes tecnobiodiversos del entorno. Proponemos un pensamiento ecológico que englobe lo técnico mediante la creación poética. Discutimos la instalación interactiva “monocultura, monotenia, mononaturaleza” en una investigación ontológica de la tecnología, revisando las rupturas modernas entre cultura, técnica y naturaleza. La instalación se basa en una investigación sobre el eucalipto, árbol más plantado en Brasil pero originario de Australia. En su territorio de origen, preserva gran parte de la biodiversidad y es sagrado para las poblaciones aborígenes. Sin embargo, en Brasil, se introdujo en un sistema de monocultivo que afecta la biodiversidad y genera conflictos con las comunidades indígenas locales. Proponemos reflexionar sobre los elementos artísticos, desde el concepto de cosmotecnia, para destacar los conflictos de las existencias múltiples y tecnobiodiversas en los sistemas tecnológicos actuales, señalando cómo la construcción de una poética del cuidado puede indicar nuevos caminos para el pensamiento tecnológico.Pensar as diferentes formas de existência no digital é um exercício de articulação dos agentes tecnobiodiversos do seu meio. Propomos um pensamento ecológico que engloba o pensamento técnico através da criação poética. Assim, discutimos a instalação interativa “monocultura, monoténica, mononatura” no contexto de uma investigação ontológica da tecnologia, revendo os rompimentos Modernos entre cultura, técnica e natureza. A insta[1]lação parte de uma investigação com o Eucalipto, a árvore mais plantada no Brasil, mas de origem Australiana. Enquanto em seu território de origem é responsável por manter boa parte da biodiversidade local e é vista como sagrada pelas populações aborígenes, no Brasil, foi introduzida em um sistema de monocultura que interfere na biodiversidade e gera conflito em territórios com as populações indígenas locais. Portanto, propomos uma reflexão com os elementos do trabalho artístico, a partir do conceito de cosmotécnica, para evidenciar os conflitos das existências múltiplas e tecnobiodiversas nos sistemas tecnológicos hegemônicos atuais, apontando como a construção de uma poética do cuidado pode indicar novos caminhos para o pensamento tecnológico.Universidade Anhambi Murumbi2023-09-25info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://datjournal.anhembi.br/dat/article/view/76610.29147/datjournal.v8i3.766DAT Journal; Vol. 8 No. 3 (2023): DESIGN, ART AND TECHNOLOGY + 4TH RETIINA E 4TH DATDOSSIER; 43-65DAT Journal; Vol. 8 Núm. 3 (2023): DISEÑO, ARTE Y TECNOLOGÍA + DOSSIER 4° RETIINA E 4° DAT; 43-65DAT Journal; v. 8 n. 3 (2023): DESIGN, ARTE E TECNOLOGIA + DOSSIÊ 4 RETIINA E 4 DAT; 43-652526-178910.29147/datjournal.v8i3reponame:DATJournalinstname:Universidade Anhembi Morumbi (ANHEMBI)instacron:ANHEMBIporhttps://datjournal.anhembi.br/dat/article/view/766/558Copyright (c) 2023 DAT Journalhttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessMontanari, MatheusPrado, Gilbertto2023-09-26T18:22:44Zoai:ojs.datjournal.anhembi.br:article/766Revistahttps://datjournal.anhembi.br/datPUBhttps://datjournal.anhembi.br/dat/oai||ppgdesign@anhembi.br2526-17892526-1789opendoar:2023-09-26T18:22:44DATJournal - Universidade Anhembi Morumbi (ANHEMBI)false |
dc.title.none.fl_str_mv |
Monoculture, Monotechnic, Mononature – conflicts of technobiodiverse existences in hegemonic systems Monocultivo, Monotecnología, Mononatura - conflictos de las existencias tecnobiodiversas en los sistemas hegemónicos Monocultura, Monotécnica, Mononatura – conflitos de existências tecnobiodiversas em sistemas hegemônicos |
title |
Monoculture, Monotechnic, Mononature – conflicts of technobiodiverse existences in hegemonic systems |
spellingShingle |
Monoculture, Monotechnic, Mononature – conflicts of technobiodiverse existences in hegemonic systems Montanari, Matheus Cosmotécnica Arte-Tecnologia Instalação Interativa Filosofia da Tecnologia Cosmotechnics Art-Technology Interactive Installation Philosophy Of Technology Cosmotécnica Arte-Tecnología Instalación Interactiva Filosofía De La tecnología |
title_short |
Monoculture, Monotechnic, Mononature – conflicts of technobiodiverse existences in hegemonic systems |
title_full |
Monoculture, Monotechnic, Mononature – conflicts of technobiodiverse existences in hegemonic systems |
title_fullStr |
Monoculture, Monotechnic, Mononature – conflicts of technobiodiverse existences in hegemonic systems |
title_full_unstemmed |
Monoculture, Monotechnic, Mononature – conflicts of technobiodiverse existences in hegemonic systems |
title_sort |
Monoculture, Monotechnic, Mononature – conflicts of technobiodiverse existences in hegemonic systems |
author |
Montanari, Matheus |
author_facet |
Montanari, Matheus Prado, Gilbertto |
author_role |
author |
author2 |
Prado, Gilbertto |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Montanari, Matheus Prado, Gilbertto |
dc.subject.por.fl_str_mv |
Cosmotécnica Arte-Tecnologia Instalação Interativa Filosofia da Tecnologia Cosmotechnics Art-Technology Interactive Installation Philosophy Of Technology Cosmotécnica Arte-Tecnología Instalación Interactiva Filosofía De La tecnología |
topic |
Cosmotécnica Arte-Tecnologia Instalação Interativa Filosofia da Tecnologia Cosmotechnics Art-Technology Interactive Installation Philosophy Of Technology Cosmotécnica Arte-Tecnología Instalación Interactiva Filosofía De La tecnología |
description |
Thinking of different forms of existence in the digital is an exercise of articulating the technobiodiverse agents of their environment. We propose an ecological thinking that encompasses technology through poetic creation. Thus, we discuss the interactive installation “monoculture, monotenic, mononature” in the context of an ontological investigation of technology, reviewing the Modern ruptures between culture, technique and nature. We start with an investigation with the Eucalyptus, the most planted tree in Brazil, but of Australian origin. While in its native territory it is responsible for maintaining much of the local biodiversity and is seen as sacred by the aboriginal populations, in Brazil it was introduced in a monoculture system that interferes with biodiversity and generates conflict in territories with local populations. Therefore, we propose a reflection with distinct elements of the artwork, from the concept of cosmotechnics, to highlight the conflicts of multiple and technobiodiverse existences in the current hegemonic technological systems, pointing out how the construction of a poetics of care can indicate new paths for technological thinking. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-09-25 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://datjournal.anhembi.br/dat/article/view/766 10.29147/datjournal.v8i3.766 |
url |
https://datjournal.anhembi.br/dat/article/view/766 |
identifier_str_mv |
10.29147/datjournal.v8i3.766 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://datjournal.anhembi.br/dat/article/view/766/558 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2023 DAT Journal https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2023 DAT Journal https://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Anhambi Murumbi |
publisher.none.fl_str_mv |
Universidade Anhambi Murumbi |
dc.source.none.fl_str_mv |
DAT Journal; Vol. 8 No. 3 (2023): DESIGN, ART AND TECHNOLOGY + 4TH RETIINA E 4TH DATDOSSIER; 43-65 DAT Journal; Vol. 8 Núm. 3 (2023): DISEÑO, ARTE Y TECNOLOGÍA + DOSSIER 4° RETIINA E 4° DAT; 43-65 DAT Journal; v. 8 n. 3 (2023): DESIGN, ARTE E TECNOLOGIA + DOSSIÊ 4 RETIINA E 4 DAT; 43-65 2526-1789 10.29147/datjournal.v8i3 reponame:DATJournal instname:Universidade Anhembi Morumbi (ANHEMBI) instacron:ANHEMBI |
instname_str |
Universidade Anhembi Morumbi (ANHEMBI) |
instacron_str |
ANHEMBI |
institution |
ANHEMBI |
reponame_str |
DATJournal |
collection |
DATJournal |
repository.name.fl_str_mv |
DATJournal - Universidade Anhembi Morumbi (ANHEMBI) |
repository.mail.fl_str_mv |
||ppgdesign@anhembi.br |
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1797239920205496320 |