Anatomy of jewelry: metallic components
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | DATJournal |
Texto Completo: | https://datjournal.anhembi.br/dat/article/view/657 |
Resumo: | Literature in Portuguese on goldsmithing, even if it is an ancestral human activity, is still scarce. On the other hand, the Brazilian academic community is taking its first steps in the production of content related to this theme. In order to contribute to the production of knowledge, an academic experiment was carried out in the discipline of Jewelry and Jewelry Assembly of the Gemology Course of the Center for Economic and Legal Sciences of the Federal University of Espírito Santo (CCJE/UFES) which involved the enrolled students. The experiment had its genesis in a hypothesis of the classification and ordering of the metallic components of the jewelry that was elaborated from the goldsmith practices adopted by the jeweler Mauro Cateb. The hypothesis was submitted to verification by students in semester 2022-1 at CCJE/ UFES. The notable points identified in the attempts to produce the components in the laboratory were recorded to compose a proposal for the anatomy of the jewelry considering its metallic dimension. |
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Anatomy of jewelry: metallic componentsAnatomía de la joyería: componentes metálicosAnatomia da joia: componentes metálicosJoiaourivesariajoalheriafundiçãoJewelgoldsmithjewelryfoundryJoyaorfebreríajoyeríafundiciónLiterature in Portuguese on goldsmithing, even if it is an ancestral human activity, is still scarce. On the other hand, the Brazilian academic community is taking its first steps in the production of content related to this theme. In order to contribute to the production of knowledge, an academic experiment was carried out in the discipline of Jewelry and Jewelry Assembly of the Gemology Course of the Center for Economic and Legal Sciences of the Federal University of Espírito Santo (CCJE/UFES) which involved the enrolled students. The experiment had its genesis in a hypothesis of the classification and ordering of the metallic components of the jewelry that was elaborated from the goldsmith practices adopted by the jeweler Mauro Cateb. The hypothesis was submitted to verification by students in semester 2022-1 at CCJE/ UFES. The notable points identified in the attempts to produce the components in the laboratory were recorded to compose a proposal for the anatomy of the jewelry considering its metallic dimension.La literatura en portugués sobre la orfebrería, aun siendo una actividad humana ancestral, es todavía escasa. Por otro lado, la comunidad académica brasileña está dando sus primeros pasos en la producción de contenidos relacionados con este tema. Para contribuir a la producción de conocimiento, se realizó una experiencia académica en la disciplina de Joyería y Ensamblaje de Joyas del Curso de Gemología del Centro de Ciencias Económicas y Jurídicas de la Universidad Federal de Espírito Santo (CCJE/ UFES) que involucró los alumnos matriculados. El experimento tuvo su génesis en una hipótesis de clasificación y ordenamiento de los componentes metálicos de las joyas que se elaboraba a partir de las prácticas orfebreras adoptadas por el joyero Mauro Cateb. La hipótesis fue sometida a verificación por los estudiantes en el semestre 2022-1 del CCJE/UFES. Los puntos destacados identificados en los intentos de producción de los componentes en el laboratorio fueron registrados para componer una propuesta de anatomía de la joyería considerando su dimensión metálica.A literatura no idioma português sobre a ourivesaria, mesmo que seja uma atividade humana ancestral, ainda é escassa. Por outro lado, a comunidade acadêmica brasileira está dando seus primeiros passos na produção de conteúdos relativos a esta temática. Visando contribuir com a produção de conhecimento, realizou-se um experimento acadêmico na disciplina Ourivesaria e Montagem de Joias do Curso de Gemologia do Centro de Ciências Econômicas e Jurídicas da Universidade Federal do espírito Santo (CCJE/UFES) que envolveu os alunos matriculados. O experimento teve gênese em uma hipótese da classificação e ordenamento dos componentes metálicos da joia que foi elaborada a partir das práticas de ourivesaria adotada pelo joalheiro Mauro Cateb. A hipótese foi submetida à verificação pelos estudantes no semestre 2022-1 no CCJE/UFES. Foram registrados os pontos notáveis identificados nas tentativas de produzir os componentes em laboratório para compor uma proposta de anatomia da joia considerando a sua dimensão metálica.Universidade Anhambi Murumbi2022-10-24info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://datjournal.anhembi.br/dat/article/view/65710.29147/datjournal.v7i3.657DAT Journal; Vol. 7 No. 3 (2022): Design, Art and Technology + Jewelry Design Dossier ; 209-236DAT Journal; Vol. 7 Núm. 3 (2022): Design, Arte y Tecnología + Dossier De Diseño de Joyas; 209-236DAT Journal; v. 7 n. 3 (2022): Design, Arte E Tecnologia + Dossiê Design de Joias ; 209-2362526-178910.29147/datjournal.v7i3reponame:DATJournalinstname:Universidade Anhembi Morumbi (ANHEMBI)instacron:ANHEMBIporhttps://datjournal.anhembi.br/dat/article/view/657/468https://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessSpinassé, Marcos AntonioCateb, Mauro2022-10-24T18:08:04Zoai:ojs.datjournal.anhembi.br:article/657Revistahttps://datjournal.anhembi.br/datPUBhttps://datjournal.anhembi.br/dat/oai||ppgdesign@anhembi.br2526-17892526-1789opendoar:2022-10-24T18:08:04DATJournal - Universidade Anhembi Morumbi (ANHEMBI)false |
dc.title.none.fl_str_mv |
Anatomy of jewelry: metallic components Anatomía de la joyería: componentes metálicos Anatomia da joia: componentes metálicos |
title |
Anatomy of jewelry: metallic components |
spellingShingle |
Anatomy of jewelry: metallic components Spinassé, Marcos Antonio Joia ourivesaria joalheria fundição Jewel goldsmith jewelry foundry Joya orfebrería joyería fundición |
title_short |
Anatomy of jewelry: metallic components |
title_full |
Anatomy of jewelry: metallic components |
title_fullStr |
Anatomy of jewelry: metallic components |
title_full_unstemmed |
Anatomy of jewelry: metallic components |
title_sort |
Anatomy of jewelry: metallic components |
author |
Spinassé, Marcos Antonio |
author_facet |
Spinassé, Marcos Antonio Cateb, Mauro |
author_role |
author |
author2 |
Cateb, Mauro |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Spinassé, Marcos Antonio Cateb, Mauro |
dc.subject.por.fl_str_mv |
Joia ourivesaria joalheria fundição Jewel goldsmith jewelry foundry Joya orfebrería joyería fundición |
topic |
Joia ourivesaria joalheria fundição Jewel goldsmith jewelry foundry Joya orfebrería joyería fundición |
description |
Literature in Portuguese on goldsmithing, even if it is an ancestral human activity, is still scarce. On the other hand, the Brazilian academic community is taking its first steps in the production of content related to this theme. In order to contribute to the production of knowledge, an academic experiment was carried out in the discipline of Jewelry and Jewelry Assembly of the Gemology Course of the Center for Economic and Legal Sciences of the Federal University of Espírito Santo (CCJE/UFES) which involved the enrolled students. The experiment had its genesis in a hypothesis of the classification and ordering of the metallic components of the jewelry that was elaborated from the goldsmith practices adopted by the jeweler Mauro Cateb. The hypothesis was submitted to verification by students in semester 2022-1 at CCJE/ UFES. The notable points identified in the attempts to produce the components in the laboratory were recorded to compose a proposal for the anatomy of the jewelry considering its metallic dimension. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-10-24 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://datjournal.anhembi.br/dat/article/view/657 10.29147/datjournal.v7i3.657 |
url |
https://datjournal.anhembi.br/dat/article/view/657 |
identifier_str_mv |
10.29147/datjournal.v7i3.657 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://datjournal.anhembi.br/dat/article/view/657/468 |
dc.rights.driver.fl_str_mv |
https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
https://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Anhambi Murumbi |
publisher.none.fl_str_mv |
Universidade Anhambi Murumbi |
dc.source.none.fl_str_mv |
DAT Journal; Vol. 7 No. 3 (2022): Design, Art and Technology + Jewelry Design Dossier ; 209-236 DAT Journal; Vol. 7 Núm. 3 (2022): Design, Arte y Tecnología + Dossier De Diseño de Joyas; 209-236 DAT Journal; v. 7 n. 3 (2022): Design, Arte E Tecnologia + Dossiê Design de Joias ; 209-236 2526-1789 10.29147/datjournal.v7i3 reponame:DATJournal instname:Universidade Anhembi Morumbi (ANHEMBI) instacron:ANHEMBI |
instname_str |
Universidade Anhembi Morumbi (ANHEMBI) |
instacron_str |
ANHEMBI |
institution |
ANHEMBI |
reponame_str |
DATJournal |
collection |
DATJournal |
repository.name.fl_str_mv |
DATJournal - Universidade Anhembi Morumbi (ANHEMBI) |
repository.mail.fl_str_mv |
||ppgdesign@anhembi.br |
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1797239922320474112 |