Dropping The Urn: a cultura partida e reduzida a pó na obra de Ai Weiwei

Detalhes bibliográficos
Autor(a) principal: Kiko, Rodrigo
Data de Publicação: 2022
Outros Autores: Arantes, Priscila
Tipo de documento: Artigo
Idioma: por
Título da fonte: DATJournal
Texto Completo: https://datjournal.anhembi.br/dat/article/view/594
Resumo: This article examines one of the most iconic works by contemporary Chinese artist Ai Weiwei: Dropping a Han Dynasty Urn (1993). A brief punctuation is made about the aesthetic and symbolic characteristics referring to Chinese tradition and identity reflected in the ceramics. It addresses the concepts of material culture and cultural memory to open a case study of the artist’s work from the perspective of Kopytoff. This article analyzes the performative action of the artist in the photographic triptych, relating the historical cultural contexts to the concept of the work.
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spelling Dropping The Urn: a cultura partida e reduzida a pó na obra de Ai WeiweiDesignCultura MaterialMemória CulturalAi WeiweiDesignMaterial CultureCultural MemoryAi WeiweiDiseñoCultura MaterialMemoria CulturalAi WeiweiThis article examines one of the most iconic works by contemporary Chinese artist Ai Weiwei: Dropping a Han Dynasty Urn (1993). A brief punctuation is made about the aesthetic and symbolic characteristics referring to Chinese tradition and identity reflected in the ceramics. It addresses the concepts of material culture and cultural memory to open a case study of the artist’s work from the perspective of Kopytoff. This article analyzes the performative action of the artist in the photographic triptych, relating the historical cultural contexts to the concept of the work.Este artículo examina una de las obras más icónicas del artista chino contemporáneo Ai Weiwei: Dropping a Han Dynasty Urn (1995). Se hace una breve puntuación sobre las características estéticas y simbólicas referentes a la tradición e identidad china reflejada en la cerámica. Aborda los conceptos de cultura material y memoria cultural para el estudio de caso de la obra del artista desde la perspectiva de Kopytoff. Con ello, analiza la acción performativa del artista en el tríptico fotográfico, relacionando los contextos históricos culturales con el discurso de la obra.Este artigo examina uma das obras mais icônicas do artista contemporâneo chinês Ai Weiwei: Dropping a Han Dynasty Urn (1995). Faz-se uma breve pontuação acerca das características estéticas e simbólicas referentes a tradição e identidade chinesa refletidas nas cerâmicas. Aborda os conceitos de cultura material e memória cultural para o estudo de caso da obra do artista sob a perspectiva de Kopytoff. Com isso, analisa a ação performática do artista no tríptico fotográfico, relacionando os contextos culturais históricos ao discurso do obra.Universidade Anhambi Murumbi2022-06-14info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://datjournal.anhembi.br/dat/article/view/59410.29147/datjournal.v7i2.594DAT Journal; Vol. 7 No. 2 (2022): Design, Art and Technology + Cesar School Dossier; 54-65DAT Journal; Vol. 7 Núm. 2 (2022): Diseño, Arte y Tecnología + Dossier Cesar School; 54-65DAT Journal; v. 7 n. 2 (2022): Design, Arte e Tecnologia + Dossiê Cesar School ; 54-652526-178910.29147/datjournal.v7i2reponame:DATJournalinstname:Universidade Anhembi Morumbi (ANHEMBI)instacron:ANHEMBIporhttps://datjournal.anhembi.br/dat/article/view/594/422Copyright (c) 2022 DAT Journalhttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessKiko, RodrigoArantes, Priscila2022-06-22T20:54:47Zoai:ojs.datjournal.anhembi.br:article/594Revistahttps://datjournal.anhembi.br/datPUBhttps://datjournal.anhembi.br/dat/oai||ppgdesign@anhembi.br2526-17892526-1789opendoar:2022-06-22T20:54:47DATJournal - Universidade Anhembi Morumbi (ANHEMBI)false
dc.title.none.fl_str_mv Dropping The Urn: a cultura partida e reduzida a pó na obra de Ai Weiwei
title Dropping The Urn: a cultura partida e reduzida a pó na obra de Ai Weiwei
spellingShingle Dropping The Urn: a cultura partida e reduzida a pó na obra de Ai Weiwei
Kiko, Rodrigo
Design
Cultura Material
Memória Cultural
Ai Weiwei
Design
Material Culture
Cultural Memory
Ai Weiwei
Diseño
Cultura Material
Memoria Cultural
Ai Weiwei
title_short Dropping The Urn: a cultura partida e reduzida a pó na obra de Ai Weiwei
title_full Dropping The Urn: a cultura partida e reduzida a pó na obra de Ai Weiwei
title_fullStr Dropping The Urn: a cultura partida e reduzida a pó na obra de Ai Weiwei
title_full_unstemmed Dropping The Urn: a cultura partida e reduzida a pó na obra de Ai Weiwei
title_sort Dropping The Urn: a cultura partida e reduzida a pó na obra de Ai Weiwei
author Kiko, Rodrigo
author_facet Kiko, Rodrigo
Arantes, Priscila
author_role author
author2 Arantes, Priscila
author2_role author
dc.contributor.author.fl_str_mv Kiko, Rodrigo
Arantes, Priscila
dc.subject.por.fl_str_mv Design
Cultura Material
Memória Cultural
Ai Weiwei
Design
Material Culture
Cultural Memory
Ai Weiwei
Diseño
Cultura Material
Memoria Cultural
Ai Weiwei
topic Design
Cultura Material
Memória Cultural
Ai Weiwei
Design
Material Culture
Cultural Memory
Ai Weiwei
Diseño
Cultura Material
Memoria Cultural
Ai Weiwei
description This article examines one of the most iconic works by contemporary Chinese artist Ai Weiwei: Dropping a Han Dynasty Urn (1993). A brief punctuation is made about the aesthetic and symbolic characteristics referring to Chinese tradition and identity reflected in the ceramics. It addresses the concepts of material culture and cultural memory to open a case study of the artist’s work from the perspective of Kopytoff. This article analyzes the performative action of the artist in the photographic triptych, relating the historical cultural contexts to the concept of the work.
publishDate 2022
dc.date.none.fl_str_mv 2022-06-14
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://datjournal.anhembi.br/dat/article/view/594
10.29147/datjournal.v7i2.594
url https://datjournal.anhembi.br/dat/article/view/594
identifier_str_mv 10.29147/datjournal.v7i2.594
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://datjournal.anhembi.br/dat/article/view/594/422
dc.rights.driver.fl_str_mv Copyright (c) 2022 DAT Journal
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 DAT Journal
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Anhambi Murumbi
publisher.none.fl_str_mv Universidade Anhambi Murumbi
dc.source.none.fl_str_mv DAT Journal; Vol. 7 No. 2 (2022): Design, Art and Technology + Cesar School Dossier; 54-65
DAT Journal; Vol. 7 Núm. 2 (2022): Diseño, Arte y Tecnología + Dossier Cesar School; 54-65
DAT Journal; v. 7 n. 2 (2022): Design, Arte e Tecnologia + Dossiê Cesar School ; 54-65
2526-1789
10.29147/datjournal.v7i2
reponame:DATJournal
instname:Universidade Anhembi Morumbi (ANHEMBI)
instacron:ANHEMBI
instname_str Universidade Anhembi Morumbi (ANHEMBI)
instacron_str ANHEMBI
institution ANHEMBI
reponame_str DATJournal
collection DATJournal
repository.name.fl_str_mv DATJournal - Universidade Anhembi Morumbi (ANHEMBI)
repository.mail.fl_str_mv ||ppgdesign@anhembi.br
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