The manuscript and manuality as resistance and differentiation

Detalhes bibliográficos
Autor(a) principal: Campos, Gisela Belluzzo de
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: por
Título da fonte: DATJournal
Texto Completo: https://datjournal.anhembi.br/dat/article/view/500
Resumo: this text brings impressions and comments on a visit to the 34th Bienal de São Paulo, which took place between September and December 2021, with the mark of decoloniality. The exhibition showed to be surprising due to the amount of handwritten writings, letters, and reports, as well as hand-crafted images. These works contrast with the excess of technical images that flood our daily lives and make us know and feel the strength of productions composed with writings and drawings, with significant authorship marks, which reveal ways of life that resist the precepts of domination and globalization in political, social and artistic aspects.
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spelling The manuscript and manuality as resistance and differentiationEl manuscrito y la manualidad como resistencia y diferenciaciónO manuscrito e a manualidade como resistência e diferenciaçãoManualidadeDecolonialidade34ª Bienal de São Paulomanualitydecoloniality34th Bienal de São Paulomanualidaddecolonialidad34ª Bienal de São Paulothis text brings impressions and comments on a visit to the 34th Bienal de São Paulo, which took place between September and December 2021, with the mark of decoloniality. The exhibition showed to be surprising due to the amount of handwritten writings, letters, and reports, as well as hand-crafted images. These works contrast with the excess of technical images that flood our daily lives and make us know and feel the strength of productions composed with writings and drawings, with significant authorship marks, which reveal ways of life that resist the precepts of domination and globalization in political, social and artistic aspects.Este texto trae impresiones y comentarios sobre uma visita a la 34ª Bienal de São Paulo, que tuvo lugar entre septiembre y diciembre de 2021, com el sello de la descolonialidad. La exposición resultó sorpreendente por la cantidad de escritos, cartas e informes escritos a mano, así como por imágenes artesanales. Estas obras constrastan com el excesso de imágenes técnicas que inundan nuestro día a día y nos hacen conocer y sentir la fuerza de producciones compuestos de escritos y dibujos, com importantes marcas de autor, que revelan formas de vida que resisten los preceptos de dominación y globalización em aspectos políticos, sociales y artísticos.Este texto traz impressões e comentários sobre uma visita a 34ª Bienal de São Paulo, ocorrida entre setembro e dezembro de 2021, com a marca da decolonialidade. A exposição mostrou-se surpreendente pela quantidade de escritos, cartas e relatos manuscritos, bem como de imagens manualmente realizadas. Estas obras contrastam com o excesso de imagens técnicas que inundam nosso cotidiano e nos fazem conhecer e sentir a força de produções compostas com escritas e desenhos, com marcas autorais significativas, as quais revelam modos de vida que resistem aos preceitos da dominação e da globalização em aspectos políticos, sociais e artísticos.Universidade Anhambi Murumbi2021-12-21info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://datjournal.anhembi.br/dat/article/view/50010.29147/datjournal.v6i4.500DAT Journal; Vol. 6 No. 4 (2021): Design + Art + Technology; 196-207DAT Journal; Vol. 6 Núm. 4 (2021): Diseño + Arte + Tecnología; 196-207DAT Journal; v. 6 n. 4 (2021): Design + Arte + Tecnologia; 196-2072526-178910.29147/datjournal.v6i4reponame:DATJournalinstname:Universidade Anhembi Morumbi (ANHEMBI)instacron:ANHEMBIporhttps://datjournal.anhembi.br/dat/article/view/500/356https://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessCampos, Gisela Belluzzo de2022-03-29T12:21:29Zoai:ojs.datjournal.anhembi.br:article/500Revistahttps://datjournal.anhembi.br/datPUBhttps://datjournal.anhembi.br/dat/oai||ppgdesign@anhembi.br2526-17892526-1789opendoar:2022-03-29T12:21:29DATJournal - Universidade Anhembi Morumbi (ANHEMBI)false
dc.title.none.fl_str_mv The manuscript and manuality as resistance and differentiation
El manuscrito y la manualidad como resistencia y diferenciación
O manuscrito e a manualidade como resistência e diferenciação
title The manuscript and manuality as resistance and differentiation
spellingShingle The manuscript and manuality as resistance and differentiation
Campos, Gisela Belluzzo de
Manualidade
Decolonialidade
34ª Bienal de São Paulo
manuality
decoloniality
34th Bienal de São Paulo
manualidad
decolonialidad
34ª Bienal de São Paulo
title_short The manuscript and manuality as resistance and differentiation
title_full The manuscript and manuality as resistance and differentiation
title_fullStr The manuscript and manuality as resistance and differentiation
title_full_unstemmed The manuscript and manuality as resistance and differentiation
title_sort The manuscript and manuality as resistance and differentiation
author Campos, Gisela Belluzzo de
author_facet Campos, Gisela Belluzzo de
author_role author
dc.contributor.author.fl_str_mv Campos, Gisela Belluzzo de
dc.subject.por.fl_str_mv Manualidade
Decolonialidade
34ª Bienal de São Paulo
manuality
decoloniality
34th Bienal de São Paulo
manualidad
decolonialidad
34ª Bienal de São Paulo
topic Manualidade
Decolonialidade
34ª Bienal de São Paulo
manuality
decoloniality
34th Bienal de São Paulo
manualidad
decolonialidad
34ª Bienal de São Paulo
description this text brings impressions and comments on a visit to the 34th Bienal de São Paulo, which took place between September and December 2021, with the mark of decoloniality. The exhibition showed to be surprising due to the amount of handwritten writings, letters, and reports, as well as hand-crafted images. These works contrast with the excess of technical images that flood our daily lives and make us know and feel the strength of productions composed with writings and drawings, with significant authorship marks, which reveal ways of life that resist the precepts of domination and globalization in political, social and artistic aspects.
publishDate 2021
dc.date.none.fl_str_mv 2021-12-21
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://datjournal.anhembi.br/dat/article/view/500
10.29147/datjournal.v6i4.500
url https://datjournal.anhembi.br/dat/article/view/500
identifier_str_mv 10.29147/datjournal.v6i4.500
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://datjournal.anhembi.br/dat/article/view/500/356
dc.rights.driver.fl_str_mv https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Anhambi Murumbi
publisher.none.fl_str_mv Universidade Anhambi Murumbi
dc.source.none.fl_str_mv DAT Journal; Vol. 6 No. 4 (2021): Design + Art + Technology; 196-207
DAT Journal; Vol. 6 Núm. 4 (2021): Diseño + Arte + Tecnología; 196-207
DAT Journal; v. 6 n. 4 (2021): Design + Arte + Tecnologia; 196-207
2526-1789
10.29147/datjournal.v6i4
reponame:DATJournal
instname:Universidade Anhembi Morumbi (ANHEMBI)
instacron:ANHEMBI
instname_str Universidade Anhembi Morumbi (ANHEMBI)
instacron_str ANHEMBI
institution ANHEMBI
reponame_str DATJournal
collection DATJournal
repository.name.fl_str_mv DATJournal - Universidade Anhembi Morumbi (ANHEMBI)
repository.mail.fl_str_mv ||ppgdesign@anhembi.br
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