The manuscript and manuality as resistance and differentiation
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | DATJournal |
Texto Completo: | https://datjournal.anhembi.br/dat/article/view/500 |
Resumo: | this text brings impressions and comments on a visit to the 34th Bienal de São Paulo, which took place between September and December 2021, with the mark of decoloniality. The exhibition showed to be surprising due to the amount of handwritten writings, letters, and reports, as well as hand-crafted images. These works contrast with the excess of technical images that flood our daily lives and make us know and feel the strength of productions composed with writings and drawings, with significant authorship marks, which reveal ways of life that resist the precepts of domination and globalization in political, social and artistic aspects. |
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The manuscript and manuality as resistance and differentiationEl manuscrito y la manualidad como resistencia y diferenciaciónO manuscrito e a manualidade como resistência e diferenciaçãoManualidadeDecolonialidade34ª Bienal de São Paulomanualitydecoloniality34th Bienal de São Paulomanualidaddecolonialidad34ª Bienal de São Paulothis text brings impressions and comments on a visit to the 34th Bienal de São Paulo, which took place between September and December 2021, with the mark of decoloniality. The exhibition showed to be surprising due to the amount of handwritten writings, letters, and reports, as well as hand-crafted images. These works contrast with the excess of technical images that flood our daily lives and make us know and feel the strength of productions composed with writings and drawings, with significant authorship marks, which reveal ways of life that resist the precepts of domination and globalization in political, social and artistic aspects.Este texto trae impresiones y comentarios sobre uma visita a la 34ª Bienal de São Paulo, que tuvo lugar entre septiembre y diciembre de 2021, com el sello de la descolonialidad. La exposición resultó sorpreendente por la cantidad de escritos, cartas e informes escritos a mano, así como por imágenes artesanales. Estas obras constrastan com el excesso de imágenes técnicas que inundan nuestro día a día y nos hacen conocer y sentir la fuerza de producciones compuestos de escritos y dibujos, com importantes marcas de autor, que revelan formas de vida que resisten los preceptos de dominación y globalización em aspectos políticos, sociales y artísticos.Este texto traz impressões e comentários sobre uma visita a 34ª Bienal de São Paulo, ocorrida entre setembro e dezembro de 2021, com a marca da decolonialidade. A exposição mostrou-se surpreendente pela quantidade de escritos, cartas e relatos manuscritos, bem como de imagens manualmente realizadas. Estas obras contrastam com o excesso de imagens técnicas que inundam nosso cotidiano e nos fazem conhecer e sentir a força de produções compostas com escritas e desenhos, com marcas autorais significativas, as quais revelam modos de vida que resistem aos preceitos da dominação e da globalização em aspectos políticos, sociais e artísticos.Universidade Anhambi Murumbi2021-12-21info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://datjournal.anhembi.br/dat/article/view/50010.29147/datjournal.v6i4.500DAT Journal; Vol. 6 No. 4 (2021): Design + Art + Technology; 196-207DAT Journal; Vol. 6 Núm. 4 (2021): Diseño + Arte + Tecnología; 196-207DAT Journal; v. 6 n. 4 (2021): Design + Arte + Tecnologia; 196-2072526-178910.29147/datjournal.v6i4reponame:DATJournalinstname:Universidade Anhembi Morumbi (ANHEMBI)instacron:ANHEMBIporhttps://datjournal.anhembi.br/dat/article/view/500/356https://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessCampos, Gisela Belluzzo de2022-03-29T12:21:29Zoai:ojs.datjournal.anhembi.br:article/500Revistahttps://datjournal.anhembi.br/datPUBhttps://datjournal.anhembi.br/dat/oai||ppgdesign@anhembi.br2526-17892526-1789opendoar:2022-03-29T12:21:29DATJournal - Universidade Anhembi Morumbi (ANHEMBI)false |
dc.title.none.fl_str_mv |
The manuscript and manuality as resistance and differentiation El manuscrito y la manualidad como resistencia y diferenciación O manuscrito e a manualidade como resistência e diferenciação |
title |
The manuscript and manuality as resistance and differentiation |
spellingShingle |
The manuscript and manuality as resistance and differentiation Campos, Gisela Belluzzo de Manualidade Decolonialidade 34ª Bienal de São Paulo manuality decoloniality 34th Bienal de São Paulo manualidad decolonialidad 34ª Bienal de São Paulo |
title_short |
The manuscript and manuality as resistance and differentiation |
title_full |
The manuscript and manuality as resistance and differentiation |
title_fullStr |
The manuscript and manuality as resistance and differentiation |
title_full_unstemmed |
The manuscript and manuality as resistance and differentiation |
title_sort |
The manuscript and manuality as resistance and differentiation |
author |
Campos, Gisela Belluzzo de |
author_facet |
Campos, Gisela Belluzzo de |
author_role |
author |
dc.contributor.author.fl_str_mv |
Campos, Gisela Belluzzo de |
dc.subject.por.fl_str_mv |
Manualidade Decolonialidade 34ª Bienal de São Paulo manuality decoloniality 34th Bienal de São Paulo manualidad decolonialidad 34ª Bienal de São Paulo |
topic |
Manualidade Decolonialidade 34ª Bienal de São Paulo manuality decoloniality 34th Bienal de São Paulo manualidad decolonialidad 34ª Bienal de São Paulo |
description |
this text brings impressions and comments on a visit to the 34th Bienal de São Paulo, which took place between September and December 2021, with the mark of decoloniality. The exhibition showed to be surprising due to the amount of handwritten writings, letters, and reports, as well as hand-crafted images. These works contrast with the excess of technical images that flood our daily lives and make us know and feel the strength of productions composed with writings and drawings, with significant authorship marks, which reveal ways of life that resist the precepts of domination and globalization in political, social and artistic aspects. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-12-21 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://datjournal.anhembi.br/dat/article/view/500 10.29147/datjournal.v6i4.500 |
url |
https://datjournal.anhembi.br/dat/article/view/500 |
identifier_str_mv |
10.29147/datjournal.v6i4.500 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://datjournal.anhembi.br/dat/article/view/500/356 |
dc.rights.driver.fl_str_mv |
https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
https://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Anhambi Murumbi |
publisher.none.fl_str_mv |
Universidade Anhambi Murumbi |
dc.source.none.fl_str_mv |
DAT Journal; Vol. 6 No. 4 (2021): Design + Art + Technology; 196-207 DAT Journal; Vol. 6 Núm. 4 (2021): Diseño + Arte + Tecnología; 196-207 DAT Journal; v. 6 n. 4 (2021): Design + Arte + Tecnologia; 196-207 2526-1789 10.29147/datjournal.v6i4 reponame:DATJournal instname:Universidade Anhembi Morumbi (ANHEMBI) instacron:ANHEMBI |
instname_str |
Universidade Anhembi Morumbi (ANHEMBI) |
instacron_str |
ANHEMBI |
institution |
ANHEMBI |
reponame_str |
DATJournal |
collection |
DATJournal |
repository.name.fl_str_mv |
DATJournal - Universidade Anhembi Morumbi (ANHEMBI) |
repository.mail.fl_str_mv |
||ppgdesign@anhembi.br |
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1797239921832886272 |