The history of Afro-Brazilian art as the history of Afro-Brazilian art exhibitions

Detalhes bibliográficos
Autor(a) principal: Silva, Claudinei Roberto da
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: por
Título da fonte: DATJournal
Texto Completo: https://datjournal.anhembi.br/dat/article/view/250
Resumo: The protests triggered by the murder of the African American George Floyd once again denounce the structural racism that characterizes Western societies from all quarters, the violence that hit has been promoted by the State and is the same that everyday annihilate in the suburbs of the whole world the livesof female and male blacks, notably the youngest, and confirms that inequality is an indelible mark not only of societies subjected to the colonialist yoke but also of those who promote it. This has suggested, or rather, demanded the construction of new pedagogical strategies and ethical protocols that make it possible to consolidate and make visible divergent narratives that contemplate the symbolic production of historically excluded groups for the benefit of more democratic and plural social scenarios. Therefore, the role that the arts play in the construction of anti and/or non-racist and anti-colonial imaginary is central, which making essential the construction and diffusion of a story that contemplates this option.
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spelling The history of Afro-Brazilian art as the history of Afro-Brazilian art exhibitionsLa historia del arte afrobrasileño como historia de las exposiciones de arte afrobrasileñoA história da arte afro-brasileira como a história das exposições de arte afro-brasileiraColonialismoHistóriaCirculação/ArteRacismoColonialismHistoryCirculation / ArtRacismColonialismoHistoriaCirculación/ArteRacismoThe protests triggered by the murder of the African American George Floyd once again denounce the structural racism that characterizes Western societies from all quarters, the violence that hit has been promoted by the State and is the same that everyday annihilate in the suburbs of the whole world the livesof female and male blacks, notably the youngest, and confirms that inequality is an indelible mark not only of societies subjected to the colonialist yoke but also of those who promote it. This has suggested, or rather, demanded the construction of new pedagogical strategies and ethical protocols that make it possible to consolidate and make visible divergent narratives that contemplate the symbolic production of historically excluded groups for the benefit of more democratic and plural social scenarios. Therefore, the role that the arts play in the construction of anti and/or non-racist and anti-colonial imaginary is central, which making essential the construction and diffusion of a story that contemplates this option.Las protestas desencadenadas por el asesinato del afroamericano George Floyd denuncian una vez más el racismo estructural que caracteriza a las sociedades occidentales desde todos los ámbitos, la violencia que la ha afectado ha sido promovida por el Estado y es la misma que aniquila las periferias de la vida cotidiana de todos negras y negros, en especial los más jóvenes, y confirma que la desigualdad es una marca indeleble no solo de las sociedades sometidas al yugo colonialista sino también de las que lo promueven. Esto viene sugiriendo, o más bien, exigiendo la construcción de nuevas estrategias pedagógicas y protocolos éticos que permitan consolidar y visibilizar narrativas divergentes que contemplen la producción simbólica de grupos históricamente excluidos en beneficio de escenarios sociales más democráticos y plurales. Por tanto, es central el papel que ejercen las artes en la construcción de imaginarios anti y/o no racistas y anticoloniales,lo que hace imprescindible la construcción y difusión de un relato que contemple esta opción.Os protestos detonados pelo assassinato do afro americano George Floyd denunciam uma vez mais o racismo estrutural que caracteriza as sociedades ocidentais de todos os quadrantes, a violência que o atingiu foi promovida pelo Estado e é a mesma que aniquila cotidianamente nas periferias de todo mundo a vida de negras e negros, notadamente dos mais jovens, e confirma que a desigualdade é marca indelével não só das sociedades submetidas ao jugo colonialista mas também daquelas que o promovem. Isso vem sugerindo, ou antes, exigindo a construção de novas estratégias pedagógicas e protocolos éticos que tornem possível consolidar e tornar visíveis narrativas divergentes que contemplem a produção simbólica dos grupos historicamente excluídos para benefício de cenários sociais mais democráticos e plurais. É, portanto, central o papel que as artes exercem na construção de imaginários anti e/ou não racistas e anticoloniais o que torna incontornável a construção e difusão de uma história que contemple essa opção.Universidade Anhambi Murumbi2020-10-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://datjournal.anhembi.br/dat/article/view/25010.29147/dat.v5i3.250DAT Journal; Vol. 5 No. 3 (2020): Curadoria, design expositivo e museu + Dossiê PPG Design UnB; 52-57DAT Journal; Vol. 5 Núm. 3 (2020): Curadoria, design expositivo e museu + Dossiê PPG Design UnB; 52-57DAT Journal; v. 5 n. 3 (2020): Curadoria, design expositivo e museu + Dossiê PPG Design UnB; 52-572526-178910.29147/dat.v5i3reponame:DATJournalinstname:Universidade Anhembi Morumbi (ANHEMBI)instacron:ANHEMBIporhttps://datjournal.anhembi.br/dat/article/view/250/194Copyright (c) 2020 DAT Journalinfo:eu-repo/semantics/openAccessSilva, Claudinei Roberto da2022-03-29T12:29:36Zoai:ojs.datjournal.anhembi.br:article/250Revistahttps://datjournal.anhembi.br/datPUBhttps://datjournal.anhembi.br/dat/oai||ppgdesign@anhembi.br2526-17892526-1789opendoar:2022-03-29T12:29:36DATJournal - Universidade Anhembi Morumbi (ANHEMBI)false
dc.title.none.fl_str_mv The history of Afro-Brazilian art as the history of Afro-Brazilian art exhibitions
La historia del arte afrobrasileño como historia de las exposiciones de arte afrobrasileño
A história da arte afro-brasileira como a história das exposições de arte afro-brasileira
title The history of Afro-Brazilian art as the history of Afro-Brazilian art exhibitions
spellingShingle The history of Afro-Brazilian art as the history of Afro-Brazilian art exhibitions
Silva, Claudinei Roberto da
Colonialismo
História
Circulação/Arte
Racismo
Colonialism
History
Circulation / Art
Racism
Colonialismo
Historia
Circulación/Arte
Racismo
title_short The history of Afro-Brazilian art as the history of Afro-Brazilian art exhibitions
title_full The history of Afro-Brazilian art as the history of Afro-Brazilian art exhibitions
title_fullStr The history of Afro-Brazilian art as the history of Afro-Brazilian art exhibitions
title_full_unstemmed The history of Afro-Brazilian art as the history of Afro-Brazilian art exhibitions
title_sort The history of Afro-Brazilian art as the history of Afro-Brazilian art exhibitions
author Silva, Claudinei Roberto da
author_facet Silva, Claudinei Roberto da
author_role author
dc.contributor.author.fl_str_mv Silva, Claudinei Roberto da
dc.subject.por.fl_str_mv Colonialismo
História
Circulação/Arte
Racismo
Colonialism
History
Circulation / Art
Racism
Colonialismo
Historia
Circulación/Arte
Racismo
topic Colonialismo
História
Circulação/Arte
Racismo
Colonialism
History
Circulation / Art
Racism
Colonialismo
Historia
Circulación/Arte
Racismo
description The protests triggered by the murder of the African American George Floyd once again denounce the structural racism that characterizes Western societies from all quarters, the violence that hit has been promoted by the State and is the same that everyday annihilate in the suburbs of the whole world the livesof female and male blacks, notably the youngest, and confirms that inequality is an indelible mark not only of societies subjected to the colonialist yoke but also of those who promote it. This has suggested, or rather, demanded the construction of new pedagogical strategies and ethical protocols that make it possible to consolidate and make visible divergent narratives that contemplate the symbolic production of historically excluded groups for the benefit of more democratic and plural social scenarios. Therefore, the role that the arts play in the construction of anti and/or non-racist and anti-colonial imaginary is central, which making essential the construction and diffusion of a story that contemplates this option.
publishDate 2020
dc.date.none.fl_str_mv 2020-10-19
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://datjournal.anhembi.br/dat/article/view/250
10.29147/dat.v5i3.250
url https://datjournal.anhembi.br/dat/article/view/250
identifier_str_mv 10.29147/dat.v5i3.250
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://datjournal.anhembi.br/dat/article/view/250/194
dc.rights.driver.fl_str_mv Copyright (c) 2020 DAT Journal
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 DAT Journal
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Anhambi Murumbi
publisher.none.fl_str_mv Universidade Anhambi Murumbi
dc.source.none.fl_str_mv DAT Journal; Vol. 5 No. 3 (2020): Curadoria, design expositivo e museu + Dossiê PPG Design UnB; 52-57
DAT Journal; Vol. 5 Núm. 3 (2020): Curadoria, design expositivo e museu + Dossiê PPG Design UnB; 52-57
DAT Journal; v. 5 n. 3 (2020): Curadoria, design expositivo e museu + Dossiê PPG Design UnB; 52-57
2526-1789
10.29147/dat.v5i3
reponame:DATJournal
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instname_str Universidade Anhembi Morumbi (ANHEMBI)
instacron_str ANHEMBI
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reponame_str DATJournal
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repository.name.fl_str_mv DATJournal - Universidade Anhembi Morumbi (ANHEMBI)
repository.mail.fl_str_mv ||ppgdesign@anhembi.br
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