HIDDEN corner, HIDDEN charm

Detalhes bibliográficos
Autor(a) principal: Bastos, Paulo Bernardino
Data de Publicação: 2020
Outros Autores: Lopes, Maria Manuela
Tipo de documento: Artigo
Idioma: por
Título da fonte: DATJournal
Texto Completo: https://datjournal.anhembi.br/dat/article/view/171
Resumo: This paper results from the reflection on the construction of the artwork “(en)CANTO ESCONDIDO”, a sculpture / installation that intervenes in situ capturing the dynamic relationships between materials, landscape and habitats of Coruche, in Portugal. The project calls for intertwined relations between nature and culture. The flow of presence / absence of animals that visited the sculpture was an integral part of the installation’s logic. The work intended to enhance dynamic observation relationships in which the observer became observed, noting its evident part in nature. “(en)CANTO ESCONDIDO”is simultaneously a model of urban observatory of migrations (insects and birds) and an architectural construction that invokes dialogical connections of coexistence and inter-species / inter-generational sharing that incite interaction and the discovery of new relationships. The installation intended to take observers to an immersion space, where the reality of the surrounding nature merges into the memories and fictions of each visitor. It was an experience of sharing and an aesthetic exercise and a reflection on sustainability in our practice, that became a community experience of sharing with immense narrative and reflective potential.
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spelling HIDDEN corner, HIDDEN charm (en)CANTO ESCONDIDOInstalaçãoObservatórioMigraçõesArte públicaNatureza/CulturaInstallationObservatoryMigrationPublic artNature/CultureInstalaciónObservatorioMigraciónArte públicoNaturaleza/CulturaThis paper results from the reflection on the construction of the artwork “(en)CANTO ESCONDIDO”, a sculpture / installation that intervenes in situ capturing the dynamic relationships between materials, landscape and habitats of Coruche, in Portugal. The project calls for intertwined relations between nature and culture. The flow of presence / absence of animals that visited the sculpture was an integral part of the installation’s logic. The work intended to enhance dynamic observation relationships in which the observer became observed, noting its evident part in nature. “(en)CANTO ESCONDIDO”is simultaneously a model of urban observatory of migrations (insects and birds) and an architectural construction that invokes dialogical connections of coexistence and inter-species / inter-generational sharing that incite interaction and the discovery of new relationships. The installation intended to take observers to an immersion space, where the reality of the surrounding nature merges into the memories and fictions of each visitor. It was an experience of sharing and an aesthetic exercise and a reflection on sustainability in our practice, that became a community experience of sharing with immense narrative and reflective potential.Este artículo es el resultado de la reflexión sobre la construcción de la obra “(en) CANTO ESCONDIDO”, una escultura / instalación que interviene in situ capturando las relaciones dinámicas entre materiales, paisajes y hábitats de Coruche, en Portugal. El proyecto demanda relaciones permeables entre la naturaleza y la cultura. El flujo de presencia / ausencia de animales que visitaron la escultura fue una parte integral de la lógica de la instalación. El trabajo pretendía mejorar las relaciones de observación dinámicas en las que el observador se observaba, señalando su parte evidente en la naturaleza. “(EN) ESCONDIDOCANTO” es a la vez un modelo de observatorio urbano de migraciones (insectos y aves) y una construcción arquitectónica que invoca conexiones dialógicas de convivencia e intercambio entre especies / entre generaciones, que incitan a la interacción y al descubrimiento de nuevas relaciones. La instalación pretendía llevar a los observadores a un espacio de inmersión, donde la realidad de la naturaleza circundante se funde con los recuerdos y las ficciones de cada visitante. Fue una experiencia de compartir y un ejercicio estético y una reflexión sobre la sostenibilidad en nuestra práctica, que se convirtió en una experiencia comunitaria de compartir con un inmenso potencial narrativo y reflexivo.Este artigo resulta da reflexão sobre a construção da obra “(en)CANTO ESCONDIDO”, uma escultura/instalação que intervém in situ captando as relações dinâmicas entre materiais, paisagem e habitats de Coruche, em Portugal. O projeto apela às relações permeáveis entre natureza e cultura. O fluxo de presença/ausência dos animais que visitaram a escultura eram parte integrante da lógica da instalação. A obra pretendeu potenciar relações de observação dinâmicas em que o observador se tornava observado, constatando a sua evidente parte na natureza. “(en)CANTO ESCONDIDO” é simultaneamente um modelo de observatório urbano das migrações (insetos e pássaros) e uma construção arquitetural que invoca relações de convivência e partilha interespécie/intergeracional que incitam a interação e a descoberta de novas relações. A instalação pretendeu levar os observadores a um espaço de imersão, onde a realidade da natureza circundante se funde nas memórias e ficções de cada visitante. Foi uma experiência de partilha e um exercício estético e de reflexão sobre a sustentabilidade na nossa prática que se tornou uma experiência comunitária de partilha com imenso potencial narrativo e reflexivo.Universidade Anhambi Murumbi2020-03-26info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://datjournal.anhembi.br/dat/article/view/17110.29147/dat.v5i1.171DAT Journal; Vol. 5 No. 1 (2020): Research in Design, Art and Technology; 75-87DAT Journal; Vol. 5 Núm. 1 (2020): Investigación en diseño, arte y tecnología; 75-87DAT Journal; v. 5 n. 1 (2020): Pesquisas em Design, Arte e Tecnologia; 75-872526-178910.29147/dat.v5i1reponame:DATJournalinstname:Universidade Anhembi Morumbi (ANHEMBI)instacron:ANHEMBIporhttps://datjournal.anhembi.br/dat/article/view/171/140Bastos, Paulo BernardinoLopes, Maria Manuelainfo:eu-repo/semantics/openAccess2020-06-08T21:43:58Zoai:ojs.datjournal.anhembi.br:article/171Revistahttps://datjournal.anhembi.br/datPUBhttps://datjournal.anhembi.br/dat/oai||ppgdesign@anhembi.br2526-17892526-1789opendoar:2020-06-08T21:43:58DATJournal - Universidade Anhembi Morumbi (ANHEMBI)false
dc.title.none.fl_str_mv HIDDEN corner, HIDDEN charm
(en)CANTO ESCONDIDO
title HIDDEN corner, HIDDEN charm
spellingShingle HIDDEN corner, HIDDEN charm
Bastos, Paulo Bernardino
Instalação
Observatório
Migrações
Arte pública
Natureza/Cultura
Installation
Observatory
Migration
Public art
Nature/Culture
Instalación
Observatorio
Migración
Arte público
Naturaleza/Cultura
title_short HIDDEN corner, HIDDEN charm
title_full HIDDEN corner, HIDDEN charm
title_fullStr HIDDEN corner, HIDDEN charm
title_full_unstemmed HIDDEN corner, HIDDEN charm
title_sort HIDDEN corner, HIDDEN charm
author Bastos, Paulo Bernardino
author_facet Bastos, Paulo Bernardino
Lopes, Maria Manuela
author_role author
author2 Lopes, Maria Manuela
author2_role author
dc.contributor.author.fl_str_mv Bastos, Paulo Bernardino
Lopes, Maria Manuela
dc.subject.por.fl_str_mv Instalação
Observatório
Migrações
Arte pública
Natureza/Cultura
Installation
Observatory
Migration
Public art
Nature/Culture
Instalación
Observatorio
Migración
Arte público
Naturaleza/Cultura
topic Instalação
Observatório
Migrações
Arte pública
Natureza/Cultura
Installation
Observatory
Migration
Public art
Nature/Culture
Instalación
Observatorio
Migración
Arte público
Naturaleza/Cultura
description This paper results from the reflection on the construction of the artwork “(en)CANTO ESCONDIDO”, a sculpture / installation that intervenes in situ capturing the dynamic relationships between materials, landscape and habitats of Coruche, in Portugal. The project calls for intertwined relations between nature and culture. The flow of presence / absence of animals that visited the sculpture was an integral part of the installation’s logic. The work intended to enhance dynamic observation relationships in which the observer became observed, noting its evident part in nature. “(en)CANTO ESCONDIDO”is simultaneously a model of urban observatory of migrations (insects and birds) and an architectural construction that invokes dialogical connections of coexistence and inter-species / inter-generational sharing that incite interaction and the discovery of new relationships. The installation intended to take observers to an immersion space, where the reality of the surrounding nature merges into the memories and fictions of each visitor. It was an experience of sharing and an aesthetic exercise and a reflection on sustainability in our practice, that became a community experience of sharing with immense narrative and reflective potential.
publishDate 2020
dc.date.none.fl_str_mv 2020-03-26
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://datjournal.anhembi.br/dat/article/view/171
10.29147/dat.v5i1.171
url https://datjournal.anhembi.br/dat/article/view/171
identifier_str_mv 10.29147/dat.v5i1.171
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://datjournal.anhembi.br/dat/article/view/171/140
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Anhambi Murumbi
publisher.none.fl_str_mv Universidade Anhambi Murumbi
dc.source.none.fl_str_mv DAT Journal; Vol. 5 No. 1 (2020): Research in Design, Art and Technology; 75-87
DAT Journal; Vol. 5 Núm. 1 (2020): Investigación en diseño, arte y tecnología; 75-87
DAT Journal; v. 5 n. 1 (2020): Pesquisas em Design, Arte e Tecnologia; 75-87
2526-1789
10.29147/dat.v5i1
reponame:DATJournal
instname:Universidade Anhembi Morumbi (ANHEMBI)
instacron:ANHEMBI
instname_str Universidade Anhembi Morumbi (ANHEMBI)
instacron_str ANHEMBI
institution ANHEMBI
reponame_str DATJournal
collection DATJournal
repository.name.fl_str_mv DATJournal - Universidade Anhembi Morumbi (ANHEMBI)
repository.mail.fl_str_mv ||ppgdesign@anhembi.br
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