Sharing the table. Human-centered design for museum education resources
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | spa |
Título da fonte: | DATJournal |
Texto Completo: | https://datjournal.anhembi.br/dat/article/view/198 |
Resumo: | The design of museum education resources is a mediation process, and as such, its main considerations involves the visitors. How can we connect with our audiences? How to decode their reasons for meaning-making? How to integrate the users’ participation and presence in the development of such mediation? The twenty-first-century museum is built on resilient links within its visitors and community. And in the expansion of its exercise, it does not only consider its discipline. By setting research, empathy, and mutual support, as a habit, we can develop approaches to reach the museum communications goal and the users’ needs in a meaningful way. In this text, the human-centered design is meant as a strategy to share the table with the visitors, to know their thoughts, feelings, and doings, hence, to set up collaborative processes in the museum-making. At this table we are all able to apprehend and contribute, therefore, it takes responsibility to re-learn and build. |
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Sharing the table. Human-centered design for museum education resourcesCompartir la mesa. Diseño centrado en personas para recursos museográficos educativosCompartilhe a mesa. Design centrado nas pessoas para recursos educacionais em museusDesign centrado nas pessoas,Design ThinkingRecursos educacionaisVisitantesUsuáriosEducação em museusHuman-centered designDesign ThinkingEducational resourcesVisitorsUsersMuseum EducationDiseño centrado en personasDesign ThinkingRecursos educativosVisitantesUsuariosEducación en museosThe design of museum education resources is a mediation process, and as such, its main considerations involves the visitors. How can we connect with our audiences? How to decode their reasons for meaning-making? How to integrate the users’ participation and presence in the development of such mediation? The twenty-first-century museum is built on resilient links within its visitors and community. And in the expansion of its exercise, it does not only consider its discipline. By setting research, empathy, and mutual support, as a habit, we can develop approaches to reach the museum communications goal and the users’ needs in a meaningful way. In this text, the human-centered design is meant as a strategy to share the table with the visitors, to know their thoughts, feelings, and doings, hence, to set up collaborative processes in the museum-making. At this table we are all able to apprehend and contribute, therefore, it takes responsibility to re-learn and build. El diseño de recursos educativos para el museo es un proceso de mediación, y como tal, su mayor consideración son las personas. ¿Cómo podemos conectar con nuestros visitantes? ¿Cómo descifrar sus razones de significación? ¿Cómo integrar la participación y presencia de los usuarios en el desarrollo de esa mediación? El museo del siglo XXI se configura a partir de vínculos resilientes con sus visitantes y comunidad, y en la expansión de su ejercicio no considera únicamente su propia disciplina; por lo que podemos desarrollar acercamientos que, haciendo de la investigación, la empatía y el apoyo mutuo un hábito, concreten las intenciones comunicativas del museo y las necesidades de sus usuarios de forma significativa. En este texto se plantea el diseño centrado en personas como una estrategia para compartir la mesa con los visitantes, conocer lo que piensan, sienten y hacen, y establecer procesos colaborativos en la construcción del museo. En esta mesa, todos somos capaces de aprehender y aportar, por lo que se requiere de responsabilidad para reaprender y construirO projeto de recursos educacionais para o museu é um processo de mediação e, como tal, sua maior consideração são as pessoas. Como podemos nos conectar com nossos visitantes? Como decifrar suas razões de importância? Como integrar a participação e presença de usuários no desenvolvimento dessa mediação? O museu do século XXI baseia-se em elos resilientes com seus visitantes e comunidade, e na expansão de seu exercício não considera apenas sua própria disciplina. Assim, podemos desenvolver abordagens que, tornando a pesquisa, a empatia e o apoio mútuo um hábito, especifiquem as intenções comunicativas do museu e as necessidades de seus usuários de maneira significativa. Neste texto, o design centrado nas pessoas é apresentado como uma estratégia para compartilhar a mesa com os visitantes, aprender o que pensam, sentem e fazem e estabelecer processos colaborativos na construção do museu. Nesta mesa, todos somos capazes de apreender e contribuir, por isso é necessário reaprender e construir.Universidade Anhambi Murumbi2020-06-18info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://datjournal.anhembi.br/dat/article/view/19810.29147/dat.v5i2.198DAT Journal; Vol. 5 No. 2 (2020): Ensino do Design e da Arte; 129-139DAT Journal; Vol. 5 Núm. 2 (2020): Ensino do Design e da Arte; 129-139DAT Journal; v. 5 n. 2 (2020): Ensino do Design e da Arte; 129-1392526-178910.29147/dat.v5i2reponame:DATJournalinstname:Universidade Anhembi Morumbi (ANHEMBI)instacron:ANHEMBIspahttps://datjournal.anhembi.br/dat/article/view/198/157 Zepeda Arias, Nayeliinfo:eu-repo/semantics/openAccess2022-03-29T12:33:53Zoai:ojs.datjournal.anhembi.br:article/198Revistahttps://datjournal.anhembi.br/datPUBhttps://datjournal.anhembi.br/dat/oai||ppgdesign@anhembi.br2526-17892526-1789opendoar:2022-03-29T12:33:53DATJournal - Universidade Anhembi Morumbi (ANHEMBI)false |
dc.title.none.fl_str_mv |
Sharing the table. Human-centered design for museum education resources Compartir la mesa. Diseño centrado en personas para recursos museográficos educativos Compartilhe a mesa. Design centrado nas pessoas para recursos educacionais em museus |
title |
Sharing the table. Human-centered design for museum education resources |
spellingShingle |
Sharing the table. Human-centered design for museum education resources Zepeda Arias, Nayeli Design centrado nas pessoas, Design Thinking Recursos educacionais Visitantes Usuários Educação em museus Human-centered design Design Thinking Educational resources Visitors Users Museum Education Diseño centrado en personas Design Thinking Recursos educativos Visitantes Usuarios Educación en museos |
title_short |
Sharing the table. Human-centered design for museum education resources |
title_full |
Sharing the table. Human-centered design for museum education resources |
title_fullStr |
Sharing the table. Human-centered design for museum education resources |
title_full_unstemmed |
Sharing the table. Human-centered design for museum education resources |
title_sort |
Sharing the table. Human-centered design for museum education resources |
author |
Zepeda Arias, Nayeli |
author_facet |
Zepeda Arias, Nayeli |
author_role |
author |
dc.contributor.author.fl_str_mv |
Zepeda Arias, Nayeli |
dc.subject.por.fl_str_mv |
Design centrado nas pessoas, Design Thinking Recursos educacionais Visitantes Usuários Educação em museus Human-centered design Design Thinking Educational resources Visitors Users Museum Education Diseño centrado en personas Design Thinking Recursos educativos Visitantes Usuarios Educación en museos |
topic |
Design centrado nas pessoas, Design Thinking Recursos educacionais Visitantes Usuários Educação em museus Human-centered design Design Thinking Educational resources Visitors Users Museum Education Diseño centrado en personas Design Thinking Recursos educativos Visitantes Usuarios Educación en museos |
description |
The design of museum education resources is a mediation process, and as such, its main considerations involves the visitors. How can we connect with our audiences? How to decode their reasons for meaning-making? How to integrate the users’ participation and presence in the development of such mediation? The twenty-first-century museum is built on resilient links within its visitors and community. And in the expansion of its exercise, it does not only consider its discipline. By setting research, empathy, and mutual support, as a habit, we can develop approaches to reach the museum communications goal and the users’ needs in a meaningful way. In this text, the human-centered design is meant as a strategy to share the table with the visitors, to know their thoughts, feelings, and doings, hence, to set up collaborative processes in the museum-making. At this table we are all able to apprehend and contribute, therefore, it takes responsibility to re-learn and build. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-06-18 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://datjournal.anhembi.br/dat/article/view/198 10.29147/dat.v5i2.198 |
url |
https://datjournal.anhembi.br/dat/article/view/198 |
identifier_str_mv |
10.29147/dat.v5i2.198 |
dc.language.iso.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
https://datjournal.anhembi.br/dat/article/view/198/157 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Anhambi Murumbi |
publisher.none.fl_str_mv |
Universidade Anhambi Murumbi |
dc.source.none.fl_str_mv |
DAT Journal; Vol. 5 No. 2 (2020): Ensino do Design e da Arte; 129-139 DAT Journal; Vol. 5 Núm. 2 (2020): Ensino do Design e da Arte; 129-139 DAT Journal; v. 5 n. 2 (2020): Ensino do Design e da Arte; 129-139 2526-1789 10.29147/dat.v5i2 reponame:DATJournal instname:Universidade Anhembi Morumbi (ANHEMBI) instacron:ANHEMBI |
instname_str |
Universidade Anhembi Morumbi (ANHEMBI) |
instacron_str |
ANHEMBI |
institution |
ANHEMBI |
reponame_str |
DATJournal |
collection |
DATJournal |
repository.name.fl_str_mv |
DATJournal - Universidade Anhembi Morumbi (ANHEMBI) |
repository.mail.fl_str_mv |
||ppgdesign@anhembi.br |
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1797239921191157760 |