Procedimentos coletivos em design de moda e têxteis: resistência, ativismo e ativação
Autor(a) principal: | |
---|---|
Data de Publicação: | 2019 |
Tipo de documento: | Tese |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações do ANHEMBI |
Texto Completo: | http://sitios.anhembi.br/tedesimplificado/handle/TEDE/1777 |
Resumo: | This thesis is built around textile artifacts that had their expected use deviated and started to be used as medium: of resistance, activism or activation. As artifacts of resistance were adopted objects that were deviated from their initial use in a certain way, so they became the symbol of a cause. The approach to textile activism happens from both artifacts and actions. We take the yarnbombing as intervention that provides positioning and the public textile production as the conformation of an area for dialogue. As we speak of activation by Fashion Design, we guide our reading through the collective sustainable production, re-thinking the means to build artifacts, making processes more transparent and suggesting to the consumer to necessarily restructure contemporary economic relations with the general idea of consumption. Such deviations of use are approached from the adoption of three conceptual models, borrowed by us from the visual arts ( Mauricio Ianês’ area of Dialogue and Hundertwasser’s 5 Skins of the Human Being) and from literature (Amos Oz’s better ideas) that help us to design practical procedures for the development of projects in Fashion Design that can be collaborative, co-creative and developed in a collective, and in which the designer can recognize him or herself as a materializer of modes of existence, engaged in processes and projects that produce, in addition to objects, areas in which it is possible to dialogue and, thus, to design an ethical and sustainable environment for their personal, professional and community existence. Finally, we present the experience of LabModAR, a collective initiative based on dialogue and experimentation, coordinated by this author, which aims to exercise ethical and dialogic procedures in Fashion Design through its projects |
id |
ANHE_19121c5f71e6766d67529fb7e285a88a |
---|---|
oai_identifier_str |
oai:sitios.anhembi.br:TEDE/1777 |
network_acronym_str |
ANHE |
network_name_str |
Biblioteca Digital de Teses e Dissertações do ANHEMBI |
spelling |
PRADO, Gilberto dos Santoshttp://lattes.cnpq.br/6055293234902956RAMOS, Regina Barbosa2020-05-22T21:40:45Z2019-05-15RAMOS, Regina Barbosa. Procedimentos coletivos em design de moda e têxteis: resistência, ativismo e ativação. 2019. 212 f. Tese (Programa de Pós-Graduação Doutorado em Design) - Universidade Anhembi Morumbi, São Paulo.http://sitios.anhembi.br/tedesimplificado/handle/TEDE/1777This thesis is built around textile artifacts that had their expected use deviated and started to be used as medium: of resistance, activism or activation. As artifacts of resistance were adopted objects that were deviated from their initial use in a certain way, so they became the symbol of a cause. The approach to textile activism happens from both artifacts and actions. We take the yarnbombing as intervention that provides positioning and the public textile production as the conformation of an area for dialogue. As we speak of activation by Fashion Design, we guide our reading through the collective sustainable production, re-thinking the means to build artifacts, making processes more transparent and suggesting to the consumer to necessarily restructure contemporary economic relations with the general idea of consumption. Such deviations of use are approached from the adoption of three conceptual models, borrowed by us from the visual arts ( Mauricio Ianês’ area of Dialogue and Hundertwasser’s 5 Skins of the Human Being) and from literature (Amos Oz’s better ideas) that help us to design practical procedures for the development of projects in Fashion Design that can be collaborative, co-creative and developed in a collective, and in which the designer can recognize him or herself as a materializer of modes of existence, engaged in processes and projects that produce, in addition to objects, areas in which it is possible to dialogue and, thus, to design an ethical and sustainable environment for their personal, professional and community existence. Finally, we present the experience of LabModAR, a collective initiative based on dialogue and experimentation, coordinated by this author, which aims to exercise ethical and dialogic procedures in Fashion Design through its projectsEssa tese se constrói no entorno dos artefatos têxteis desviados da sua utilidade esperada e usados como meio: de resistência, ativismo ou ativação. Para artefatos de resistência são adotados objetos que se desviam de tal modo de seu uso inicial que se tornam símbolo da sua causa. O ativismo têxtil é abordado tanto a partir dos artefatos quanto pela ação. Abordamos o yarnbombing como intervenção para tomada de posição e a produção têxtil em público como formação de uma área de diálogo. Quanto à ativação pelo Design de Moda, orientamos nossa leitura pela produção coletiva, sustentável, que repensa os meios de produzir artefatos, tornando transparentes os processos e sugerindo ao consumidor uma necessária reestruturação econômica contemporânea que perpassa as relações com o consumo de modo geral. Tais desvios de uso são abordados a partir da adoção de três modelos conceituais, tomados de empréstimo das artes visuais (a área de Diálogo de Maurício Ianês e as 5 Peles do Homem de Hundertwasser) e da literatura (as ideias melhores de Amós Oz) que nos auxiliam a desenhar procedimentos práticos para o desenvolvimento de projetos em Design de Moda que possam ser colaborativos, cocriativos e desenvolvidos em coletivo, e em que o designer possa reconhecer a si como materializador de modos de existência, engajado em processos e projetos que produzam, além de objetos, áreas em que seja possível dialogar e, assim, projetar um ambiente ético e sustentável para sua existência pessoal, profissional e em comunidade. Por fim, apresentamos a experiência do LabModAR, iniciativa coletiva e fundamentada no diálogo e na experimentação, coordenada por esta autora, em que se visa exercitar procedimentos éticos e dialógicos em Design de Moda por meio dos projetos que encampa.Submitted by Patricia Figuti Venturini (pfiguti@anhembi.br) on 2019-12-04T19:07:16Z No. of bitstreams: 1 Regina Barbosa Ramos.pdf: 4702833 bytes, checksum: 2e8572d0a1a2f18b7e6138ea160234ea (MD5)Approved for entry into archive by Patricia Figuti Venturini (pfiguti@anhembi.br) on 2020-05-22T21:29:38Z (GMT) No. of bitstreams: 1 Regina Barbosa Ramos.pdf: 4702833 bytes, checksum: 2e8572d0a1a2f18b7e6138ea160234ea (MD5)Approved for entry into archive by Patricia Figuti Venturini (pfiguti@anhembi.br) on 2020-05-22T21:30:36Z (GMT) No. of bitstreams: 1 Regina Barbosa Ramos.pdf: 4702833 bytes, checksum: 2e8572d0a1a2f18b7e6138ea160234ea (MD5)Made available in DSpace on 2020-05-22T21:40:45Z (GMT). No. of bitstreams: 1 Regina Barbosa Ramos.pdf: 4702833 bytes, checksum: 2e8572d0a1a2f18b7e6138ea160234ea (MD5) Previous issue date: 2019-05-15Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESapplication/pdfporUniversidade Anhembi MorumbiPrograma de Pós-Graduação Doutorado em DesignUAMBrasilUniversidade Anhembi Morumbi::Diretoria de Pesquisa e Pós-graduação Stricto SensuDesign; Design de Moda; Resistência; Ativismo; Ativação; Diálogo.Design; Fashion Design; Resistance; Activism; Activation; Dialogue.CIENCIAS SOCIAIS APLICADASProcedimentos coletivos em design de moda e têxteis: resistência, ativismo e ativaçãoinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesis-12303619301067730956006006006003930158860712739524-19880619442701333922075167498588264571info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações do ANHEMBIinstname:Universidade Anhembi Morumbiinstacron:ANHEMBIORIGINALRegina Barbosa Ramos.pdfRegina Barbosa Ramos.pdfapplication/pdf4702833http://D1-ADM-SIT-01:8080/solr/oai/bitstream/TEDE/1777/2/Regina+Barbosa+Ramos.pdf2e8572d0a1a2f18b7e6138ea160234eaMD52LICENSElicense.txtlicense.txttext/plain; charset=utf-82165http://D1-ADM-SIT-01:8080/solr/oai/bitstream/TEDE/1777/1/license.txtbd3efa91386c1718a7f26a329fdcb468MD51TEDE/1777oai:sitios.anhembi.br:TEDE/17772020-05-22 18:40:45.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http://sitios.anhembi.br/oai/requestopendoar:null2020-06-06 09:54:20.401Biblioteca Digital de Teses e Dissertações do ANHEMBI - Universidade Anhembi Morumbifalse |
dc.title.por.fl_str_mv |
Procedimentos coletivos em design de moda e têxteis: resistência, ativismo e ativação |
title |
Procedimentos coletivos em design de moda e têxteis: resistência, ativismo e ativação |
spellingShingle |
Procedimentos coletivos em design de moda e têxteis: resistência, ativismo e ativação RAMOS, Regina Barbosa Design; Design de Moda; Resistência; Ativismo; Ativação; Diálogo. Design; Fashion Design; Resistance; Activism; Activation; Dialogue. CIENCIAS SOCIAIS APLICADAS |
title_short |
Procedimentos coletivos em design de moda e têxteis: resistência, ativismo e ativação |
title_full |
Procedimentos coletivos em design de moda e têxteis: resistência, ativismo e ativação |
title_fullStr |
Procedimentos coletivos em design de moda e têxteis: resistência, ativismo e ativação |
title_full_unstemmed |
Procedimentos coletivos em design de moda e têxteis: resistência, ativismo e ativação |
title_sort |
Procedimentos coletivos em design de moda e têxteis: resistência, ativismo e ativação |
author |
RAMOS, Regina Barbosa |
author_facet |
RAMOS, Regina Barbosa |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
PRADO, Gilberto dos Santos |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/6055293234902956 |
dc.contributor.author.fl_str_mv |
RAMOS, Regina Barbosa |
contributor_str_mv |
PRADO, Gilberto dos Santos |
dc.subject.por.fl_str_mv |
Design; Design de Moda; Resistência; Ativismo; Ativação; Diálogo. |
topic |
Design; Design de Moda; Resistência; Ativismo; Ativação; Diálogo. Design; Fashion Design; Resistance; Activism; Activation; Dialogue. CIENCIAS SOCIAIS APLICADAS |
dc.subject.eng.fl_str_mv |
Design; Fashion Design; Resistance; Activism; Activation; Dialogue. |
dc.subject.cnpq.fl_str_mv |
CIENCIAS SOCIAIS APLICADAS |
dc.description.sponsorship.fl_txt_mv |
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES |
dc.description.abstract.eng.fl_txt_mv |
This thesis is built around textile artifacts that had their expected use deviated and started to be used as medium: of resistance, activism or activation. As artifacts of resistance were adopted objects that were deviated from their initial use in a certain way, so they became the symbol of a cause. The approach to textile activism happens from both artifacts and actions. We take the yarnbombing as intervention that provides positioning and the public textile production as the conformation of an area for dialogue. As we speak of activation by Fashion Design, we guide our reading through the collective sustainable production, re-thinking the means to build artifacts, making processes more transparent and suggesting to the consumer to necessarily restructure contemporary economic relations with the general idea of consumption. Such deviations of use are approached from the adoption of three conceptual models, borrowed by us from the visual arts ( Mauricio Ianês’ area of Dialogue and Hundertwasser’s 5 Skins of the Human Being) and from literature (Amos Oz’s better ideas) that help us to design practical procedures for the development of projects in Fashion Design that can be collaborative, co-creative and developed in a collective, and in which the designer can recognize him or herself as a materializer of modes of existence, engaged in processes and projects that produce, in addition to objects, areas in which it is possible to dialogue and, thus, to design an ethical and sustainable environment for their personal, professional and community existence. Finally, we present the experience of LabModAR, a collective initiative based on dialogue and experimentation, coordinated by this author, which aims to exercise ethical and dialogic procedures in Fashion Design through its projects |
dc.description.abstract.por.fl_txt_mv |
Essa tese se constrói no entorno dos artefatos têxteis desviados da sua utilidade esperada e usados como meio: de resistência, ativismo ou ativação. Para artefatos de resistência são adotados objetos que se desviam de tal modo de seu uso inicial que se tornam símbolo da sua causa. O ativismo têxtil é abordado tanto a partir dos artefatos quanto pela ação. Abordamos o yarnbombing como intervenção para tomada de posição e a produção têxtil em público como formação de uma área de diálogo. Quanto à ativação pelo Design de Moda, orientamos nossa leitura pela produção coletiva, sustentável, que repensa os meios de produzir artefatos, tornando transparentes os processos e sugerindo ao consumidor uma necessária reestruturação econômica contemporânea que perpassa as relações com o consumo de modo geral. Tais desvios de uso são abordados a partir da adoção de três modelos conceituais, tomados de empréstimo das artes visuais (a área de Diálogo de Maurício Ianês e as 5 Peles do Homem de Hundertwasser) e da literatura (as ideias melhores de Amós Oz) que nos auxiliam a desenhar procedimentos práticos para o desenvolvimento de projetos em Design de Moda que possam ser colaborativos, cocriativos e desenvolvidos em coletivo, e em que o designer possa reconhecer a si como materializador de modos de existência, engajado em processos e projetos que produzam, além de objetos, áreas em que seja possível dialogar e, assim, projetar um ambiente ético e sustentável para sua existência pessoal, profissional e em comunidade. Por fim, apresentamos a experiência do LabModAR, iniciativa coletiva e fundamentada no diálogo e na experimentação, coordenada por esta autora, em que se visa exercitar procedimentos éticos e dialógicos em Design de Moda por meio dos projetos que encampa. |
description |
This thesis is built around textile artifacts that had their expected use deviated and started to be used as medium: of resistance, activism or activation. As artifacts of resistance were adopted objects that were deviated from their initial use in a certain way, so they became the symbol of a cause. The approach to textile activism happens from both artifacts and actions. We take the yarnbombing as intervention that provides positioning and the public textile production as the conformation of an area for dialogue. As we speak of activation by Fashion Design, we guide our reading through the collective sustainable production, re-thinking the means to build artifacts, making processes more transparent and suggesting to the consumer to necessarily restructure contemporary economic relations with the general idea of consumption. Such deviations of use are approached from the adoption of three conceptual models, borrowed by us from the visual arts ( Mauricio Ianês’ area of Dialogue and Hundertwasser’s 5 Skins of the Human Being) and from literature (Amos Oz’s better ideas) that help us to design practical procedures for the development of projects in Fashion Design that can be collaborative, co-creative and developed in a collective, and in which the designer can recognize him or herself as a materializer of modes of existence, engaged in processes and projects that produce, in addition to objects, areas in which it is possible to dialogue and, thus, to design an ethical and sustainable environment for their personal, professional and community existence. Finally, we present the experience of LabModAR, a collective initiative based on dialogue and experimentation, coordinated by this author, which aims to exercise ethical and dialogic procedures in Fashion Design through its projects |
publishDate |
2019 |
dc.date.issued.fl_str_mv |
2019-05-15 |
dc.date.accessioned.fl_str_mv |
2020-05-22T21:40:45Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/doctoralThesis |
status_str |
publishedVersion |
format |
doctoralThesis |
dc.identifier.citation.fl_str_mv |
RAMOS, Regina Barbosa. Procedimentos coletivos em design de moda e têxteis: resistência, ativismo e ativação. 2019. 212 f. Tese (Programa de Pós-Graduação Doutorado em Design) - Universidade Anhembi Morumbi, São Paulo. |
dc.identifier.uri.fl_str_mv |
http://sitios.anhembi.br/tedesimplificado/handle/TEDE/1777 |
identifier_str_mv |
RAMOS, Regina Barbosa. Procedimentos coletivos em design de moda e têxteis: resistência, ativismo e ativação. 2019. 212 f. Tese (Programa de Pós-Graduação Doutorado em Design) - Universidade Anhembi Morumbi, São Paulo. |
url |
http://sitios.anhembi.br/tedesimplificado/handle/TEDE/1777 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.program.fl_str_mv |
-1230361930106773095 |
dc.relation.confidence.fl_str_mv |
600 600 600 600 |
dc.relation.department.fl_str_mv |
3930158860712739524 |
dc.relation.cnpq.fl_str_mv |
-1988061944270133392 |
dc.relation.sponsorship.fl_str_mv |
2075167498588264571 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Anhembi Morumbi |
dc.publisher.program.fl_str_mv |
Programa de Pós-Graduação Doutorado em Design |
dc.publisher.initials.fl_str_mv |
UAM |
dc.publisher.country.fl_str_mv |
Brasil |
dc.publisher.department.fl_str_mv |
Universidade Anhembi Morumbi::Diretoria de Pesquisa e Pós-graduação Stricto Sensu |
publisher.none.fl_str_mv |
Universidade Anhembi Morumbi |
dc.source.none.fl_str_mv |
reponame:Biblioteca Digital de Teses e Dissertações do ANHEMBI instname:Universidade Anhembi Morumbi instacron:ANHEMBI |
reponame_str |
Biblioteca Digital de Teses e Dissertações do ANHEMBI |
collection |
Biblioteca Digital de Teses e Dissertações do ANHEMBI |
instname_str |
Universidade Anhembi Morumbi |
instacron_str |
ANHEMBI |
institution |
ANHEMBI |
bitstream.url.fl_str_mv |
http://D1-ADM-SIT-01:8080/solr/oai/bitstream/TEDE/1777/2/Regina+Barbosa+Ramos.pdf http://D1-ADM-SIT-01:8080/solr/oai/bitstream/TEDE/1777/1/license.txt |
bitstream.checksum.fl_str_mv |
2e8572d0a1a2f18b7e6138ea160234ea bd3efa91386c1718a7f26a329fdcb468 |
bitstream.checksumAlgorithm.fl_str_mv |
MD5 MD5 |
repository.name.fl_str_mv |
Biblioteca Digital de Teses e Dissertações do ANHEMBI - Universidade Anhembi Morumbi |
repository.mail.fl_str_mv |
|
_version_ |
1668890016227524608 |