Infográfico animado: narrativas visuais no design
Autor(a) principal: | |
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Data de Publicação: | 2015 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações do ANHEMBI |
Texto Completo: | http://sitios.anhembi.br/tedesimplificado/handle/TEDE/1633 |
Resumo: | This paper approaches the imagery surfaces. For Aumont (2014), the “image civilization” is too broad a concept. On the other hand, the term reveals the widespread feeling of a world of images increasingly present, varied and interchangeable. The cinema, for example, is available on television, while paintings are observable in photographic reproductions (AUMONT, 2014). With such volume and diversification of images, an intricate process of exchange between the forms of narrating and presenting (BERTOCCHI, 2013) is perceptible. It is with this in mind that this project investigates the animated infographic, seeking initially to clarify the constructive elements in the visual language, as proposed by Aumont (2014), Caixeta (2005) and Moraes (2013). Then, it searches the illusory motion created as of the motion design, trying to understand the temporal attribute as a project-guiding element. The method for constructing the theoretical thinking of the animated infographic starts from the relation and hybridization between motiongraphics and static infographics. After the construction of what becomes the excited infographic, it was possible to realize a branch for different types of animated infographics, ranging from video to loop animations. |
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Paraguai, Luisahttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K8169509U9GUEDES, Thiago Augusto Trevisan2016-10-18T20:01:17Z2015-12-21GUEDES, Thiago Augusto Trevisan. Infográfico animado: narrativas visuais no design. 2015. 83 f. Dissertação( Programa de Pós-Graduação Mestrado em Design) - Universidade Anhembi Morumbi, São Paulo.http://sitios.anhembi.br/tedesimplificado/handle/TEDE/1633This paper approaches the imagery surfaces. For Aumont (2014), the “image civilization” is too broad a concept. On the other hand, the term reveals the widespread feeling of a world of images increasingly present, varied and interchangeable. The cinema, for example, is available on television, while paintings are observable in photographic reproductions (AUMONT, 2014). With such volume and diversification of images, an intricate process of exchange between the forms of narrating and presenting (BERTOCCHI, 2013) is perceptible. It is with this in mind that this project investigates the animated infographic, seeking initially to clarify the constructive elements in the visual language, as proposed by Aumont (2014), Caixeta (2005) and Moraes (2013). Then, it searches the illusory motion created as of the motion design, trying to understand the temporal attribute as a project-guiding element. The method for constructing the theoretical thinking of the animated infographic starts from the relation and hybridization between motiongraphics and static infographics. After the construction of what becomes the excited infographic, it was possible to realize a branch for different types of animated infographics, ranging from video to loop animations.É acerca das superfícies imagéticas que o presente trabalho trata no primeiro momento. Para Aumont (2014), falar sobre "civilização da imagem" é muito amplo. Por outro lado, o termo revela o sentimento generalizado de um mundo de imagens cada vez mais presentes, variadas e intercambiáveis. O cinema é acessível pela televisão, assim como a pintura é observada em reproduções fotográficas (AUMONT, 2014). Com tal volume e diversificação de imagens, percebe-se um intrincado processo de intercâmbio de diferentes formas de narrar e apresentar (BERTOCCHI, 2013). Este projeto investiga o infográfico animado – buscando esclarecer inicialmente os elementos construtivos inseridos na linguagem visual, a partir de Aumont (2014), Caixeta (2005) e Moraes (2013). Em seguida, busca pesquisar o movimento ilusório criado a partir do motion design, na intenção de compreender o atributo temporal como elemento norteador projetual. O método para construir o pensamento teórico do infográfico animado parte da relação e hibridização entre o motiongraphic e o infográfico estático. Após a construção do que vem a ser o infográfico animado, foi possível perceber uma ramificação para diferentes tipos de infográficos animados, que vão do vídeo a animações em loop.Submitted by Patricia Figuti Venturini (pfiguti@anhembi.br) on 2016-10-18T19:34:05Z No. of bitstreams: 1 Thiago Guedes.pdf: 2064416 bytes, checksum: 59a78b07f2945717d7fc87ac73de56c9 (MD5)Approved for entry into archive by Patricia Figuti Venturini (pfiguti@anhembi.br) on 2016-10-18T19:55:18Z (GMT) No. of bitstreams: 1 Thiago Guedes.pdf: 2064416 bytes, checksum: 59a78b07f2945717d7fc87ac73de56c9 (MD5)Approved for entry into archive by Patricia Figuti Venturini (pfiguti@anhembi.br) on 2016-10-18T19:59:45Z (GMT) No. of bitstreams: 1 Thiago Guedes.pdf: 2064416 bytes, checksum: 59a78b07f2945717d7fc87ac73de56c9 (MD5)Made available in DSpace on 2016-10-18T20:01:17Z (GMT). No. of bitstreams: 1 Thiago Guedes.pdf: 2064416 bytes, checksum: 59a78b07f2945717d7fc87ac73de56c9 (MD5) Previous issue date: 2015-12-21application/pdfporUniversidade Anhembi MorumbiPrograma de Pós-Graduação Mestrado em DesignUAMBrasilUniversidade Anhembi Morumbi::Diretoria de Pesquisa e Pós-graduação Stricto SensuDesign; Animação stop-motion; InfográficoLINGUISTICA, LETRAS E ARTESInfográfico animado: narrativas visuais no designinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis-501690507660567813660060060039301588607127395244828026023044017992info:eu-repo/semantics/openAccessreponame:Biblioteca Digital de Teses e Dissertações do ANHEMBIinstname:Universidade Anhembi Morumbiinstacron:ANHEMBILICENSElicense.txtlicense.txttext/plain; charset=utf-82165http://D1-ADM-SIT-01:8080/solr/oai/bitstream/TEDE/1633/1/license.txtbd3efa91386c1718a7f26a329fdcb468MD51ORIGINALThiago Guedes.pdfThiago Guedes.pdfapplication/pdf2064416http://D1-ADM-SIT-01:8080/solr/oai/bitstream/TEDE/1633/2/Thiago+Guedes.pdf59a78b07f2945717d7fc87ac73de56c9MD52TEDE/1633oai:sitios.anhembi.br:TEDE/16332016-10-18 18:01:17.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http://sitios.anhembi.br/oai/requestopendoar:null2020-06-06 09:54:11.922Biblioteca Digital de Teses e Dissertações do ANHEMBI - Universidade Anhembi Morumbifalse |
dc.title.por.fl_str_mv |
Infográfico animado: narrativas visuais no design |
title |
Infográfico animado: narrativas visuais no design |
spellingShingle |
Infográfico animado: narrativas visuais no design GUEDES, Thiago Augusto Trevisan Design; Animação stop-motion; Infográfico LINGUISTICA, LETRAS E ARTES |
title_short |
Infográfico animado: narrativas visuais no design |
title_full |
Infográfico animado: narrativas visuais no design |
title_fullStr |
Infográfico animado: narrativas visuais no design |
title_full_unstemmed |
Infográfico animado: narrativas visuais no design |
title_sort |
Infográfico animado: narrativas visuais no design |
author |
GUEDES, Thiago Augusto Trevisan |
author_facet |
GUEDES, Thiago Augusto Trevisan |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Paraguai, Luisa |
dc.contributor.authorLattes.fl_str_mv |
http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K8169509U9 |
dc.contributor.author.fl_str_mv |
GUEDES, Thiago Augusto Trevisan |
contributor_str_mv |
Paraguai, Luisa |
dc.subject.por.fl_str_mv |
Design; Animação stop-motion; Infográfico |
topic |
Design; Animação stop-motion; Infográfico LINGUISTICA, LETRAS E ARTES |
dc.subject.cnpq.fl_str_mv |
LINGUISTICA, LETRAS E ARTES |
dc.description.abstract.por.fl_txt_mv |
This paper approaches the imagery surfaces. For Aumont (2014), the “image civilization” is too broad a concept. On the other hand, the term reveals the widespread feeling of a world of images increasingly present, varied and interchangeable. The cinema, for example, is available on television, while paintings are observable in photographic reproductions (AUMONT, 2014). With such volume and diversification of images, an intricate process of exchange between the forms of narrating and presenting (BERTOCCHI, 2013) is perceptible. It is with this in mind that this project investigates the animated infographic, seeking initially to clarify the constructive elements in the visual language, as proposed by Aumont (2014), Caixeta (2005) and Moraes (2013). Then, it searches the illusory motion created as of the motion design, trying to understand the temporal attribute as a project-guiding element. The method for constructing the theoretical thinking of the animated infographic starts from the relation and hybridization between motiongraphics and static infographics. After the construction of what becomes the excited infographic, it was possible to realize a branch for different types of animated infographics, ranging from video to loop animations. É acerca das superfícies imagéticas que o presente trabalho trata no primeiro momento. Para Aumont (2014), falar sobre "civilização da imagem" é muito amplo. Por outro lado, o termo revela o sentimento generalizado de um mundo de imagens cada vez mais presentes, variadas e intercambiáveis. O cinema é acessível pela televisão, assim como a pintura é observada em reproduções fotográficas (AUMONT, 2014). Com tal volume e diversificação de imagens, percebe-se um intrincado processo de intercâmbio de diferentes formas de narrar e apresentar (BERTOCCHI, 2013). Este projeto investiga o infográfico animado – buscando esclarecer inicialmente os elementos construtivos inseridos na linguagem visual, a partir de Aumont (2014), Caixeta (2005) e Moraes (2013). Em seguida, busca pesquisar o movimento ilusório criado a partir do motion design, na intenção de compreender o atributo temporal como elemento norteador projetual. O método para construir o pensamento teórico do infográfico animado parte da relação e hibridização entre o motiongraphic e o infográfico estático. Após a construção do que vem a ser o infográfico animado, foi possível perceber uma ramificação para diferentes tipos de infográficos animados, que vão do vídeo a animações em loop. |
description |
This paper approaches the imagery surfaces. For Aumont (2014), the “image civilization” is too broad a concept. On the other hand, the term reveals the widespread feeling of a world of images increasingly present, varied and interchangeable. The cinema, for example, is available on television, while paintings are observable in photographic reproductions (AUMONT, 2014). With such volume and diversification of images, an intricate process of exchange between the forms of narrating and presenting (BERTOCCHI, 2013) is perceptible. It is with this in mind that this project investigates the animated infographic, seeking initially to clarify the constructive elements in the visual language, as proposed by Aumont (2014), Caixeta (2005) and Moraes (2013). Then, it searches the illusory motion created as of the motion design, trying to understand the temporal attribute as a project-guiding element. The method for constructing the theoretical thinking of the animated infographic starts from the relation and hybridization between motiongraphics and static infographics. After the construction of what becomes the excited infographic, it was possible to realize a branch for different types of animated infographics, ranging from video to loop animations. |
publishDate |
2015 |
dc.date.issued.fl_str_mv |
2015-12-21 |
dc.date.accessioned.fl_str_mv |
2016-10-18T20:01:17Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
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publishedVersion |
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masterThesis |
dc.identifier.citation.fl_str_mv |
GUEDES, Thiago Augusto Trevisan. Infográfico animado: narrativas visuais no design. 2015. 83 f. Dissertação( Programa de Pós-Graduação Mestrado em Design) - Universidade Anhembi Morumbi, São Paulo. |
dc.identifier.uri.fl_str_mv |
http://sitios.anhembi.br/tedesimplificado/handle/TEDE/1633 |
identifier_str_mv |
GUEDES, Thiago Augusto Trevisan. Infográfico animado: narrativas visuais no design. 2015. 83 f. Dissertação( Programa de Pós-Graduação Mestrado em Design) - Universidade Anhembi Morumbi, São Paulo. |
url |
http://sitios.anhembi.br/tedesimplificado/handle/TEDE/1633 |
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Universidade Anhembi Morumbi |
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Universidade Anhembi Morumbi |
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