“I would gladly write only for the dead”: success and reception in Baudelaire
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Data de Publicação: | 2019 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Texto Poético |
Texto Completo: | https://textopoetico.emnuvens.com.br/rtp/article/view/624 |
Resumo: | This article seeks to approach the themes of success and reception of and in Charles Baudelaire’s work. Concerning reception, it is about the author’s perspective, his expectations regarding his work and the reader of the nineteenth century. On success, my starting point is Maurice Blanchot’s essay “L’échec de Baudelaire”, published in the book La part du feu (1949). In this sense, the German historian Reinhart Koselleck’s concept of the “horizon of expectations” ([1979] 2006) helps me glimpse at possible paths of research on the notion of success from correspondence – especially letters to the mother – and the author’s work. Baudelaire’s life was a failure for whom? For whom does the poet write? What are his expectations and apprehensions about his work? After all, what is success? Thus, what this reflection seeks to highlight are the debates around what would be a successful life and the poet’s expectations regarding his work, the readers and the permanence of his name in French literature. |
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“I would gladly write only for the dead”: success and reception in Baudelaire“Con mucho gusto escribiría solo por los muertos”: Éxito y recepción en Baudelaire.“‘Eu de bom grado escreveria apenas para os mortos’: Sucesso e recepção em Baudelaire.”BaudelaireSuccessReceptionCorrespondence.BaudelaireÉxitoRecepciónCorrespondencia.BaudelaireSucessoRecepçãoCorrespondênciaThis article seeks to approach the themes of success and reception of and in Charles Baudelaire’s work. Concerning reception, it is about the author’s perspective, his expectations regarding his work and the reader of the nineteenth century. On success, my starting point is Maurice Blanchot’s essay “L’échec de Baudelaire”, published in the book La part du feu (1949). In this sense, the German historian Reinhart Koselleck’s concept of the “horizon of expectations” ([1979] 2006) helps me glimpse at possible paths of research on the notion of success from correspondence – especially letters to the mother – and the author’s work. Baudelaire’s life was a failure for whom? For whom does the poet write? What are his expectations and apprehensions about his work? After all, what is success? Thus, what this reflection seeks to highlight are the debates around what would be a successful life and the poet’s expectations regarding his work, the readers and the permanence of his name in French literature.Este artículo busca abordar los temas del éxito y la recepción en la obra de Charles Baudelaire. Se trata, en lo referente a la recepción, desde el punto de vista del autor, de sus expectativas con respecto a su obra y al lector del siglo XIX. En cuanto al éxito, mi punto de partida es el ensayo de Maurice Blanchot “L’échec de Baudelaire” [El fracaso de Baudelaire], publicado en el libro La part du feu (1949) [La parte del fuego]. En ese sentido, el concepto del “horizonte de expectativas” del historiador alemán Reinhart Koselleck ([1979] 2006) me impulsa a vislumbrar posibles caminos de investigación sobre la noción de éxito a partir de la correspondencia, especialmente las cartas a la madre, y de la obra del autor. ¿La vida de Baudelaire fue un fracaso para quién?¿A quién el poeta escribe? ¿Cuáles son sus expectativas y preocupaciones con relación a su obra? Por fin, ¿qué es el éxito? Por lo tanto, lo que esta reflexión busca destacar son los debates sobre lo que sería una vida exitosa y las expectativas del poeta con respecto a su obra, a los lectores y a la perpetuidad de su nombre en la literatura francesa.O presente artigo procura abordar os temas do sucesso e da recepção da e na obra de Charles Baudelaire. Trata-se, no que tange à recepção, da ótica do autor, de suas expectativas em relação à sua obra e ao leitor do século XIX. Sobre o sucesso, o meu ponto de partida é o ensaio de Maurice Blanchot “L’échec de Baudelaire”. Nesse sentido, o conceito “horizonte de expectativas”, do historiador alemão Reinhart Koselleck ([1979] 2006), ajuda-me a entrever possíveis veredas de pesquisa sobre a noção de sucesso a partir da correspondência – principalmente as cartas à mãe – e da obra do autor. Assim, o que essa reflexão procura evidenciar são os debates em torno do que seria um vida de sucesso e as expectativas do poeta em relação à sua obra, aos leitores e à perenidade de seu nome na literatura francesa.GT Teoria do Texto Poético ANPOLL2019-10-15info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://textopoetico.emnuvens.com.br/rtp/article/view/62410.25094/rtp.2019n28a624Texto Poético; v. 15 n. 28 (2019): Dons do Poema (encontros poéticos entre Brasil e França); 7-301808-5385reponame:Texto Poéticoinstname:Associação Nacional de Pós-Graduação e Pesquisa em Letras e Lingüística (ANPOLL)instacron:Anpollporhttps://textopoetico.emnuvens.com.br/rtp/article/view/624/479Abes, Gilles Jeaninfo:eu-repo/semantics/openAccess2020-02-05T19:13:44Zoai:ojs.textopoetico.emnuvens.com.br:article/624Revistahttp://revistatextopoetico.com.br/index.php/rtpPUBhttps://textopoetico.emnuvens.com.br/rtp/oai||solfiuza@gmail.com|| idafalves@gmail.com1808-53851808-5385opendoar:2020-02-05T19:13:44Texto Poético - Associação Nacional de Pós-Graduação e Pesquisa em Letras e Lingüística (ANPOLL)false |
dc.title.none.fl_str_mv |
“I would gladly write only for the dead”: success and reception in Baudelaire “Con mucho gusto escribiría solo por los muertos”: Éxito y recepción en Baudelaire. “‘Eu de bom grado escreveria apenas para os mortos’: Sucesso e recepção em Baudelaire.” |
title |
“I would gladly write only for the dead”: success and reception in Baudelaire |
spellingShingle |
“I would gladly write only for the dead”: success and reception in Baudelaire Abes, Gilles Jean Baudelaire Success Reception Correspondence. Baudelaire Éxito Recepción Correspondencia. Baudelaire Sucesso Recepção Correspondência |
title_short |
“I would gladly write only for the dead”: success and reception in Baudelaire |
title_full |
“I would gladly write only for the dead”: success and reception in Baudelaire |
title_fullStr |
“I would gladly write only for the dead”: success and reception in Baudelaire |
title_full_unstemmed |
“I would gladly write only for the dead”: success and reception in Baudelaire |
title_sort |
“I would gladly write only for the dead”: success and reception in Baudelaire |
author |
Abes, Gilles Jean |
author_facet |
Abes, Gilles Jean |
author_role |
author |
dc.contributor.author.fl_str_mv |
Abes, Gilles Jean |
dc.subject.por.fl_str_mv |
Baudelaire Success Reception Correspondence. Baudelaire Éxito Recepción Correspondencia. Baudelaire Sucesso Recepção Correspondência |
topic |
Baudelaire Success Reception Correspondence. Baudelaire Éxito Recepción Correspondencia. Baudelaire Sucesso Recepção Correspondência |
description |
This article seeks to approach the themes of success and reception of and in Charles Baudelaire’s work. Concerning reception, it is about the author’s perspective, his expectations regarding his work and the reader of the nineteenth century. On success, my starting point is Maurice Blanchot’s essay “L’échec de Baudelaire”, published in the book La part du feu (1949). In this sense, the German historian Reinhart Koselleck’s concept of the “horizon of expectations” ([1979] 2006) helps me glimpse at possible paths of research on the notion of success from correspondence – especially letters to the mother – and the author’s work. Baudelaire’s life was a failure for whom? For whom does the poet write? What are his expectations and apprehensions about his work? After all, what is success? Thus, what this reflection seeks to highlight are the debates around what would be a successful life and the poet’s expectations regarding his work, the readers and the permanence of his name in French literature. |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-10-15 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://textopoetico.emnuvens.com.br/rtp/article/view/624 10.25094/rtp.2019n28a624 |
url |
https://textopoetico.emnuvens.com.br/rtp/article/view/624 |
identifier_str_mv |
10.25094/rtp.2019n28a624 |
dc.language.iso.fl_str_mv |
por |
language |
por |
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https://textopoetico.emnuvens.com.br/rtp/article/view/624/479 |
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info:eu-repo/semantics/openAccess |
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openAccess |
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application/pdf |
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GT Teoria do Texto Poético ANPOLL |
publisher.none.fl_str_mv |
GT Teoria do Texto Poético ANPOLL |
dc.source.none.fl_str_mv |
Texto Poético; v. 15 n. 28 (2019): Dons do Poema (encontros poéticos entre Brasil e França); 7-30 1808-5385 reponame:Texto Poético instname:Associação Nacional de Pós-Graduação e Pesquisa em Letras e Lingüística (ANPOLL) instacron:Anpoll |
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Associação Nacional de Pós-Graduação e Pesquisa em Letras e Lingüística (ANPOLL) |
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Anpoll |
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Anpoll |
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Texto Poético |
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Texto Poético |
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Texto Poético - Associação Nacional de Pós-Graduação e Pesquisa em Letras e Lingüística (ANPOLL) |
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