The social gestus in Brecht: an analysis of Stories of Mr. Keuner
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista da ANPOLL (Online) |
Texto Completo: | https://revistadaanpoll.emnuvens.com.br/revista/article/view/1441 |
Resumo: | This work aims to approach the concept of social gestus in Bertolt Brecht’s work, with a special focus on the relationship between his theory of the epic theater and his concatenated prose writings in Stories of Mr. Keuner. In considering artistic production as an experimental laboratory of (dis)assembling significant details, the boundaries between art forms and life forms are diluted in a reinvention of the language technique. In addition, by taking history as a montage, on the road contrary to classical historicism, it destabilizes epistemological paradigms of art history to think of art constructed from the survival of images - gestus. |
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The social gestus in Brecht: an analysis of Stories of Mr. KeunerO gestus social em Brecht: uma análise acerca de Histórias do Sr. KeunerBertolt BrechtgestusStories of Mr. KeunerBertolt BrechtgestusHistórias do Sr. KeunerThis work aims to approach the concept of social gestus in Bertolt Brecht’s work, with a special focus on the relationship between his theory of the epic theater and his concatenated prose writings in Stories of Mr. Keuner. In considering artistic production as an experimental laboratory of (dis)assembling significant details, the boundaries between art forms and life forms are diluted in a reinvention of the language technique. In addition, by taking history as a montage, on the road contrary to classical historicism, it destabilizes epistemological paradigms of art history to think of art constructed from the survival of images - gestus.Este trabalho tem como objetivo, a partir da aproximação entre elementos estéticos e teóricos, debruçar-se sobre o conceito de gestus social na obra de Bertolt Brecht, com atenção especial voltada para a relação entre sua teoria do teatro épico e seus escritos em prosa concatenados em Histórias do sr. Keuner. Ao considerar a produção artística como um laboratório experimental de (des)montagem de pormenores significativos, as fronteiras entre formas de arte e formas de vida se diluem numa reinvenção da técnica de linguagem. Além disso, ao tomar a história como montagem, no caminho contrário ao historicismo clássico, ele desestabiliza paradigmas epistemológicos da história da arte para pensar a arte construída a partir da sobrevivência de imagens – gestus.ANPOLL2020-12-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistadaanpoll.emnuvens.com.br/revista/article/view/144110.18309/anp.v51i3.1441Revista da Anpoll; Vol. 51 No. 3 (2020): Estudos Literários; 44-53Revista da Anpoll; v. 51 n. 3 (2020): Estudos Literários; 44-531982-78301414-7564reponame:Revista da ANPOLL (Online)instname:Associação Nacional de Pós-Graduação e Pesquisa em Letras e Lingüística (ANPOLL)instacron:ANPOLLporhttps://revistadaanpoll.emnuvens.com.br/revista/article/view/1441/1133Copyright (c) 2020 Thaís Aparecida Domenes Tolentinoinfo:eu-repo/semantics/openAccessTolentino, Thaís Aparecida Domenes2021-02-02T00:34:20Zoai:ojs.revistadaanpoll.emnuvens.com.br:article/1441Revistahttps://revistadaanpoll.emnuvens.com.br/revista/indexONGhttps://revistadaanpoll.emnuvens.com.br/revista/oairevistadaanpoll@gmail.com1982-78301414-7564opendoar:2023-01-13T09:48:53.256204Revista da ANPOLL (Online) - Associação Nacional de Pós-Graduação e Pesquisa em Letras e Lingüística (ANPOLL)false |
dc.title.none.fl_str_mv |
The social gestus in Brecht: an analysis of Stories of Mr. Keuner O gestus social em Brecht: uma análise acerca de Histórias do Sr. Keuner |
title |
The social gestus in Brecht: an analysis of Stories of Mr. Keuner |
spellingShingle |
The social gestus in Brecht: an analysis of Stories of Mr. Keuner Tolentino, Thaís Aparecida Domenes Bertolt Brecht gestus Stories of Mr. Keuner Bertolt Brecht gestus Histórias do Sr. Keuner |
title_short |
The social gestus in Brecht: an analysis of Stories of Mr. Keuner |
title_full |
The social gestus in Brecht: an analysis of Stories of Mr. Keuner |
title_fullStr |
The social gestus in Brecht: an analysis of Stories of Mr. Keuner |
title_full_unstemmed |
The social gestus in Brecht: an analysis of Stories of Mr. Keuner |
title_sort |
The social gestus in Brecht: an analysis of Stories of Mr. Keuner |
author |
Tolentino, Thaís Aparecida Domenes |
author_facet |
Tolentino, Thaís Aparecida Domenes |
author_role |
author |
dc.contributor.author.fl_str_mv |
Tolentino, Thaís Aparecida Domenes |
dc.subject.por.fl_str_mv |
Bertolt Brecht gestus Stories of Mr. Keuner Bertolt Brecht gestus Histórias do Sr. Keuner |
topic |
Bertolt Brecht gestus Stories of Mr. Keuner Bertolt Brecht gestus Histórias do Sr. Keuner |
description |
This work aims to approach the concept of social gestus in Bertolt Brecht’s work, with a special focus on the relationship between his theory of the epic theater and his concatenated prose writings in Stories of Mr. Keuner. In considering artistic production as an experimental laboratory of (dis)assembling significant details, the boundaries between art forms and life forms are diluted in a reinvention of the language technique. In addition, by taking history as a montage, on the road contrary to classical historicism, it destabilizes epistemological paradigms of art history to think of art constructed from the survival of images - gestus. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-12-31 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistadaanpoll.emnuvens.com.br/revista/article/view/1441 10.18309/anp.v51i3.1441 |
url |
https://revistadaanpoll.emnuvens.com.br/revista/article/view/1441 |
identifier_str_mv |
10.18309/anp.v51i3.1441 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistadaanpoll.emnuvens.com.br/revista/article/view/1441/1133 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 Thaís Aparecida Domenes Tolentino info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 Thaís Aparecida Domenes Tolentino |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
ANPOLL |
publisher.none.fl_str_mv |
ANPOLL |
dc.source.none.fl_str_mv |
Revista da Anpoll; Vol. 51 No. 3 (2020): Estudos Literários; 44-53 Revista da Anpoll; v. 51 n. 3 (2020): Estudos Literários; 44-53 1982-7830 1414-7564 reponame:Revista da ANPOLL (Online) instname:Associação Nacional de Pós-Graduação e Pesquisa em Letras e Lingüística (ANPOLL) instacron:ANPOLL |
instname_str |
Associação Nacional de Pós-Graduação e Pesquisa em Letras e Lingüística (ANPOLL) |
instacron_str |
ANPOLL |
institution |
ANPOLL |
reponame_str |
Revista da ANPOLL (Online) |
collection |
Revista da ANPOLL (Online) |
repository.name.fl_str_mv |
Revista da ANPOLL (Online) - Associação Nacional de Pós-Graduação e Pesquisa em Letras e Lingüística (ANPOLL) |
repository.mail.fl_str_mv |
revistadaanpoll@gmail.com |
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1797051180379013120 |