Echoes of Shakespeare: Julius Caesar and House of Cards - the Final Cut by Dobbs and BBC
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Data de Publicação: | 2019 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Revista da ANPOLL (Online) |
Texto Completo: | https://revistadaanpoll.emnuvens.com.br/revista/article/view/1324 |
Resumo: | In 2017, we published a paper on the dialogue between Michael Dobbs’ House of Cards trilogy, the BBC and Netflix series, and Shakespeare’s plays – Richard III, Macbeth and Othello. This work is a continuation of that first publication and deals with the last volume of Dobbs’ trilogy, The Final Cut, and its adaptation – Season 3 of the BBC series – to show how Shakespeare’s Julius Caesar was resignified in those two productions, a subject not explored before. We turn our attention, therefore, to Dobbs’ last novel of the trilogy and to the last season of the BBC series, emphasizing the protagonism, the volubility of the people, and the rhetoric in speeches delivered by Shakespeare’s and Dobbs’ characters. We also try to demonstrate how this last season, despite reproducing a premier weakened by age and pursued by involuntary memories of crimes committed in the past, as in the novel, softens his cruelty and intensifies his emotional problems, making events more palatable and the protagonist more humane to the viewer of the series. |
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Echoes of Shakespeare: Julius Caesar and House of Cards - the Final Cut by Dobbs and BBCEcos de Shakespeare: Júlio César e House of Cards – O Último Ato, de Dobbs e da BBCJulius CaesarShakespeareHouse of CardsDobbsBBC seriesJúlio CésarShakespeareHouse of CardsDobbsSérie da BBCIn 2017, we published a paper on the dialogue between Michael Dobbs’ House of Cards trilogy, the BBC and Netflix series, and Shakespeare’s plays – Richard III, Macbeth and Othello. This work is a continuation of that first publication and deals with the last volume of Dobbs’ trilogy, The Final Cut, and its adaptation – Season 3 of the BBC series – to show how Shakespeare’s Julius Caesar was resignified in those two productions, a subject not explored before. We turn our attention, therefore, to Dobbs’ last novel of the trilogy and to the last season of the BBC series, emphasizing the protagonism, the volubility of the people, and the rhetoric in speeches delivered by Shakespeare’s and Dobbs’ characters. We also try to demonstrate how this last season, despite reproducing a premier weakened by age and pursued by involuntary memories of crimes committed in the past, as in the novel, softens his cruelty and intensifies his emotional problems, making events more palatable and the protagonist more humane to the viewer of the series.Em 2017, publicamos um artigo sobre o diálogo que se estabelece entre a trilogia House of Cards, de Michael Dobbs, as séries da BBC e da Netflix e as peças de Shakespeare – Ricardo III, Macbeth e Otelo. Este texto dá continuidade à primeira publicação e versa sobre o último volume da trilogia de Dobbs, The Final Cut [O último ato], e a Temporada 3 da BBC, para demonstrar como Júlio César, de Shakespeare, foi ressignificado nas duas produções, assunto até então não explorado. Voltamos a nossa atenção, portanto, apenas para esse último romance de Dobbs e sua adaptação na última temporada da série da BBC, enfatizando o protagonismo, a volubilidade do povo e a retórica em discursos proferidos por personagens de Shakespeare e de Dobbs. Procuramos demonstrar também como essa temporada da série, apesar de reproduzir um primeiro-ministro fragilizado pela idade e perseguido por lembranças involuntárias de crimes cometidos no passado, como no romance, ameniza a crueldade e intensifica problemas emocionais, tornando os acontecimentos mais palatáveis e o protagonista mais humano ao espectador da série.ANPOLL2019-12-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistadaanpoll.emnuvens.com.br/revista/article/view/132410.18309/anp.v1i50.1324Revista da Anpoll; Vol. 1 No. 50 (2019): Estudos Literários; 128-139Revista da Anpoll; v. 1 n. 50 (2019): Estudos Literários; 128-1391982-78301414-7564reponame:Revista da ANPOLL (Online)instname:Associação Nacional de Pós-Graduação e Pesquisa em Letras e Lingüística (ANPOLL)instacron:ANPOLLenghttps://revistadaanpoll.emnuvens.com.br/revista/article/view/1324/1061Copyright (c) 2019 Brunilda T. Reichmann, Greicy Pinto Bellininfo:eu-repo/semantics/openAccessReichmann, Brunilda Tempel2019-12-30T18:30:38Zoai:ojs.revistadaanpoll.emnuvens.com.br:article/1324Revistahttps://revistadaanpoll.emnuvens.com.br/revista/indexONGhttps://revistadaanpoll.emnuvens.com.br/revista/oairevistadaanpoll@gmail.com1982-78301414-7564opendoar:2023-01-13T09:48:49.554578Revista da ANPOLL (Online) - Associação Nacional de Pós-Graduação e Pesquisa em Letras e Lingüística (ANPOLL)false |
dc.title.none.fl_str_mv |
Echoes of Shakespeare: Julius Caesar and House of Cards - the Final Cut by Dobbs and BBC Ecos de Shakespeare: Júlio César e House of Cards – O Último Ato, de Dobbs e da BBC |
title |
Echoes of Shakespeare: Julius Caesar and House of Cards - the Final Cut by Dobbs and BBC |
spellingShingle |
Echoes of Shakespeare: Julius Caesar and House of Cards - the Final Cut by Dobbs and BBC Reichmann, Brunilda Tempel Julius Caesar Shakespeare House of Cards Dobbs BBC series Júlio César Shakespeare House of Cards Dobbs Série da BBC |
title_short |
Echoes of Shakespeare: Julius Caesar and House of Cards - the Final Cut by Dobbs and BBC |
title_full |
Echoes of Shakespeare: Julius Caesar and House of Cards - the Final Cut by Dobbs and BBC |
title_fullStr |
Echoes of Shakespeare: Julius Caesar and House of Cards - the Final Cut by Dobbs and BBC |
title_full_unstemmed |
Echoes of Shakespeare: Julius Caesar and House of Cards - the Final Cut by Dobbs and BBC |
title_sort |
Echoes of Shakespeare: Julius Caesar and House of Cards - the Final Cut by Dobbs and BBC |
author |
Reichmann, Brunilda Tempel |
author_facet |
Reichmann, Brunilda Tempel |
author_role |
author |
dc.contributor.author.fl_str_mv |
Reichmann, Brunilda Tempel |
dc.subject.por.fl_str_mv |
Julius Caesar Shakespeare House of Cards Dobbs BBC series Júlio César Shakespeare House of Cards Dobbs Série da BBC |
topic |
Julius Caesar Shakespeare House of Cards Dobbs BBC series Júlio César Shakespeare House of Cards Dobbs Série da BBC |
description |
In 2017, we published a paper on the dialogue between Michael Dobbs’ House of Cards trilogy, the BBC and Netflix series, and Shakespeare’s plays – Richard III, Macbeth and Othello. This work is a continuation of that first publication and deals with the last volume of Dobbs’ trilogy, The Final Cut, and its adaptation – Season 3 of the BBC series – to show how Shakespeare’s Julius Caesar was resignified in those two productions, a subject not explored before. We turn our attention, therefore, to Dobbs’ last novel of the trilogy and to the last season of the BBC series, emphasizing the protagonism, the volubility of the people, and the rhetoric in speeches delivered by Shakespeare’s and Dobbs’ characters. We also try to demonstrate how this last season, despite reproducing a premier weakened by age and pursued by involuntary memories of crimes committed in the past, as in the novel, softens his cruelty and intensifies his emotional problems, making events more palatable and the protagonist more humane to the viewer of the series. |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-12-30 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistadaanpoll.emnuvens.com.br/revista/article/view/1324 10.18309/anp.v1i50.1324 |
url |
https://revistadaanpoll.emnuvens.com.br/revista/article/view/1324 |
identifier_str_mv |
10.18309/anp.v1i50.1324 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://revistadaanpoll.emnuvens.com.br/revista/article/view/1324/1061 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2019 Brunilda T. Reichmann, Greicy Pinto Bellin info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2019 Brunilda T. Reichmann, Greicy Pinto Bellin |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
ANPOLL |
publisher.none.fl_str_mv |
ANPOLL |
dc.source.none.fl_str_mv |
Revista da Anpoll; Vol. 1 No. 50 (2019): Estudos Literários; 128-139 Revista da Anpoll; v. 1 n. 50 (2019): Estudos Literários; 128-139 1982-7830 1414-7564 reponame:Revista da ANPOLL (Online) instname:Associação Nacional de Pós-Graduação e Pesquisa em Letras e Lingüística (ANPOLL) instacron:ANPOLL |
instname_str |
Associação Nacional de Pós-Graduação e Pesquisa em Letras e Lingüística (ANPOLL) |
instacron_str |
ANPOLL |
institution |
ANPOLL |
reponame_str |
Revista da ANPOLL (Online) |
collection |
Revista da ANPOLL (Online) |
repository.name.fl_str_mv |
Revista da ANPOLL (Online) - Associação Nacional de Pós-Graduação e Pesquisa em Letras e Lingüística (ANPOLL) |
repository.mail.fl_str_mv |
revistadaanpoll@gmail.com |
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1797051180266815488 |