Echoes of Shakespeare: Julius Caesar and House of Cards - the Final Cut by Dobbs and BBC

Detalhes bibliográficos
Autor(a) principal: Reichmann, Brunilda Tempel
Data de Publicação: 2019
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Revista da ANPOLL (Online)
Texto Completo: https://revistadaanpoll.emnuvens.com.br/revista/article/view/1324
Resumo: In 2017, we published a paper on the dialogue between Michael Dobbs’ House of Cards trilogy, the BBC and Netflix series, and Shakespeare’s plays – Richard III, Macbeth and Othello. This work is a continuation of that first publication and deals with the last volume of Dobbs’ trilogy, The Final Cut, and its adaptation – Season 3 of the BBC series – to show how Shakespeare’s Julius Caesar was resignified in those two productions, a subject not explored before. We turn our attention, therefore, to Dobbs’ last novel of the trilogy and to the last season of the BBC series, emphasizing the protagonism, the volubility of the people, and the rhetoric in speeches delivered by Shakespeare’s and Dobbs’ characters. We also try to demonstrate how this last season, despite reproducing a premier weakened by age and pursued by involuntary memories of crimes committed in the past, as in the novel, softens his cruelty and intensifies his emotional problems, making events more palatable and the protagonist more humane to the viewer of the series.
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spelling Echoes of Shakespeare: Julius Caesar and House of Cards - the Final Cut by Dobbs and BBCEcos de Shakespeare: Júlio César e House of Cards – O Último Ato, de Dobbs e da BBCJulius CaesarShakespeareHouse of CardsDobbsBBC seriesJúlio CésarShakespeareHouse of CardsDobbsSérie da BBCIn 2017, we published a paper on the dialogue between Michael Dobbs’ House of Cards trilogy, the BBC and Netflix series, and Shakespeare’s plays – Richard III, Macbeth and Othello. This work is a continuation of that first publication and deals with the last volume of Dobbs’ trilogy, The Final Cut, and its adaptation – Season 3 of the BBC series – to show how Shakespeare’s Julius Caesar was resignified in those two productions, a subject not explored before. We turn our attention, therefore, to Dobbs’ last novel of the trilogy and to the last season of the BBC series, emphasizing the protagonism, the volubility of the people, and the rhetoric in speeches delivered by Shakespeare’s and Dobbs’ characters. We also try to demonstrate how this last season, despite reproducing a premier weakened by age and pursued by involuntary memories of crimes committed in the past, as in the novel, softens his cruelty and intensifies his emotional problems, making events more palatable and the protagonist more humane to the viewer of the series.Em 2017, publicamos um artigo sobre o diálogo que se estabelece entre a trilogia House of Cards, de Michael Dobbs, as séries da BBC e da Netflix e as peças de Shakespeare – Ricardo III, Macbeth e Otelo. Este texto dá continuidade à primeira publicação e versa sobre o último volume da trilogia de Dobbs, The Final Cut [O último ato], e a Temporada 3 da BBC, para demonstrar como Júlio César, de Shakespeare, foi ressignificado nas duas produções, assunto até então não explorado. Voltamos a nossa atenção, portanto, apenas para esse último romance de Dobbs e sua adaptação na última temporada da série da BBC, enfatizando o protagonismo, a volubilidade do povo e a retórica em discursos proferidos por personagens de Shakespeare e de Dobbs. Procuramos demonstrar também como essa temporada da série, apesar de reproduzir um primeiro-ministro fragilizado pela idade e perseguido por lembranças involuntárias de crimes cometidos no passado, como no romance, ameniza a crueldade e intensifica problemas emocionais, tornando os acontecimentos mais palatáveis e o protagonista mais humano ao espectador da série.ANPOLL2019-12-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistadaanpoll.emnuvens.com.br/revista/article/view/132410.18309/anp.v1i50.1324Revista da Anpoll; Vol. 1 No. 50 (2019): Estudos Literários; 128-139Revista da Anpoll; v. 1 n. 50 (2019): Estudos Literários; 128-1391982-78301414-7564reponame:Revista da ANPOLL (Online)instname:Associação Nacional de Pós-Graduação e Pesquisa em Letras e Lingüística (ANPOLL)instacron:ANPOLLenghttps://revistadaanpoll.emnuvens.com.br/revista/article/view/1324/1061Copyright (c) 2019 Brunilda T. Reichmann, Greicy Pinto Bellininfo:eu-repo/semantics/openAccessReichmann, Brunilda Tempel2019-12-30T18:30:38Zoai:ojs.revistadaanpoll.emnuvens.com.br:article/1324Revistahttps://revistadaanpoll.emnuvens.com.br/revista/indexONGhttps://revistadaanpoll.emnuvens.com.br/revista/oairevistadaanpoll@gmail.com1982-78301414-7564opendoar:2023-01-13T09:48:49.554578Revista da ANPOLL (Online) - Associação Nacional de Pós-Graduação e Pesquisa em Letras e Lingüística (ANPOLL)false
dc.title.none.fl_str_mv Echoes of Shakespeare: Julius Caesar and House of Cards - the Final Cut by Dobbs and BBC
Ecos de Shakespeare: Júlio César e House of Cards – O Último Ato, de Dobbs e da BBC
title Echoes of Shakespeare: Julius Caesar and House of Cards - the Final Cut by Dobbs and BBC
spellingShingle Echoes of Shakespeare: Julius Caesar and House of Cards - the Final Cut by Dobbs and BBC
Reichmann, Brunilda Tempel
Julius Caesar
Shakespeare
House of Cards
Dobbs
BBC series
Júlio César
Shakespeare
House of Cards
Dobbs
Série da BBC
title_short Echoes of Shakespeare: Julius Caesar and House of Cards - the Final Cut by Dobbs and BBC
title_full Echoes of Shakespeare: Julius Caesar and House of Cards - the Final Cut by Dobbs and BBC
title_fullStr Echoes of Shakespeare: Julius Caesar and House of Cards - the Final Cut by Dobbs and BBC
title_full_unstemmed Echoes of Shakespeare: Julius Caesar and House of Cards - the Final Cut by Dobbs and BBC
title_sort Echoes of Shakespeare: Julius Caesar and House of Cards - the Final Cut by Dobbs and BBC
author Reichmann, Brunilda Tempel
author_facet Reichmann, Brunilda Tempel
author_role author
dc.contributor.author.fl_str_mv Reichmann, Brunilda Tempel
dc.subject.por.fl_str_mv Julius Caesar
Shakespeare
House of Cards
Dobbs
BBC series
Júlio César
Shakespeare
House of Cards
Dobbs
Série da BBC
topic Julius Caesar
Shakespeare
House of Cards
Dobbs
BBC series
Júlio César
Shakespeare
House of Cards
Dobbs
Série da BBC
description In 2017, we published a paper on the dialogue between Michael Dobbs’ House of Cards trilogy, the BBC and Netflix series, and Shakespeare’s plays – Richard III, Macbeth and Othello. This work is a continuation of that first publication and deals with the last volume of Dobbs’ trilogy, The Final Cut, and its adaptation – Season 3 of the BBC series – to show how Shakespeare’s Julius Caesar was resignified in those two productions, a subject not explored before. We turn our attention, therefore, to Dobbs’ last novel of the trilogy and to the last season of the BBC series, emphasizing the protagonism, the volubility of the people, and the rhetoric in speeches delivered by Shakespeare’s and Dobbs’ characters. We also try to demonstrate how this last season, despite reproducing a premier weakened by age and pursued by involuntary memories of crimes committed in the past, as in the novel, softens his cruelty and intensifies his emotional problems, making events more palatable and the protagonist more humane to the viewer of the series.
publishDate 2019
dc.date.none.fl_str_mv 2019-12-30
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistadaanpoll.emnuvens.com.br/revista/article/view/1324
10.18309/anp.v1i50.1324
url https://revistadaanpoll.emnuvens.com.br/revista/article/view/1324
identifier_str_mv 10.18309/anp.v1i50.1324
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://revistadaanpoll.emnuvens.com.br/revista/article/view/1324/1061
dc.rights.driver.fl_str_mv Copyright (c) 2019 Brunilda T. Reichmann, Greicy Pinto Bellin
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 Brunilda T. Reichmann, Greicy Pinto Bellin
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv ANPOLL
publisher.none.fl_str_mv ANPOLL
dc.source.none.fl_str_mv Revista da Anpoll; Vol. 1 No. 50 (2019): Estudos Literários; 128-139
Revista da Anpoll; v. 1 n. 50 (2019): Estudos Literários; 128-139
1982-7830
1414-7564
reponame:Revista da ANPOLL (Online)
instname:Associação Nacional de Pós-Graduação e Pesquisa em Letras e Lingüística (ANPOLL)
instacron:ANPOLL
instname_str Associação Nacional de Pós-Graduação e Pesquisa em Letras e Lingüística (ANPOLL)
instacron_str ANPOLL
institution ANPOLL
reponame_str Revista da ANPOLL (Online)
collection Revista da ANPOLL (Online)
repository.name.fl_str_mv Revista da ANPOLL (Online) - Associação Nacional de Pós-Graduação e Pesquisa em Letras e Lingüística (ANPOLL)
repository.mail.fl_str_mv revistadaanpoll@gmail.com
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