Genesis, analysis and developments of CIDADE CITY CITÉ: a poem by Augusto de Campos

Detalhes bibliográficos
Autor(a) principal: Minarelli, Enzo
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista da ANPOLL (Online)
Texto Completo: https://revistadaanpoll.emnuvens.com.br/revista/article/view/1670
Resumo: The starting point lies in this phonetic poem from 1963 published for the first time in Italy, and performed in its original length in 1968 at the University of Indiana. I was able to view his declamation at Brunnenburg Castle on 25th March 1991 when Augusto with his brother Haroldo was invited by Francesco Conz for a creative intervention inspired by the figure of Ezra Pound who had lived in that castle for years together with his daughter Mary de Rachewiltz. From the exegesis of the poem itself, still original and fresh to the point of still inspiring plastic or musical artists, I move on to develop the function of the voice in concrete poetry and in that kind of poetry properly called sound, investigated in its expansion towards the moving image (videopoetry) and towards performance, to relate, finally, to those experiences that arose in the second half of the twentieth century known as intermedia and polypoetry.
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spelling Genesis, analysis and developments of CIDADE CITY CITÉ: a poem by Augusto de CamposGenesi, analisi e sviluppi di CIDADE CITY CITÉ: una poesia Augusto de CamposSound poetry-intermedia-polypoetryPoesia sonora-intermedia-polipoesiaThe starting point lies in this phonetic poem from 1963 published for the first time in Italy, and performed in its original length in 1968 at the University of Indiana. I was able to view his declamation at Brunnenburg Castle on 25th March 1991 when Augusto with his brother Haroldo was invited by Francesco Conz for a creative intervention inspired by the figure of Ezra Pound who had lived in that castle for years together with his daughter Mary de Rachewiltz. From the exegesis of the poem itself, still original and fresh to the point of still inspiring plastic or musical artists, I move on to develop the function of the voice in concrete poetry and in that kind of poetry properly called sound, investigated in its expansion towards the moving image (videopoetry) and towards performance, to relate, finally, to those experiences that arose in the second half of the twentieth century known as intermedia and polypoetry.Il punto di partenza è questo poema fonetico del 1963 pubblicato per la prima volta in Italia, ed eseguito nella sua originale lunghezza nel 1968 presso l’Università dell’Indiana. Io ho avuto modo di visionare la sua declamazione al Castello di Brunnenburg del 25 marzo del 1991 quando Augusto con il fratello Haroldo era stato invitato da Francesco Conz per un intervento creativo ispirato alla figura di Ezra Pound che in quel castello aveva vissuto per anni insieme alla figlia Mary de Rachewiltz. Dall’esegesi del poema stesso, ancora originale e fresco al punto da ispirare ancora artisti plastici o musicali, passo a svolgere la funzione della voce nella poesia concreta e nella poesia propriamente detta sonora indagata nella sua espansione verso l’immagine in movimento (videopoesia) e verso la performance, per relazionarmi, infine, a quelle esperienze sorte nella seconda metà del Novecento note come intermedia e polipoesia.ANPOLL2021-12-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistadaanpoll.emnuvens.com.br/revista/article/view/167010.18309/ranpoll.v52i3.1670Revista da Anpoll; Vol. 52 No. 3 (2021): Estudos Literários: Augusto de Campos; 29-39Revista da Anpoll; v. 52 n. 3 (2021): Estudos Literários: Augusto de Campos; 29-391982-78301414-756410.18309/ranpoll.v52i3reponame:Revista da ANPOLL (Online)instname:Associação Nacional de Pós-Graduação e Pesquisa em Letras e Lingüística (ANPOLL)instacron:ANPOLLporhttps://revistadaanpoll.emnuvens.com.br/revista/article/view/1670/1201Copyright (c) 2021 Revista da Anpollhttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessMinarelli, Enzo2022-02-03T13:28:25Zoai:ojs.revistadaanpoll.emnuvens.com.br:article/1670Revistahttps://revistadaanpoll.emnuvens.com.br/revista/indexONGhttps://revistadaanpoll.emnuvens.com.br/revista/oairevistadaanpoll@gmail.com1982-78301414-7564opendoar:2023-01-13T09:48:59.457545Revista da ANPOLL (Online) - Associação Nacional de Pós-Graduação e Pesquisa em Letras e Lingüística (ANPOLL)false
dc.title.none.fl_str_mv Genesis, analysis and developments of CIDADE CITY CITÉ: a poem by Augusto de Campos
Genesi, analisi e sviluppi di CIDADE CITY CITÉ: una poesia Augusto de Campos
title Genesis, analysis and developments of CIDADE CITY CITÉ: a poem by Augusto de Campos
spellingShingle Genesis, analysis and developments of CIDADE CITY CITÉ: a poem by Augusto de Campos
Minarelli, Enzo
Sound poetry-intermedia-polypoetry
Poesia sonora-intermedia-polipoesia
title_short Genesis, analysis and developments of CIDADE CITY CITÉ: a poem by Augusto de Campos
title_full Genesis, analysis and developments of CIDADE CITY CITÉ: a poem by Augusto de Campos
title_fullStr Genesis, analysis and developments of CIDADE CITY CITÉ: a poem by Augusto de Campos
title_full_unstemmed Genesis, analysis and developments of CIDADE CITY CITÉ: a poem by Augusto de Campos
title_sort Genesis, analysis and developments of CIDADE CITY CITÉ: a poem by Augusto de Campos
author Minarelli, Enzo
author_facet Minarelli, Enzo
author_role author
dc.contributor.author.fl_str_mv Minarelli, Enzo
dc.subject.por.fl_str_mv Sound poetry-intermedia-polypoetry
Poesia sonora-intermedia-polipoesia
topic Sound poetry-intermedia-polypoetry
Poesia sonora-intermedia-polipoesia
description The starting point lies in this phonetic poem from 1963 published for the first time in Italy, and performed in its original length in 1968 at the University of Indiana. I was able to view his declamation at Brunnenburg Castle on 25th March 1991 when Augusto with his brother Haroldo was invited by Francesco Conz for a creative intervention inspired by the figure of Ezra Pound who had lived in that castle for years together with his daughter Mary de Rachewiltz. From the exegesis of the poem itself, still original and fresh to the point of still inspiring plastic or musical artists, I move on to develop the function of the voice in concrete poetry and in that kind of poetry properly called sound, investigated in its expansion towards the moving image (videopoetry) and towards performance, to relate, finally, to those experiences that arose in the second half of the twentieth century known as intermedia and polypoetry.
publishDate 2021
dc.date.none.fl_str_mv 2021-12-31
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistadaanpoll.emnuvens.com.br/revista/article/view/1670
10.18309/ranpoll.v52i3.1670
url https://revistadaanpoll.emnuvens.com.br/revista/article/view/1670
identifier_str_mv 10.18309/ranpoll.v52i3.1670
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistadaanpoll.emnuvens.com.br/revista/article/view/1670/1201
dc.rights.driver.fl_str_mv Copyright (c) 2021 Revista da Anpoll
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Revista da Anpoll
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv ANPOLL
publisher.none.fl_str_mv ANPOLL
dc.source.none.fl_str_mv Revista da Anpoll; Vol. 52 No. 3 (2021): Estudos Literários: Augusto de Campos; 29-39
Revista da Anpoll; v. 52 n. 3 (2021): Estudos Literários: Augusto de Campos; 29-39
1982-7830
1414-7564
10.18309/ranpoll.v52i3
reponame:Revista da ANPOLL (Online)
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instname_str Associação Nacional de Pós-Graduação e Pesquisa em Letras e Lingüística (ANPOLL)
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reponame_str Revista da ANPOLL (Online)
collection Revista da ANPOLL (Online)
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