Dialogues between fiction and theory

Detalhes bibliográficos
Autor(a) principal: Brait, Beth
Data de Publicação: 2023
Outros Autores: Pereira, Mariana Vera Cruz
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista da ANPOLL (Online)
Texto Completo: https://revistadaanpoll.emnuvens.com.br/revista/article/view/1829
Resumo: Art and science, theory and creativity are, without a doubt, ways of thinking and perceiving the world, of producing knowledge about existence, beings, languages, and life. The dialogue among them, however, is not always smooth. Considering this point, as well as the dialogic theory of language, the aim of this article is to present and discuss the incorporation of this perspective, and one of its main scholars, by fiction, by art. The delimited corpus to this study is composed of three utterances, one of them is American and two are Brazilian: Smoke, a film by Wayne Wong and Paul Auster, produced by Greg Johnson, Peter Newman, Kenzo Horikoshi e Hisami Kuroiwa (USA, 1995); Bakhtin: finalmente toda a verdade aparece!!! [Bakhtin: at Last All Truth Revealed], a chronicle produced by a Brazilian expert on Bakhtin, which was attributed to a Piotr Afasinovitch Brazinov/State University of San Petersburg (2012); and Hoje tem Bakhtin? Tem sim, senhor! [Do We Have Bakhtin Today? Yes, Indeed!], produced by a basic school teacher, Maria da Penha dos Santos de Assunção (2022). These utterances will be analyzed considering that, on escaping academic patterns traditionally responsible for mobilizing the thought of Bakhtin and the Circle, they project the theoretical discursivity to the aesthetic universe, confirming the hypothesis that art and science can establish unexpected and productive dialogues
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spelling Dialogues between fiction and theoryDiálogos entre ficção e teoria FictionTheoryBakhtin and the CircleDialogic Discourse AnalysisFicçãoTeoriaBakhtin e o CírculoAnálise dialógica do discursoArt and science, theory and creativity are, without a doubt, ways of thinking and perceiving the world, of producing knowledge about existence, beings, languages, and life. The dialogue among them, however, is not always smooth. Considering this point, as well as the dialogic theory of language, the aim of this article is to present and discuss the incorporation of this perspective, and one of its main scholars, by fiction, by art. The delimited corpus to this study is composed of three utterances, one of them is American and two are Brazilian: Smoke, a film by Wayne Wong and Paul Auster, produced by Greg Johnson, Peter Newman, Kenzo Horikoshi e Hisami Kuroiwa (USA, 1995); Bakhtin: finalmente toda a verdade aparece!!! [Bakhtin: at Last All Truth Revealed], a chronicle produced by a Brazilian expert on Bakhtin, which was attributed to a Piotr Afasinovitch Brazinov/State University of San Petersburg (2012); and Hoje tem Bakhtin? Tem sim, senhor! [Do We Have Bakhtin Today? Yes, Indeed!], produced by a basic school teacher, Maria da Penha dos Santos de Assunção (2022). These utterances will be analyzed considering that, on escaping academic patterns traditionally responsible for mobilizing the thought of Bakhtin and the Circle, they project the theoretical discursivity to the aesthetic universe, confirming the hypothesis that art and science can establish unexpected and productive dialoguesArte e ciência, teoria e criatividade são, sem dúvida alguma, formas do pensar e perceber o mundo, de produzir conhecimento sobre a existência, os seres, as linguagens, a vida. O diálogo entre elas, entretanto, nem sempre se dá de maneira tranquila. Considerando essa questão, assim como a teoria dialógica da linguagem, o objetivo deste artigo é apresentar e discutir a incorporação dessa perspectiva, e um de seus principais pensadores, pela ficção, pela arte. O corpus delimitado para o estudo compõe-se três enunciados, sendo um americano e dois brasileiros: Smoke, filme de Wayne Wong e Paul Auster, produzido por Greg Johnson, Peter Newman, Kenzo Horikoshi e Hisami Kuroiwa (EUA, 1995); Bakhtin: finalmente toda a verdade aparece!!!, crônica produzida por um brasileiro especialista em Bakhtin, mas atribuída a Piotr Afasinovitch Brazinov/Universidade Estatal de São Petersburgo (2012); e Hoje tem Bakhtin? Tem sim, senhor!, de autoria da professora do ensino fundamental Maria da Penha dos Santos de Assunção (2022). Eles serão analisados considerando que, ao fugir do padrão acadêmico tradicionalmente encarregado de mobilizar o pensamento de Bakhtin e o Círculo, eles projetam a discursividade teórica para o universo estético, comprovando a hipótese de que arte e ciência podem estabelecer inesperados e produtivos diálogos.ANPOLL2023-08-17info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionTexto info:eu-repo/semantics/otherapplication/pdfhttps://revistadaanpoll.emnuvens.com.br/revista/article/view/182910.18309/ranpoll.v54i1.1829Revista da Anpoll; Vol. 54 No. 1 (2023); e1829Revista da Anpoll; v. 54 n. 1 (2023); e18291982-78301414-756410.18309/ranpoll.v54i1reponame:Revista da ANPOLL (Online)instname:Associação Nacional de Pós-Graduação e Pesquisa em Letras e Lingüística (ANPOLL)instacron:ANPOLLporhttps://revistadaanpoll.emnuvens.com.br/revista/article/view/1829/1376Copyright (c) 2023 Revista da Anpollhttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessBrait, BethPereira, Mariana Vera Cruz2024-01-26T18:34:40Zoai:ojs.revistadaanpoll.emnuvens.com.br:article/1829Revistahttps://revistadaanpoll.emnuvens.com.br/revista/indexONGhttps://revistadaanpoll.emnuvens.com.br/revista/oairevistadaanpoll@gmail.com1982-78301414-7564opendoar:2024-01-26T18:34:40Revista da ANPOLL (Online) - Associação Nacional de Pós-Graduação e Pesquisa em Letras e Lingüística (ANPOLL)false
dc.title.none.fl_str_mv Dialogues between fiction and theory
Diálogos entre ficção e teoria
title Dialogues between fiction and theory
spellingShingle Dialogues between fiction and theory
Brait, Beth
Fiction
Theory
Bakhtin and the Circle
Dialogic Discourse Analysis
Ficção
Teoria
Bakhtin e o Círculo
Análise dialógica do discurso
title_short Dialogues between fiction and theory
title_full Dialogues between fiction and theory
title_fullStr Dialogues between fiction and theory
title_full_unstemmed Dialogues between fiction and theory
title_sort Dialogues between fiction and theory
author Brait, Beth
author_facet Brait, Beth
Pereira, Mariana Vera Cruz
author_role author
author2 Pereira, Mariana Vera Cruz
author2_role author
dc.contributor.author.fl_str_mv Brait, Beth
Pereira, Mariana Vera Cruz
dc.subject.por.fl_str_mv Fiction
Theory
Bakhtin and the Circle
Dialogic Discourse Analysis
Ficção
Teoria
Bakhtin e o Círculo
Análise dialógica do discurso
topic Fiction
Theory
Bakhtin and the Circle
Dialogic Discourse Analysis
Ficção
Teoria
Bakhtin e o Círculo
Análise dialógica do discurso
description Art and science, theory and creativity are, without a doubt, ways of thinking and perceiving the world, of producing knowledge about existence, beings, languages, and life. The dialogue among them, however, is not always smooth. Considering this point, as well as the dialogic theory of language, the aim of this article is to present and discuss the incorporation of this perspective, and one of its main scholars, by fiction, by art. The delimited corpus to this study is composed of three utterances, one of them is American and two are Brazilian: Smoke, a film by Wayne Wong and Paul Auster, produced by Greg Johnson, Peter Newman, Kenzo Horikoshi e Hisami Kuroiwa (USA, 1995); Bakhtin: finalmente toda a verdade aparece!!! [Bakhtin: at Last All Truth Revealed], a chronicle produced by a Brazilian expert on Bakhtin, which was attributed to a Piotr Afasinovitch Brazinov/State University of San Petersburg (2012); and Hoje tem Bakhtin? Tem sim, senhor! [Do We Have Bakhtin Today? Yes, Indeed!], produced by a basic school teacher, Maria da Penha dos Santos de Assunção (2022). These utterances will be analyzed considering that, on escaping academic patterns traditionally responsible for mobilizing the thought of Bakhtin and the Circle, they project the theoretical discursivity to the aesthetic universe, confirming the hypothesis that art and science can establish unexpected and productive dialogues
publishDate 2023
dc.date.none.fl_str_mv 2023-08-17
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
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dc.identifier.uri.fl_str_mv https://revistadaanpoll.emnuvens.com.br/revista/article/view/1829
10.18309/ranpoll.v54i1.1829
url https://revistadaanpoll.emnuvens.com.br/revista/article/view/1829
identifier_str_mv 10.18309/ranpoll.v54i1.1829
dc.language.iso.fl_str_mv por
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dc.relation.none.fl_str_mv https://revistadaanpoll.emnuvens.com.br/revista/article/view/1829/1376
dc.rights.driver.fl_str_mv Copyright (c) 2023 Revista da Anpoll
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2023 Revista da Anpoll
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv ANPOLL
publisher.none.fl_str_mv ANPOLL
dc.source.none.fl_str_mv Revista da Anpoll; Vol. 54 No. 1 (2023); e1829
Revista da Anpoll; v. 54 n. 1 (2023); e1829
1982-7830
1414-7564
10.18309/ranpoll.v54i1
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reponame_str Revista da ANPOLL (Online)
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repository.mail.fl_str_mv revistadaanpoll@gmail.com
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