For a “minor” photography in contemporary daily photojournalism

Detalhes bibliográficos
Autor(a) principal: Gonçalves, Sandra Maria Lúcia Pereira
Data de Publicação: 2009
Tipo de documento: Artigo
Idioma: por
Título da fonte: E-Compós
Texto Completo: https://www.e-compos.org.br/e-compos/article/view/393
Resumo: Beginning from the reflection about the photographic image in the modern photojournalism, we seek to think about its role in contemporaneity. The work produced by photographer Lee Miller during the Second World War is the subject of this reflection. She produces some photojournalism that can be called “minor” – in the strongest meaning of the term, as proposed by Deleuze and Guattari (1997), a practice that is taken as fiction and constructer of the portrayed reality. Starting from the Barthesian inspiration and theoretical contributions by Foucault, we will try to point out the presence of this so-called “minor” photography the contemporary photojournalism
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spelling For a “minor” photography in contemporary daily photojournalismPor una fotografía menor en el fotoperiodismo diario contemporáneoPor uma fotografia “menor” no fotojornalismo diário contemporâneoFotografiafotojornalismofotografia menorBeginning from the reflection about the photographic image in the modern photojournalism, we seek to think about its role in contemporaneity. The work produced by photographer Lee Miller during the Second World War is the subject of this reflection. She produces some photojournalism that can be called “minor” – in the strongest meaning of the term, as proposed by Deleuze and Guattari (1997), a practice that is taken as fiction and constructer of the portrayed reality. Starting from the Barthesian inspiration and theoretical contributions by Foucault, we will try to point out the presence of this so-called “minor” photography the contemporary photojournalismEl presente artículo parte de una reflexión sobre la imagen fotográfica nel moderno fotoperiodismo y su papel en la contemporaneidad. Busca, también, la articulación con el trabajo producido por la fotógrafa Lee Miller en la Segunda Guerra Mundial que hace un tipo de fotoperiodismo que se puede llamar de “menor”. Este es el sentido fuerte atribuido por Deleuze e Guattari (1997) como se fuera una práctica que se asume como ficción y como constructora de la realidad retratada. A partir, también, de la inspiración “barthesiana” y de las contribuciones teóricas de Foucault, es posible indicar la presencia da fotografía “menor” en el fotoperiodismo contemporáneo.A partir de reflexão sobre a imagem fotográfica no fotojornalismo moderno, busca-se pensar seu papel na contemporaneidade. O trabalho produzido pela fotógrafa Lee Miller na Segunda Guerra, é assunto nesta reflexão. Ela produz um fotojornalismo que pode ser chamado de “menor” – no sentido forte do termo proposto por Deleuze e Guattari (1997), uma prática que se assume como ficção e construtora da realidade retratada. A partir de inspiração Barthesiana e contribuições teóricas de Foucault, buscar-se-á indicar a presença dessa fotografia “menor” no fotojornalismo contemporâneo.ABEC2009-10-26info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfimage/pjpegimage/pjpegimage/pjpegimage/pjpeghttps://www.e-compos.org.br/e-compos/article/view/39310.30962/ec.393E-Compós; Vol. 12 No. 2 (2009)E-Compós; Vol. 12 Núm. 2 (2009)E-Compós; v. 12 n. 2 (2009)1808-2599reponame:E-Compósinstname:Associação Nacional dos Programas de Pós-Graduação em Comunicaçãoinstacron:ANPPCporhttps://www.e-compos.org.br/e-compos/article/view/393/364https://www.e-compos.org.br/e-compos/article/view/393/1139https://www.e-compos.org.br/e-compos/article/view/393/1141https://www.e-compos.org.br/e-compos/article/view/393/1143https://www.e-compos.org.br/e-compos/article/view/393/1145Gonçalves, Sandra Maria Lúcia Pereirainfo:eu-repo/semantics/openAccess2021-06-10T14:05:16Zoai:ojs.www.e-compos.org.br:article/393Revistahttps://www.e-compos.org.br/e-compos/PUBhttps://www.e-compos.org.br/e-compos/oairevistaecompos@gmail.com1808-25991808-2599opendoar:2021-06-10T14:05:16E-Compós - Associação Nacional dos Programas de Pós-Graduação em Comunicaçãofalse
dc.title.none.fl_str_mv For a “minor” photography in contemporary daily photojournalism
Por una fotografía menor en el fotoperiodismo diario contemporáneo
Por uma fotografia “menor” no fotojornalismo diário contemporâneo
title For a “minor” photography in contemporary daily photojournalism
spellingShingle For a “minor” photography in contemporary daily photojournalism
Gonçalves, Sandra Maria Lúcia Pereira
Fotografia
fotojornalismo
fotografia menor
title_short For a “minor” photography in contemporary daily photojournalism
title_full For a “minor” photography in contemporary daily photojournalism
title_fullStr For a “minor” photography in contemporary daily photojournalism
title_full_unstemmed For a “minor” photography in contemporary daily photojournalism
title_sort For a “minor” photography in contemporary daily photojournalism
author Gonçalves, Sandra Maria Lúcia Pereira
author_facet Gonçalves, Sandra Maria Lúcia Pereira
author_role author
dc.contributor.author.fl_str_mv Gonçalves, Sandra Maria Lúcia Pereira
dc.subject.por.fl_str_mv Fotografia
fotojornalismo
fotografia menor
topic Fotografia
fotojornalismo
fotografia menor
description Beginning from the reflection about the photographic image in the modern photojournalism, we seek to think about its role in contemporaneity. The work produced by photographer Lee Miller during the Second World War is the subject of this reflection. She produces some photojournalism that can be called “minor” – in the strongest meaning of the term, as proposed by Deleuze and Guattari (1997), a practice that is taken as fiction and constructer of the portrayed reality. Starting from the Barthesian inspiration and theoretical contributions by Foucault, we will try to point out the presence of this so-called “minor” photography the contemporary photojournalism
publishDate 2009
dc.date.none.fl_str_mv 2009-10-26
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.e-compos.org.br/e-compos/article/view/393
10.30962/ec.393
url https://www.e-compos.org.br/e-compos/article/view/393
identifier_str_mv 10.30962/ec.393
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.e-compos.org.br/e-compos/article/view/393/364
https://www.e-compos.org.br/e-compos/article/view/393/1139
https://www.e-compos.org.br/e-compos/article/view/393/1141
https://www.e-compos.org.br/e-compos/article/view/393/1143
https://www.e-compos.org.br/e-compos/article/view/393/1145
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
image/pjpeg
image/pjpeg
image/pjpeg
image/pjpeg
dc.publisher.none.fl_str_mv ABEC
publisher.none.fl_str_mv ABEC
dc.source.none.fl_str_mv E-Compós; Vol. 12 No. 2 (2009)
E-Compós; Vol. 12 Núm. 2 (2009)
E-Compós; v. 12 n. 2 (2009)
1808-2599
reponame:E-Compós
instname:Associação Nacional dos Programas de Pós-Graduação em Comunicação
instacron:ANPPC
instname_str Associação Nacional dos Programas de Pós-Graduação em Comunicação
instacron_str ANPPC
institution ANPPC
reponame_str E-Compós
collection E-Compós
repository.name.fl_str_mv E-Compós - Associação Nacional dos Programas de Pós-Graduação em Comunicação
repository.mail.fl_str_mv revistaecompos@gmail.com
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