Media uses in the constitution of popular urban cultural communicative circuits

Detalhes bibliográficos
Autor(a) principal: Gushiken, Yuji
Data de Publicação: 2008
Tipo de documento: Artigo
Idioma: por
Título da fonte: E-Compós
Texto Completo: https://www.e-compos.org.br/e-compos/article/view/244
Resumo: In this article, an analysis will be made of the re-invention of the popular urban cultural circuits and the direct mediation of contemporary media practice. Specifically evident was the use of technological communication devices as the means of constituting the contemporary, popular, Brazilian, urban cultures. Based on the documentary 100% Favela, produced in Brazil, there is an emphasis, within social practice, on the self-management of the cultural and communicational processes as a form of re-invention of the means of economic and symbolic existence in a favela (shanty town) in the city of São Paulo. The use of the media devices and the construction of self-dialogue within this outer-city culture requires, these days, new modes of social listening.
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spelling Media uses in the constitution of popular urban cultural communicative circuitsUsos mediáticos en la constitución de circuitos culturales y comunicacionales populares urbanosUsos midiáticos na constituição de circuitos culturais e comunicacionais populares urbanoscomunicaçãoculturausos midiáticosIn this article, an analysis will be made of the re-invention of the popular urban cultural circuits and the direct mediation of contemporary media practice. Specifically evident was the use of technological communication devices as the means of constituting the contemporary, popular, Brazilian, urban cultures. Based on the documentary 100% Favela, produced in Brazil, there is an emphasis, within social practice, on the self-management of the cultural and communicational processes as a form of re-invention of the means of economic and symbolic existence in a favela (shanty town) in the city of São Paulo. The use of the media devices and the construction of self-dialogue within this outer-city culture requires, these days, new modes of social listening.En este artículo se analiza la reinvención de los circuitos culturales populares urbanos en interacción directa con las prácticas comunicativas contemporáneas. Destaque específico para el uso de los dispositivos tecnológicos de la comunicación como modo de constitución de las culturas urbanas brasileñas de la contemporaneidad. Tomando como referencia el documental 100% Fabela, de procedencia nacional, de entre las prácticas sociales, el énfasis recae sobre la autogestión de los procesos comunicativos y culturales como modificadores de los modos de existir económico y simbolicamente en una Fabela de la ciudad de Sao Paulo. El uso de los dispositivos comunicativos y la construcción de la periferia actualmente demandan nuevas formas de escucha social.Neste artigo, analisa-se a reinvenção dos circuitos culturais populares urbanos na mediação direta com as práticas midiáticas contemporâneas. Evidencia-se especificamente o uso dos dispositivos tecnológicos de comunicação como modo de constituição das culturas populares urbanas brasileiras na contemporaneidade. Com base no documentário 100% Favela, produzido no Brasil, enfatiza-se, entre as práticas sociais, a auto-gestão dos processos culturais e comunicacionais como reinvenção dos modos de existência econômica e simbólica numa favela da cidade de São Paulo. O uso dos dispositivos midiáticos e a construção de um discurso de si na cultura da periferia demanda, nos dias hoje, novos modos de escuta social.ABEC2008-12-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.e-compos.org.br/e-compos/article/view/24410.30962/ec.244E-Compós; Vol. 11 No. 1 (2008)E-Compós; Vol. 11 Núm. 1 (2008)E-Compós; v. 11 n. 1 (2008)1808-2599reponame:E-Compósinstname:Associação Nacional dos Programas de Pós-Graduação em Comunicaçãoinstacron:ANPPCporhttps://www.e-compos.org.br/e-compos/article/view/244/263Gushiken, Yujiinfo:eu-repo/semantics/openAccess2019-07-24T05:29:43Zoai:ojs.www.e-compos.org.br:article/244Revistahttps://www.e-compos.org.br/e-compos/PUBhttps://www.e-compos.org.br/e-compos/oairevistaecompos@gmail.com1808-25991808-2599opendoar:2019-07-24T05:29:43E-Compós - Associação Nacional dos Programas de Pós-Graduação em Comunicaçãofalse
dc.title.none.fl_str_mv Media uses in the constitution of popular urban cultural communicative circuits
Usos mediáticos en la constitución de circuitos culturales y comunicacionales populares urbanos
Usos midiáticos na constituição de circuitos culturais e comunicacionais populares urbanos
title Media uses in the constitution of popular urban cultural communicative circuits
spellingShingle Media uses in the constitution of popular urban cultural communicative circuits
Gushiken, Yuji
comunicação
cultura
usos midiáticos
title_short Media uses in the constitution of popular urban cultural communicative circuits
title_full Media uses in the constitution of popular urban cultural communicative circuits
title_fullStr Media uses in the constitution of popular urban cultural communicative circuits
title_full_unstemmed Media uses in the constitution of popular urban cultural communicative circuits
title_sort Media uses in the constitution of popular urban cultural communicative circuits
author Gushiken, Yuji
author_facet Gushiken, Yuji
author_role author
dc.contributor.author.fl_str_mv Gushiken, Yuji
dc.subject.por.fl_str_mv comunicação
cultura
usos midiáticos
topic comunicação
cultura
usos midiáticos
description In this article, an analysis will be made of the re-invention of the popular urban cultural circuits and the direct mediation of contemporary media practice. Specifically evident was the use of technological communication devices as the means of constituting the contemporary, popular, Brazilian, urban cultures. Based on the documentary 100% Favela, produced in Brazil, there is an emphasis, within social practice, on the self-management of the cultural and communicational processes as a form of re-invention of the means of economic and symbolic existence in a favela (shanty town) in the city of São Paulo. The use of the media devices and the construction of self-dialogue within this outer-city culture requires, these days, new modes of social listening.
publishDate 2008
dc.date.none.fl_str_mv 2008-12-10
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.e-compos.org.br/e-compos/article/view/244
10.30962/ec.244
url https://www.e-compos.org.br/e-compos/article/view/244
identifier_str_mv 10.30962/ec.244
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.e-compos.org.br/e-compos/article/view/244/263
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv ABEC
publisher.none.fl_str_mv ABEC
dc.source.none.fl_str_mv E-Compós; Vol. 11 No. 1 (2008)
E-Compós; Vol. 11 Núm. 1 (2008)
E-Compós; v. 11 n. 1 (2008)
1808-2599
reponame:E-Compós
instname:Associação Nacional dos Programas de Pós-Graduação em Comunicação
instacron:ANPPC
instname_str Associação Nacional dos Programas de Pós-Graduação em Comunicação
instacron_str ANPPC
institution ANPPC
reponame_str E-Compós
collection E-Compós
repository.name.fl_str_mv E-Compós - Associação Nacional dos Programas de Pós-Graduação em Comunicação
repository.mail.fl_str_mv revistaecompos@gmail.com
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