From the barbarian invasions to the great beauty: media and utopia, confrontations between aesthetics as politics

Detalhes bibliográficos
Autor(a) principal: Cordeiro Gomes, Renato
Data de Publicação: 2015
Outros Autores: Daudt de Lima Brandão, Ana Paula
Tipo de documento: Artigo
Idioma: por
Título da fonte: E-Compós
Texto Completo: https://www.e-compos.org.br/e-compos/article/view/1226
Resumo: The deadlocks which characterize the contemporary may be related with the loss of sense of utopia, mark of modernity, and affect the aesthetic regime of art and media, and also lead to review the concept of autonomy, another potency of modernity. Motivated by Jacques Rancière’s theories, this paper tries to test the profitability of concepts he worked, to question the relationship between aesthetics and politics, media and (post)utopia, which are dramatized, for example, in the films The barbarian invasions (2003), from Canadian Denys Arcand, and The great beauty (2013), of Italian Paolo Sorrentino.
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spelling From the barbarian invasions to the great beauty: media and utopia, confrontations between aesthetics as politicsDesde las invasiones bárbaras hasta la gran belleza: media y utopía, enfrentamientos entre estética y políticaDas invasões bárbaras à grande beleza: mídia e utopia, embates entre estética e políticaRancière. Estética. Política.The deadlocks which characterize the contemporary may be related with the loss of sense of utopia, mark of modernity, and affect the aesthetic regime of art and media, and also lead to review the concept of autonomy, another potency of modernity. Motivated by Jacques Rancière’s theories, this paper tries to test the profitability of concepts he worked, to question the relationship between aesthetics and politics, media and (post)utopia, which are dramatized, for example, in the films The barbarian invasions (2003), from Canadian Denys Arcand, and The great beauty (2013), of Italian Paolo Sorrentino.Los impasses que caracterizan el contemporáneo pueden estar relacionados con la pérdida del sentido de la utopía, la marca de la modernidad, y afectan al régimen estético del arte y los medios de comunicación, y también conducen a revisar el concepto de autonomía, otra potencia de la modernidad. Motivado por las teorías de Jacques Rancière, el presente ensayo intenta poner a prueba la rentabilidad de conceptos por él formulados para poner en cuestión la relación entre estética y política, media y (post)utopía, que se dramatizan, por ejemplo, en las películas Las invasiones bárbaras (2003), del canadiense Denys Arcand, y La gran belleza (2013), del italiano Paolo Sorrentino.Os impasses que caracterizam o contemporâneo podem ser relacionados com a perda do sentido de utopia, marca da modernidade, e afetam o regime estético da arte e da mídia, e levam também a rever o conceito de autonomia, outra potência da modernidade. Motivado pelas teorizações de Jacques Rancière, este ensaio procura testar a rentabilidade de conceitos por ele trabalhados, para pôr em questão as relações entre estética e política, mídia e (pós)utopia, que são dramatizados, por exemplo, nos filmes As invasões bárbaras (2003), do canadense Denys Arcand, e A grande beleza (2013), do italiano Paolo Sorrentino.ABEC2015-12-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.e-compos.org.br/e-compos/article/view/122610.30962/ec.1226E-Compós; Vol. 18 No. 3 (2015)E-Compós; Vol. 18 Núm. 3 (2015)E-Compós; v. 18 n. 3 (2015)1808-2599reponame:E-Compósinstname:Associação Nacional dos Programas de Pós-Graduação em Comunicaçãoinstacron:ANPPCporhttps://www.e-compos.org.br/e-compos/article/view/1226/853Cordeiro Gomes, RenatoDaudt de Lima Brandão, Ana Paulainfo:eu-repo/semantics/openAccess2021-06-11T12:29:37Zoai:ojs.www.e-compos.org.br:article/1226Revistahttps://www.e-compos.org.br/e-compos/PUBhttps://www.e-compos.org.br/e-compos/oairevistaecompos@gmail.com1808-25991808-2599opendoar:2021-06-11T12:29:37E-Compós - Associação Nacional dos Programas de Pós-Graduação em Comunicaçãofalse
dc.title.none.fl_str_mv From the barbarian invasions to the great beauty: media and utopia, confrontations between aesthetics as politics
Desde las invasiones bárbaras hasta la gran belleza: media y utopía, enfrentamientos entre estética y política
Das invasões bárbaras à grande beleza: mídia e utopia, embates entre estética e política
title From the barbarian invasions to the great beauty: media and utopia, confrontations between aesthetics as politics
spellingShingle From the barbarian invasions to the great beauty: media and utopia, confrontations between aesthetics as politics
Cordeiro Gomes, Renato
Rancière. Estética. Política.
title_short From the barbarian invasions to the great beauty: media and utopia, confrontations between aesthetics as politics
title_full From the barbarian invasions to the great beauty: media and utopia, confrontations between aesthetics as politics
title_fullStr From the barbarian invasions to the great beauty: media and utopia, confrontations between aesthetics as politics
title_full_unstemmed From the barbarian invasions to the great beauty: media and utopia, confrontations between aesthetics as politics
title_sort From the barbarian invasions to the great beauty: media and utopia, confrontations between aesthetics as politics
author Cordeiro Gomes, Renato
author_facet Cordeiro Gomes, Renato
Daudt de Lima Brandão, Ana Paula
author_role author
author2 Daudt de Lima Brandão, Ana Paula
author2_role author
dc.contributor.author.fl_str_mv Cordeiro Gomes, Renato
Daudt de Lima Brandão, Ana Paula
dc.subject.por.fl_str_mv Rancière. Estética. Política.
topic Rancière. Estética. Política.
description The deadlocks which characterize the contemporary may be related with the loss of sense of utopia, mark of modernity, and affect the aesthetic regime of art and media, and also lead to review the concept of autonomy, another potency of modernity. Motivated by Jacques Rancière’s theories, this paper tries to test the profitability of concepts he worked, to question the relationship between aesthetics and politics, media and (post)utopia, which are dramatized, for example, in the films The barbarian invasions (2003), from Canadian Denys Arcand, and The great beauty (2013), of Italian Paolo Sorrentino.
publishDate 2015
dc.date.none.fl_str_mv 2015-12-22
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.e-compos.org.br/e-compos/article/view/1226
10.30962/ec.1226
url https://www.e-compos.org.br/e-compos/article/view/1226
identifier_str_mv 10.30962/ec.1226
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.e-compos.org.br/e-compos/article/view/1226/853
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv ABEC
publisher.none.fl_str_mv ABEC
dc.source.none.fl_str_mv E-Compós; Vol. 18 No. 3 (2015)
E-Compós; Vol. 18 Núm. 3 (2015)
E-Compós; v. 18 n. 3 (2015)
1808-2599
reponame:E-Compós
instname:Associação Nacional dos Programas de Pós-Graduação em Comunicação
instacron:ANPPC
instname_str Associação Nacional dos Programas de Pós-Graduação em Comunicação
instacron_str ANPPC
institution ANPPC
reponame_str E-Compós
collection E-Compós
repository.name.fl_str_mv E-Compós - Associação Nacional dos Programas de Pós-Graduação em Comunicação
repository.mail.fl_str_mv revistaecompos@gmail.com
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