6-7-8 x Periodismo Para Todos: the televised antagonism of Audiovisual Media Law in Argentina

Detalhes bibliográficos
Autor(a) principal: Somma Neto, João
Data de Publicação: 2016
Outros Autores: Dias, Eduardo Covalesky
Tipo de documento: Artigo
Idioma: por
Título da fonte: E-Compós
Texto Completo: https://www.e-compos.org.br/e-compos/article/view/1224
Resumo: The argentinian televisive programs 6-7-8 (TV Pública) and Periodismo Para Todos (Canal Trece) are fundamental to understand the conflict between Kirchner's government and Clarín Group in the context of the Audiovisual Media Law. The article seeks to identify what is common and what is silenced in the actions of agents and structure of the programs. The methodology is the critical reading of audiovisual television narratives (Becker, 2012). It is understood that the audiovisual productions act positioned beside the fields and institutions which are part on the conflict. They use innovative TV languages in the daily political coverage in Argentina on equal scope and structure.
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spelling 6-7-8 x Periodismo Para Todos: the televised antagonism of Audiovisual Media Law in Argentina6-7-8 x Periodismo Para Todos: o antagonismo televisionado da Lei de Meios Audiovisuais da ArgentinatelevisãoLei de Meios AudiovisuaisArgentinaThe argentinian televisive programs 6-7-8 (TV Pública) and Periodismo Para Todos (Canal Trece) are fundamental to understand the conflict between Kirchner's government and Clarín Group in the context of the Audiovisual Media Law. The article seeks to identify what is common and what is silenced in the actions of agents and structure of the programs. The methodology is the critical reading of audiovisual television narratives (Becker, 2012). It is understood that the audiovisual productions act positioned beside the fields and institutions which are part on the conflict. They use innovative TV languages in the daily political coverage in Argentina on equal scope and structure.Os programas televisivos argentinos 6-7-8 (TV Pública) e Periodismo Para Todos (Canal Trece) são peças fundamentais para compreender o conflito entre governo Kirchner e Grupo Clarín no contexto da Lei de Meios Audiovisuais. O artigo busca identificar o que há em comum e o que é silenciado na atuação dos agentes e na estrutura dos programas. A metodologia é a leitura crítica de narrativas televisivas audiovisuais (Becker, 2012). Compreende-se que as produções audiovisuais agem posicionadas ao lado dos campos e instituições aos quais fazem parte no conflito. Utilizam-se de linguagens televisivas inovadoras na cobertura do cotidiano político da Argentina, em igualdade de alcance e estrutura.ABEC2016-04-27info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfimage/jpegimage/jpegimage/jpegimage/jpegimage/jpegimage/jpegimage/jpegimage/jpegimage/jpegimage/jpegimage/jpegimage/jpegimage/jpegimage/jpeghttps://www.e-compos.org.br/e-compos/article/view/122410.30962/ec.1224E-Compós; Vol. 19 No. 1 (2016)E-Compós; Vol. 19 Núm. 1 (2016)E-Compós; v. 19 n. 1 (2016)1808-2599reponame:E-Compósinstname:Associação Nacional dos Programas de Pós-Graduação em Comunicaçãoinstacron:ANPPCporhttps://www.e-compos.org.br/e-compos/article/view/1224/880https://www.e-compos.org.br/e-compos/article/view/1224/1531https://www.e-compos.org.br/e-compos/article/view/1224/1533https://www.e-compos.org.br/e-compos/article/view/1224/1535https://www.e-compos.org.br/e-compos/article/view/1224/1537https://www.e-compos.org.br/e-compos/article/view/1224/1539https://www.e-compos.org.br/e-compos/article/view/1224/1541https://www.e-compos.org.br/e-compos/article/view/1224/1543https://www.e-compos.org.br/e-compos/article/view/1224/1545https://www.e-compos.org.br/e-compos/article/view/1224/1547https://www.e-compos.org.br/e-compos/article/view/1224/1549https://www.e-compos.org.br/e-compos/article/view/1224/1551https://www.e-compos.org.br/e-compos/article/view/1224/1553https://www.e-compos.org.br/e-compos/article/view/1224/1555https://www.e-compos.org.br/e-compos/article/view/1224/1557Somma Neto, JoãoDias, Eduardo Covaleskyinfo:eu-repo/semantics/openAccess2021-06-11T12:23:24Zoai:ojs.www.e-compos.org.br:article/1224Revistahttps://www.e-compos.org.br/e-compos/PUBhttps://www.e-compos.org.br/e-compos/oairevistaecompos@gmail.com1808-25991808-2599opendoar:2021-06-11T12:23:24E-Compós - Associação Nacional dos Programas de Pós-Graduação em Comunicaçãofalse
dc.title.none.fl_str_mv 6-7-8 x Periodismo Para Todos: the televised antagonism of Audiovisual Media Law in Argentina
6-7-8 x Periodismo Para Todos: o antagonismo televisionado da Lei de Meios Audiovisuais da Argentina
title 6-7-8 x Periodismo Para Todos: the televised antagonism of Audiovisual Media Law in Argentina
spellingShingle 6-7-8 x Periodismo Para Todos: the televised antagonism of Audiovisual Media Law in Argentina
Somma Neto, João
televisão
Lei de Meios Audiovisuais
Argentina
title_short 6-7-8 x Periodismo Para Todos: the televised antagonism of Audiovisual Media Law in Argentina
title_full 6-7-8 x Periodismo Para Todos: the televised antagonism of Audiovisual Media Law in Argentina
title_fullStr 6-7-8 x Periodismo Para Todos: the televised antagonism of Audiovisual Media Law in Argentina
title_full_unstemmed 6-7-8 x Periodismo Para Todos: the televised antagonism of Audiovisual Media Law in Argentina
title_sort 6-7-8 x Periodismo Para Todos: the televised antagonism of Audiovisual Media Law in Argentina
author Somma Neto, João
author_facet Somma Neto, João
Dias, Eduardo Covalesky
author_role author
author2 Dias, Eduardo Covalesky
author2_role author
dc.contributor.author.fl_str_mv Somma Neto, João
Dias, Eduardo Covalesky
dc.subject.por.fl_str_mv televisão
Lei de Meios Audiovisuais
Argentina
topic televisão
Lei de Meios Audiovisuais
Argentina
description The argentinian televisive programs 6-7-8 (TV Pública) and Periodismo Para Todos (Canal Trece) are fundamental to understand the conflict between Kirchner's government and Clarín Group in the context of the Audiovisual Media Law. The article seeks to identify what is common and what is silenced in the actions of agents and structure of the programs. The methodology is the critical reading of audiovisual television narratives (Becker, 2012). It is understood that the audiovisual productions act positioned beside the fields and institutions which are part on the conflict. They use innovative TV languages in the daily political coverage in Argentina on equal scope and structure.
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dc.date.none.fl_str_mv 2016-04-27
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dc.identifier.uri.fl_str_mv https://www.e-compos.org.br/e-compos/article/view/1224
10.30962/ec.1224
url https://www.e-compos.org.br/e-compos/article/view/1224
identifier_str_mv 10.30962/ec.1224
dc.language.iso.fl_str_mv por
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dc.relation.none.fl_str_mv https://www.e-compos.org.br/e-compos/article/view/1224/880
https://www.e-compos.org.br/e-compos/article/view/1224/1531
https://www.e-compos.org.br/e-compos/article/view/1224/1533
https://www.e-compos.org.br/e-compos/article/view/1224/1535
https://www.e-compos.org.br/e-compos/article/view/1224/1537
https://www.e-compos.org.br/e-compos/article/view/1224/1539
https://www.e-compos.org.br/e-compos/article/view/1224/1541
https://www.e-compos.org.br/e-compos/article/view/1224/1543
https://www.e-compos.org.br/e-compos/article/view/1224/1545
https://www.e-compos.org.br/e-compos/article/view/1224/1547
https://www.e-compos.org.br/e-compos/article/view/1224/1549
https://www.e-compos.org.br/e-compos/article/view/1224/1551
https://www.e-compos.org.br/e-compos/article/view/1224/1553
https://www.e-compos.org.br/e-compos/article/view/1224/1555
https://www.e-compos.org.br/e-compos/article/view/1224/1557
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eu_rights_str_mv openAccess
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dc.publisher.none.fl_str_mv ABEC
publisher.none.fl_str_mv ABEC
dc.source.none.fl_str_mv E-Compós; Vol. 19 No. 1 (2016)
E-Compós; Vol. 19 Núm. 1 (2016)
E-Compós; v. 19 n. 1 (2016)
1808-2599
reponame:E-Compós
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