"How beautiful was my little village”: the role of popular music genres in the construction of a mythical image of Portugal
Autor(a) principal: | |
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Data de Publicação: | 2009 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | E-Compós |
Texto Completo: | https://www.e-compos.org.br/e-compos/article/view/349 |
Resumo: | This paper aims to investigate how certain popular music genres helped to reinforce a mythical image of Portugal, linked to its condition of touristic destination or oriented to Portuguese communities in other countries, especially in the last ten years of Salazarism (1964-1974) and the following decade. Initially, I try to establish a connection between the symbolic imaginary which has become hegemonic on many representations of Portugal that circulate in Brazilian touristic magazines and newspapers, especially the ones focused on the city of Lisbon. Furthermore, I discuss how our lack of knowledge about Portuguese contemporary music production can be related to the predominance of musical formats usually known as nacional-cançonetismo, which reproduce some stereotypes about Portuguese culture with political and commercial intentions. |
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"How beautiful was my little village”: the role of popular music genres in the construction of a mythical image of Portugal¡Cómo es linda mi aldea!”: el papel de los generos musicales masivos en la construcción de una imagén mítica de Portugal“Como é linda a minha aldeia”: o papel dos gêneros musicais massivos na construção de uma imagem mítica de PortugalRelações Brasil-PortugalMúsica Popular MassivaNacional-cançonetismoEstereótipoSalazarismo.This paper aims to investigate how certain popular music genres helped to reinforce a mythical image of Portugal, linked to its condition of touristic destination or oriented to Portuguese communities in other countries, especially in the last ten years of Salazarism (1964-1974) and the following decade. Initially, I try to establish a connection between the symbolic imaginary which has become hegemonic on many representations of Portugal that circulate in Brazilian touristic magazines and newspapers, especially the ones focused on the city of Lisbon. Furthermore, I discuss how our lack of knowledge about Portuguese contemporary music production can be related to the predominance of musical formats usually known as nacional-cançonetismo, which reproduce some stereotypes about Portuguese culture with political and commercial intentions.El objetivo de este artículo es investigar en qué medida algunos géneros musicales populares masivos y mediáticos actuaran en el sentido de reforzar una determinada imagen mítica de Portugal, asociada a la condición de destino turístico o direccionada a la comunidad emigrante residente en el exterior, sobre todo durante las últimas décadas del Salazarismo (1964-1974) y también a lo largo del decenio posterior. Inicialmente, se buscó establecer una conexión entre el imaginario simbólico consagrado en esta época y las representaciones hegemónicas sobre Portugal que hoy circulan en las revistas y en los cuadernos turísticos, principalmente en aquellos cuyo foco es la capital Lisboa. En un según momento, teniendo en vista nuestro (des)conocimiento de la producción musical portuguesa contemporánea, discuto cómo la predominancia de formatos encuadrados en aquello que se consagró como “nacional-cançonetismo” está íntimamente relacionada a la perpetuación de algunos “recortes” estereotipados sobre Portugal, asociada, casi siempre, a iniciativas de carácter político y mercadológico.O objetivo deste paper é investigar em que medida alguns gêneros musicais populares massivos e midiáticos atuaram no sentido de reforçar uma determinada imagem mítica de Portugal, associada à condição de destino turístico ou direcionada à comunidade migrante residente no exterior, sobretudo durante a última década do Salazarismo (1964-1974) e também ao longo do decênio posterior. Inicialmente, busco estabelecer uma conexão entre o imaginário simbólico consagrado nessa época e as representações hegemônicas sobre Portugal que hoje circulam nas revistas e cadernos de turismo, notadamente naqueles cujo foco é a capital Lisboa. Em um segundo momento, tendo em vista nosso (des)conhecimento da produção musical portuguesa contemporânea, discuto como a predominância de formatos enquadrados naquilo que se consagrou como nacional-cançonetismo está intimamente relacionada à perpetuação de alguns “recortes” estereotipizantes sobre Portugal, associada, quase sempre, a iniciativas de caráter político e mercadológico.ABEC2009-06-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.e-compos.org.br/e-compos/article/view/34910.30962/ec.349E-Compós; Vol. 12 No. 1 (2009)E-Compós; Vol. 12 Núm. 1 (2009)E-Compós; v. 12 n. 1 (2009)1808-2599reponame:E-Compósinstname:Associação Nacional dos Programas de Pós-Graduação em Comunicaçãoinstacron:ANPPCporhttps://www.e-compos.org.br/e-compos/article/view/349/319Monteiro, Tiago José Lemosinfo:eu-repo/semantics/openAccess2021-06-10T14:13:26Zoai:ojs.www.e-compos.org.br:article/349Revistahttps://www.e-compos.org.br/e-compos/PUBhttps://www.e-compos.org.br/e-compos/oairevistaecompos@gmail.com1808-25991808-2599opendoar:2021-06-10T14:13:26E-Compós - Associação Nacional dos Programas de Pós-Graduação em Comunicaçãofalse |
dc.title.none.fl_str_mv |
"How beautiful was my little village”: the role of popular music genres in the construction of a mythical image of Portugal ¡Cómo es linda mi aldea!”: el papel de los generos musicales masivos en la construcción de una imagén mítica de Portugal “Como é linda a minha aldeia”: o papel dos gêneros musicais massivos na construção de uma imagem mítica de Portugal |
title |
"How beautiful was my little village”: the role of popular music genres in the construction of a mythical image of Portugal |
spellingShingle |
"How beautiful was my little village”: the role of popular music genres in the construction of a mythical image of Portugal Monteiro, Tiago José Lemos Relações Brasil-Portugal Música Popular Massiva Nacional-cançonetismo Estereótipo Salazarismo. |
title_short |
"How beautiful was my little village”: the role of popular music genres in the construction of a mythical image of Portugal |
title_full |
"How beautiful was my little village”: the role of popular music genres in the construction of a mythical image of Portugal |
title_fullStr |
"How beautiful was my little village”: the role of popular music genres in the construction of a mythical image of Portugal |
title_full_unstemmed |
"How beautiful was my little village”: the role of popular music genres in the construction of a mythical image of Portugal |
title_sort |
"How beautiful was my little village”: the role of popular music genres in the construction of a mythical image of Portugal |
author |
Monteiro, Tiago José Lemos |
author_facet |
Monteiro, Tiago José Lemos |
author_role |
author |
dc.contributor.author.fl_str_mv |
Monteiro, Tiago José Lemos |
dc.subject.por.fl_str_mv |
Relações Brasil-Portugal Música Popular Massiva Nacional-cançonetismo Estereótipo Salazarismo. |
topic |
Relações Brasil-Portugal Música Popular Massiva Nacional-cançonetismo Estereótipo Salazarismo. |
description |
This paper aims to investigate how certain popular music genres helped to reinforce a mythical image of Portugal, linked to its condition of touristic destination or oriented to Portuguese communities in other countries, especially in the last ten years of Salazarism (1964-1974) and the following decade. Initially, I try to establish a connection between the symbolic imaginary which has become hegemonic on many representations of Portugal that circulate in Brazilian touristic magazines and newspapers, especially the ones focused on the city of Lisbon. Furthermore, I discuss how our lack of knowledge about Portuguese contemporary music production can be related to the predominance of musical formats usually known as nacional-cançonetismo, which reproduce some stereotypes about Portuguese culture with political and commercial intentions. |
publishDate |
2009 |
dc.date.none.fl_str_mv |
2009-06-22 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.e-compos.org.br/e-compos/article/view/349 10.30962/ec.349 |
url |
https://www.e-compos.org.br/e-compos/article/view/349 |
identifier_str_mv |
10.30962/ec.349 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.e-compos.org.br/e-compos/article/view/349/319 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
ABEC |
publisher.none.fl_str_mv |
ABEC |
dc.source.none.fl_str_mv |
E-Compós; Vol. 12 No. 1 (2009) E-Compós; Vol. 12 Núm. 1 (2009) E-Compós; v. 12 n. 1 (2009) 1808-2599 reponame:E-Compós instname:Associação Nacional dos Programas de Pós-Graduação em Comunicação instacron:ANPPC |
instname_str |
Associação Nacional dos Programas de Pós-Graduação em Comunicação |
instacron_str |
ANPPC |
institution |
ANPPC |
reponame_str |
E-Compós |
collection |
E-Compós |
repository.name.fl_str_mv |
E-Compós - Associação Nacional dos Programas de Pós-Graduação em Comunicação |
repository.mail.fl_str_mv |
revistaecompos@gmail.com |
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1798045732616273920 |