"How beautiful was my little village”: the role of popular music genres in the construction of a mythical image of Portugal

Detalhes bibliográficos
Autor(a) principal: Monteiro, Tiago José Lemos
Data de Publicação: 2009
Tipo de documento: Artigo
Idioma: por
Título da fonte: E-Compós
Texto Completo: https://www.e-compos.org.br/e-compos/article/view/349
Resumo: This paper aims to investigate how certain popular music genres helped to reinforce a mythical image of Portugal, linked to its condition of touristic destination or oriented to Portuguese communities in other countries, especially in the last ten years of Salazarism (1964-1974) and the following decade. Initially, I try to establish a connection between the symbolic imaginary which has become hegemonic on many representations of Portugal that circulate in Brazilian touristic magazines and newspapers, especially the ones focused on the city of Lisbon. Furthermore, I discuss how our lack of knowledge about Portuguese contemporary music production can be related to the predominance of musical formats usually known as nacional-cançonetismo, which reproduce some stereotypes about Portuguese culture with political and commercial intentions.
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spelling "How beautiful was my little village”: the role of popular music genres in the construction of a mythical image of Portugal¡Cómo es linda mi aldea!”: el papel de los generos musicales masivos en la construcción de una imagén mítica de Portugal“Como é linda a minha aldeia”: o papel dos gêneros musicais massivos na construção de uma imagem mítica de PortugalRelações Brasil-PortugalMúsica Popular MassivaNacional-cançonetismoEstereótipoSalazarismo.This paper aims to investigate how certain popular music genres helped to reinforce a mythical image of Portugal, linked to its condition of touristic destination or oriented to Portuguese communities in other countries, especially in the last ten years of Salazarism (1964-1974) and the following decade. Initially, I try to establish a connection between the symbolic imaginary which has become hegemonic on many representations of Portugal that circulate in Brazilian touristic magazines and newspapers, especially the ones focused on the city of Lisbon. Furthermore, I discuss how our lack of knowledge about Portuguese contemporary music production can be related to the predominance of musical formats usually known as nacional-cançonetismo, which reproduce some stereotypes about Portuguese culture with political and commercial intentions.El objetivo de este artículo es investigar en qué medida algunos géneros musicales populares masivos y mediáticos actuaran en el sentido de reforzar una determinada imagen mítica de Portugal, asociada a la condición de destino turístico o direccionada a la comunidad emigrante residente en el exterior, sobre todo durante las últimas décadas del Salazarismo (1964-1974) y también a lo largo del decenio posterior. Inicialmente, se buscó establecer una conexión entre el imaginario simbólico consagrado en esta época y las representaciones hegemónicas sobre Portugal que hoy circulan en las revistas y en los cuadernos turísticos, principalmente en aquellos cuyo foco es la capital Lisboa. En un según momento, teniendo en vista nuestro (des)conocimiento de la producción musical portuguesa contemporánea, discuto cómo la predominancia de formatos encuadrados en aquello que se consagró como “nacional-cançonetismo” está íntimamente relacionada a la perpetuación de algunos “recortes” estereotipados sobre Portugal, asociada, casi siempre, a iniciativas de carácter político y mercadológico.O objetivo deste paper é investigar em que medida alguns gêneros musicais populares massivos e midiáticos atuaram no sentido de reforçar uma determinada imagem mítica de Portugal, associada à condição de destino turístico ou direcionada à comunidade migrante residente no exterior, sobretudo durante a última década do Salazarismo (1964-1974) e também ao longo do decênio posterior. Inicialmente, busco estabelecer uma conexão entre o imaginário simbólico consagrado nessa época e as representações hegemônicas sobre Portugal que hoje circulam nas revistas e cadernos de turismo, notadamente naqueles cujo foco é a capital Lisboa. Em um segundo momento, tendo em vista nosso (des)conhecimento da produção musical portuguesa contemporânea, discuto como a predominância de formatos enquadrados naquilo que se consagrou como nacional-cançonetismo está intimamente relacionada à perpetuação de alguns “recortes” estereotipizantes sobre Portugal, associada, quase sempre, a iniciativas de caráter político e mercadológico.ABEC2009-06-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.e-compos.org.br/e-compos/article/view/34910.30962/ec.349E-Compós; Vol. 12 No. 1 (2009)E-Compós; Vol. 12 Núm. 1 (2009)E-Compós; v. 12 n. 1 (2009)1808-2599reponame:E-Compósinstname:Associação Nacional dos Programas de Pós-Graduação em Comunicaçãoinstacron:ANPPCporhttps://www.e-compos.org.br/e-compos/article/view/349/319Monteiro, Tiago José Lemosinfo:eu-repo/semantics/openAccess2021-06-10T14:13:26Zoai:ojs.www.e-compos.org.br:article/349Revistahttps://www.e-compos.org.br/e-compos/PUBhttps://www.e-compos.org.br/e-compos/oairevistaecompos@gmail.com1808-25991808-2599opendoar:2021-06-10T14:13:26E-Compós - Associação Nacional dos Programas de Pós-Graduação em Comunicaçãofalse
dc.title.none.fl_str_mv "How beautiful was my little village”: the role of popular music genres in the construction of a mythical image of Portugal
¡Cómo es linda mi aldea!”: el papel de los generos musicales masivos en la construcción de una imagén mítica de Portugal
“Como é linda a minha aldeia”: o papel dos gêneros musicais massivos na construção de uma imagem mítica de Portugal
title "How beautiful was my little village”: the role of popular music genres in the construction of a mythical image of Portugal
spellingShingle "How beautiful was my little village”: the role of popular music genres in the construction of a mythical image of Portugal
Monteiro, Tiago José Lemos
Relações Brasil-Portugal
Música Popular Massiva
Nacional-cançonetismo
Estereótipo
Salazarismo.
title_short "How beautiful was my little village”: the role of popular music genres in the construction of a mythical image of Portugal
title_full "How beautiful was my little village”: the role of popular music genres in the construction of a mythical image of Portugal
title_fullStr "How beautiful was my little village”: the role of popular music genres in the construction of a mythical image of Portugal
title_full_unstemmed "How beautiful was my little village”: the role of popular music genres in the construction of a mythical image of Portugal
title_sort "How beautiful was my little village”: the role of popular music genres in the construction of a mythical image of Portugal
author Monteiro, Tiago José Lemos
author_facet Monteiro, Tiago José Lemos
author_role author
dc.contributor.author.fl_str_mv Monteiro, Tiago José Lemos
dc.subject.por.fl_str_mv Relações Brasil-Portugal
Música Popular Massiva
Nacional-cançonetismo
Estereótipo
Salazarismo.
topic Relações Brasil-Portugal
Música Popular Massiva
Nacional-cançonetismo
Estereótipo
Salazarismo.
description This paper aims to investigate how certain popular music genres helped to reinforce a mythical image of Portugal, linked to its condition of touristic destination or oriented to Portuguese communities in other countries, especially in the last ten years of Salazarism (1964-1974) and the following decade. Initially, I try to establish a connection between the symbolic imaginary which has become hegemonic on many representations of Portugal that circulate in Brazilian touristic magazines and newspapers, especially the ones focused on the city of Lisbon. Furthermore, I discuss how our lack of knowledge about Portuguese contemporary music production can be related to the predominance of musical formats usually known as nacional-cançonetismo, which reproduce some stereotypes about Portuguese culture with political and commercial intentions.
publishDate 2009
dc.date.none.fl_str_mv 2009-06-22
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.e-compos.org.br/e-compos/article/view/349
10.30962/ec.349
url https://www.e-compos.org.br/e-compos/article/view/349
identifier_str_mv 10.30962/ec.349
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.e-compos.org.br/e-compos/article/view/349/319
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv ABEC
publisher.none.fl_str_mv ABEC
dc.source.none.fl_str_mv E-Compós; Vol. 12 No. 1 (2009)
E-Compós; Vol. 12 Núm. 1 (2009)
E-Compós; v. 12 n. 1 (2009)
1808-2599
reponame:E-Compós
instname:Associação Nacional dos Programas de Pós-Graduação em Comunicação
instacron:ANPPC
instname_str Associação Nacional dos Programas de Pós-Graduação em Comunicação
instacron_str ANPPC
institution ANPPC
reponame_str E-Compós
collection E-Compós
repository.name.fl_str_mv E-Compós - Associação Nacional dos Programas de Pós-Graduação em Comunicação
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