If you like Madonna you will like Britney as well! Or not? Genres, taste and symbolic dispute on musical recommendation systems
Autor(a) principal: | |
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Data de Publicação: | 2009 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | E-Compós |
Texto Completo: | https://www.e-compos.org.br/e-compos/article/view/395 |
Resumo: | The paper aims to discuss the role of musical recommendation systems in digital culture, considering them as a class of mediators to re-monetize the musical experience. Regarding Pierre Bourdieu’s Sociology of Taste (1989;2007) and his discussion on distinction and symbolic capital; and Bruno Latour’s (1992) discussion on delegation and distributed activities, a set of implicated issues considering recommendation system’s classification logics will be considered. So, our main purposes are: a)Discuss the different methodologies employed by recommendation systems to filter data, classify information and to establish patterns to recommend. How do they recommend, what is the best methodology? Which are the criteria and how much does the notion of musical genre affect the filtering organization? b) Discuss the social network and, more specifically, the role of the tags –the labels the users can employ to classify content, aggregating subjective value, taking Last.fm social platform as an example. The premise is that far from a process devoid of ambiguities, tagging supposes a symbolical battlefield demarcated by the actors who fight for authority. And this social practices are crucial to legitimize the system as a whole. |
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If you like Madonna you will like Britney as well! Or not? Genres, taste and symbolic dispute on musical recommendation systemsSi te gusta Madonna, te va a gustar de Britney también ¿o no? Géneros, gustos e disputa simbólica en los sistemas de recomendación musicalSe vc gosta de Madonna também vai gostar de Britney! Ou não? Gêneros, gostos e disputa simbólica nos Sistemas de Recomendação Musicalsistemas de recomendaçãoLast.FMconsumo musicalredes sociaisciberculturaThe paper aims to discuss the role of musical recommendation systems in digital culture, considering them as a class of mediators to re-monetize the musical experience. Regarding Pierre Bourdieu’s Sociology of Taste (1989;2007) and his discussion on distinction and symbolic capital; and Bruno Latour’s (1992) discussion on delegation and distributed activities, a set of implicated issues considering recommendation system’s classification logics will be considered. So, our main purposes are: a)Discuss the different methodologies employed by recommendation systems to filter data, classify information and to establish patterns to recommend. How do they recommend, what is the best methodology? Which are the criteria and how much does the notion of musical genre affect the filtering organization? b) Discuss the social network and, more specifically, the role of the tags –the labels the users can employ to classify content, aggregating subjective value, taking Last.fm social platform as an example. The premise is that far from a process devoid of ambiguities, tagging supposes a symbolical battlefield demarcated by the actors who fight for authority. And this social practices are crucial to legitimize the system as a whole.El trabajo tiene como eje central los sistemas de recomendación musical – “rádios online” que intentan prever los gustos del consumidor de modo a recomendar nuevas canciones de manera personalizada. Partiendo de la idea de que los sistemas de recomendación están involucrados con una cuestión sumamente compleja y mismo central al campo de la música popular-masiva – que es de las prácticas de clasificaciones, selecciones y gustos musicales y de la contienda simbólica al rededor de nociones tales como la de género musical – se intenta comprender la lógica de clasificación de esos sistemas. Así, en la primera parte, el artículo aborda sumariamente la historia de los sistemas de recomendación y las diferentes metodologías utilizadas para realizar la filtraje de información y la construcción de diseños, poniendo en discusión también el papel de las tags elaboradas por usuarios. Para, después, bajo un sucinto análisis de la plataforma social – Last.fm –, discutir aspectos de la experiencia que esos sistemas ofrecen para sus oyentes. Esos sistemas representan un diseño central para las estrategias de legitimación de la música en las redes digitales.O trabalho tem por foco central os sistemas de recomendação musical – “rádios” online que tentam antecipar os gostos do consumidor a fim de recomendar novas músicas de maneira personalizada. Partindo da premissa de que os sistemas de recomendação estão lidando com uma questão extremamente complexa e ao mesmo central ao campo da música popular-massiva – que é a das práticas de classificações, escolhas e gostos musicais e da disputa simbólica em torno de noções tais como a de gênero musical – busca-se entender a lógica de classificação desses sistemas. Assim, na primeira parte, o artigo aborda brevemente a história dos sistemas de recomendação e as diferentes metodologias usadas por eles para filtrarem informação e construírem padrões, discutindo ainda o papel das tags produzidas pelos usuários. Para, a seguir, a partir de uma breve análise da plataforma social Last.fm, discutir aspectos da experiência que esses sistemas oferecem para seus ouvintes. Esses sistemas representam um modelo central para as estratégias de remonetização da música nas redes digitais.ABEC2009-10-26info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.e-compos.org.br/e-compos/article/view/39510.30962/ec.395E-Compós; Vol. 12 No. 2 (2009)E-Compós; Vol. 12 Núm. 2 (2009)E-Compós; v. 12 n. 2 (2009)1808-2599reponame:E-Compósinstname:Associação Nacional dos Programas de Pós-Graduação em Comunicaçãoinstacron:ANPPCporhttps://www.e-compos.org.br/e-compos/article/view/395/360Sá, Simone Pereira deinfo:eu-repo/semantics/openAccess2021-06-10T14:04:53Zoai:ojs.www.e-compos.org.br:article/395Revistahttps://www.e-compos.org.br/e-compos/PUBhttps://www.e-compos.org.br/e-compos/oairevistaecompos@gmail.com1808-25991808-2599opendoar:2021-06-10T14:04:53E-Compós - Associação Nacional dos Programas de Pós-Graduação em Comunicaçãofalse |
dc.title.none.fl_str_mv |
If you like Madonna you will like Britney as well! Or not? Genres, taste and symbolic dispute on musical recommendation systems Si te gusta Madonna, te va a gustar de Britney también ¿o no? Géneros, gustos e disputa simbólica en los sistemas de recomendación musical Se vc gosta de Madonna também vai gostar de Britney! Ou não? Gêneros, gostos e disputa simbólica nos Sistemas de Recomendação Musical |
title |
If you like Madonna you will like Britney as well! Or not? Genres, taste and symbolic dispute on musical recommendation systems |
spellingShingle |
If you like Madonna you will like Britney as well! Or not? Genres, taste and symbolic dispute on musical recommendation systems Sá, Simone Pereira de sistemas de recomendação Last.FM consumo musical redes sociais cibercultura |
title_short |
If you like Madonna you will like Britney as well! Or not? Genres, taste and symbolic dispute on musical recommendation systems |
title_full |
If you like Madonna you will like Britney as well! Or not? Genres, taste and symbolic dispute on musical recommendation systems |
title_fullStr |
If you like Madonna you will like Britney as well! Or not? Genres, taste and symbolic dispute on musical recommendation systems |
title_full_unstemmed |
If you like Madonna you will like Britney as well! Or not? Genres, taste and symbolic dispute on musical recommendation systems |
title_sort |
If you like Madonna you will like Britney as well! Or not? Genres, taste and symbolic dispute on musical recommendation systems |
author |
Sá, Simone Pereira de |
author_facet |
Sá, Simone Pereira de |
author_role |
author |
dc.contributor.author.fl_str_mv |
Sá, Simone Pereira de |
dc.subject.por.fl_str_mv |
sistemas de recomendação Last.FM consumo musical redes sociais cibercultura |
topic |
sistemas de recomendação Last.FM consumo musical redes sociais cibercultura |
description |
The paper aims to discuss the role of musical recommendation systems in digital culture, considering them as a class of mediators to re-monetize the musical experience. Regarding Pierre Bourdieu’s Sociology of Taste (1989;2007) and his discussion on distinction and symbolic capital; and Bruno Latour’s (1992) discussion on delegation and distributed activities, a set of implicated issues considering recommendation system’s classification logics will be considered. So, our main purposes are: a)Discuss the different methodologies employed by recommendation systems to filter data, classify information and to establish patterns to recommend. How do they recommend, what is the best methodology? Which are the criteria and how much does the notion of musical genre affect the filtering organization? b) Discuss the social network and, more specifically, the role of the tags –the labels the users can employ to classify content, aggregating subjective value, taking Last.fm social platform as an example. The premise is that far from a process devoid of ambiguities, tagging supposes a symbolical battlefield demarcated by the actors who fight for authority. And this social practices are crucial to legitimize the system as a whole. |
publishDate |
2009 |
dc.date.none.fl_str_mv |
2009-10-26 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.e-compos.org.br/e-compos/article/view/395 10.30962/ec.395 |
url |
https://www.e-compos.org.br/e-compos/article/view/395 |
identifier_str_mv |
10.30962/ec.395 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.e-compos.org.br/e-compos/article/view/395/360 |
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info:eu-repo/semantics/openAccess |
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openAccess |
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application/pdf |
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ABEC |
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ABEC |
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E-Compós; Vol. 12 No. 2 (2009) E-Compós; Vol. 12 Núm. 2 (2009) E-Compós; v. 12 n. 2 (2009) 1808-2599 reponame:E-Compós instname:Associação Nacional dos Programas de Pós-Graduação em Comunicação instacron:ANPPC |
instname_str |
Associação Nacional dos Programas de Pós-Graduação em Comunicação |
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ANPPC |
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E-Compós |
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E-Compós |
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E-Compós - Associação Nacional dos Programas de Pós-Graduação em Comunicação |
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revistaecompos@gmail.com |
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