The media senses of social order and monstrosity in Dexter

Detalhes bibliográficos
Autor(a) principal: Brasiliense, Danielle Ramos
Data de Publicação: 2010
Tipo de documento: Artigo
Idioma: por
Título da fonte: E-Compós
Texto Completo: https://www.e-compos.org.br/e-compos/article/view/455
Resumo: This paper discusses the TV series Dexter, produced from 2006 by the American company show time to reflect on the construction of the main character, from the production of meaning stigmatized around the concepts of order and that monstrosity permeate the ideals of common sense. In the series, now in its fourth season, Dexter Morgan is a hero different, full of ambiguities and contradictions, acting as a serial killer who kills serial killers. From this unusual approach when it comes to programs gender, we are interested in thinking about the relationship between the construction of this character classification values about good and evil shared by common sense and the forms of representation that they take the world of contemporary media culture.
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spelling The media senses of social order and monstrosity in DexterLos sentidos de orden y los medios de comunicación y el monstruo en DexterOs sentidos midiáticos da ordem e da monstruosidade em DexterDexter. Monstruosidade. Estereótipo. Ordem social. MídiaThis paper discusses the TV series Dexter, produced from 2006 by the American company show time to reflect on the construction of the main character, from the production of meaning stigmatized around the concepts of order and that monstrosity permeate the ideals of common sense. In the series, now in its fourth season, Dexter Morgan is a hero different, full of ambiguities and contradictions, acting as a serial killer who kills serial killers. From this unusual approach when it comes to programs gender, we are interested in thinking about the relationship between the construction of this character classification values about good and evil shared by common sense and the forms of representation that they take the world of contemporary media culture.Este documento analiza la serie de televisión Dexter, producidos a partir de 2006 por el tiempo de la compañía estadounidense muestran a reflexionar sobre la construcción del personaje principal, desde la producción de sentido estigmatizadas en torno a los conceptos de orden y esa monstruosidad impregnar los ideales de sentido común. En la serie, ahora en su cuarto temporada, Dexter Morgan es un héroe diferente, llena de ambigüedades y contradicciones, actuando como un asesino en serie que mata a los asesinos en serie. Desde este enfoque inusual cuando se trata de programas de género, estamos interesados en la reflexión sobre la relación entre la construcción de este los valores de clasificación de caracteres sobre el bien y el mal compartida por el sentido común y las formas de representación que se tener en el mundo de la cultura mediática contemporánea.Neste artigo, abordamos a série televisiva Dexter, produzida desde 2006 pela empresa americana Show Time, para refletirmos sobre a construção do personagem principal, a partir da produção de sentidos estigmatizados em torno dos conceitos de ordem e monstruosidade que permeiam os ideais do senso comum. Na série, atualmente em sua quarta temporada, Dexter Morgan é um herói diferente, repleto de ambigüidades e contradições, atuando como um serial killer que mata serial killers. A partir desta abordagem inusitada no que tange aos programas do gênero, nos interessa pensar a relação entre a construção dessa personagem, os valores classificatórios acerca do bem e do mal partilhados pelo senso comum e as formas de representação que eles assumem no universo da cultura midiática contemporânea.ABEC2010-02-11info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.e-compos.org.br/e-compos/article/view/45510.30962/ec.455E-Compós; Vol. 12 No. 3 (2009)E-Compós; Vol. 12 Núm. 3 (2009)E-Compós; v. 12 n. 3 (2009)1808-2599reponame:E-Compósinstname:Associação Nacional dos Programas de Pós-Graduação em Comunicaçãoinstacron:ANPPCporhttps://www.e-compos.org.br/e-compos/article/view/455/394Brasiliense, Danielle Ramosinfo:eu-repo/semantics/openAccess2021-06-10T13:56:51Zoai:ojs.www.e-compos.org.br:article/455Revistahttps://www.e-compos.org.br/e-compos/PUBhttps://www.e-compos.org.br/e-compos/oairevistaecompos@gmail.com1808-25991808-2599opendoar:2021-06-10T13:56:51E-Compós - Associação Nacional dos Programas de Pós-Graduação em Comunicaçãofalse
dc.title.none.fl_str_mv The media senses of social order and monstrosity in Dexter
Los sentidos de orden y los medios de comunicación y el monstruo en Dexter
Os sentidos midiáticos da ordem e da monstruosidade em Dexter
title The media senses of social order and monstrosity in Dexter
spellingShingle The media senses of social order and monstrosity in Dexter
Brasiliense, Danielle Ramos
Dexter. Monstruosidade. Estereótipo. Ordem social. Mídia
title_short The media senses of social order and monstrosity in Dexter
title_full The media senses of social order and monstrosity in Dexter
title_fullStr The media senses of social order and monstrosity in Dexter
title_full_unstemmed The media senses of social order and monstrosity in Dexter
title_sort The media senses of social order and monstrosity in Dexter
author Brasiliense, Danielle Ramos
author_facet Brasiliense, Danielle Ramos
author_role author
dc.contributor.author.fl_str_mv Brasiliense, Danielle Ramos
dc.subject.por.fl_str_mv Dexter. Monstruosidade. Estereótipo. Ordem social. Mídia
topic Dexter. Monstruosidade. Estereótipo. Ordem social. Mídia
description This paper discusses the TV series Dexter, produced from 2006 by the American company show time to reflect on the construction of the main character, from the production of meaning stigmatized around the concepts of order and that monstrosity permeate the ideals of common sense. In the series, now in its fourth season, Dexter Morgan is a hero different, full of ambiguities and contradictions, acting as a serial killer who kills serial killers. From this unusual approach when it comes to programs gender, we are interested in thinking about the relationship between the construction of this character classification values about good and evil shared by common sense and the forms of representation that they take the world of contemporary media culture.
publishDate 2010
dc.date.none.fl_str_mv 2010-02-11
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.e-compos.org.br/e-compos/article/view/455
10.30962/ec.455
url https://www.e-compos.org.br/e-compos/article/view/455
identifier_str_mv 10.30962/ec.455
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.e-compos.org.br/e-compos/article/view/455/394
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv ABEC
publisher.none.fl_str_mv ABEC
dc.source.none.fl_str_mv E-Compós; Vol. 12 No. 3 (2009)
E-Compós; Vol. 12 Núm. 3 (2009)
E-Compós; v. 12 n. 3 (2009)
1808-2599
reponame:E-Compós
instname:Associação Nacional dos Programas de Pós-Graduação em Comunicação
instacron:ANPPC
instname_str Associação Nacional dos Programas de Pós-Graduação em Comunicação
instacron_str ANPPC
institution ANPPC
reponame_str E-Compós
collection E-Compós
repository.name.fl_str_mv E-Compós - Associação Nacional dos Programas de Pós-Graduação em Comunicação
repository.mail.fl_str_mv revistaecompos@gmail.com
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