The media senses of social order and monstrosity in Dexter
Autor(a) principal: | |
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Data de Publicação: | 2010 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | E-Compós |
Texto Completo: | https://www.e-compos.org.br/e-compos/article/view/455 |
Resumo: | This paper discusses the TV series Dexter, produced from 2006 by the American company show time to reflect on the construction of the main character, from the production of meaning stigmatized around the concepts of order and that monstrosity permeate the ideals of common sense. In the series, now in its fourth season, Dexter Morgan is a hero different, full of ambiguities and contradictions, acting as a serial killer who kills serial killers. From this unusual approach when it comes to programs gender, we are interested in thinking about the relationship between the construction of this character classification values about good and evil shared by common sense and the forms of representation that they take the world of contemporary media culture. |
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The media senses of social order and monstrosity in DexterLos sentidos de orden y los medios de comunicación y el monstruo en DexterOs sentidos midiáticos da ordem e da monstruosidade em DexterDexter. Monstruosidade. Estereótipo. Ordem social. MídiaThis paper discusses the TV series Dexter, produced from 2006 by the American company show time to reflect on the construction of the main character, from the production of meaning stigmatized around the concepts of order and that monstrosity permeate the ideals of common sense. In the series, now in its fourth season, Dexter Morgan is a hero different, full of ambiguities and contradictions, acting as a serial killer who kills serial killers. From this unusual approach when it comes to programs gender, we are interested in thinking about the relationship between the construction of this character classification values about good and evil shared by common sense and the forms of representation that they take the world of contemporary media culture.Este documento analiza la serie de televisión Dexter, producidos a partir de 2006 por el tiempo de la compañía estadounidense muestran a reflexionar sobre la construcción del personaje principal, desde la producción de sentido estigmatizadas en torno a los conceptos de orden y esa monstruosidad impregnar los ideales de sentido común. En la serie, ahora en su cuarto temporada, Dexter Morgan es un héroe diferente, llena de ambigüedades y contradicciones, actuando como un asesino en serie que mata a los asesinos en serie. Desde este enfoque inusual cuando se trata de programas de género, estamos interesados en la reflexión sobre la relación entre la construcción de este los valores de clasificación de caracteres sobre el bien y el mal compartida por el sentido común y las formas de representación que se tener en el mundo de la cultura mediática contemporánea.Neste artigo, abordamos a série televisiva Dexter, produzida desde 2006 pela empresa americana Show Time, para refletirmos sobre a construção do personagem principal, a partir da produção de sentidos estigmatizados em torno dos conceitos de ordem e monstruosidade que permeiam os ideais do senso comum. Na série, atualmente em sua quarta temporada, Dexter Morgan é um herói diferente, repleto de ambigüidades e contradições, atuando como um serial killer que mata serial killers. A partir desta abordagem inusitada no que tange aos programas do gênero, nos interessa pensar a relação entre a construção dessa personagem, os valores classificatórios acerca do bem e do mal partilhados pelo senso comum e as formas de representação que eles assumem no universo da cultura midiática contemporânea.ABEC2010-02-11info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.e-compos.org.br/e-compos/article/view/45510.30962/ec.455E-Compós; Vol. 12 No. 3 (2009)E-Compós; Vol. 12 Núm. 3 (2009)E-Compós; v. 12 n. 3 (2009)1808-2599reponame:E-Compósinstname:Associação Nacional dos Programas de Pós-Graduação em Comunicaçãoinstacron:ANPPCporhttps://www.e-compos.org.br/e-compos/article/view/455/394Brasiliense, Danielle Ramosinfo:eu-repo/semantics/openAccess2021-06-10T13:56:51Zoai:ojs.www.e-compos.org.br:article/455Revistahttps://www.e-compos.org.br/e-compos/PUBhttps://www.e-compos.org.br/e-compos/oairevistaecompos@gmail.com1808-25991808-2599opendoar:2021-06-10T13:56:51E-Compós - Associação Nacional dos Programas de Pós-Graduação em Comunicaçãofalse |
dc.title.none.fl_str_mv |
The media senses of social order and monstrosity in Dexter Los sentidos de orden y los medios de comunicación y el monstruo en Dexter Os sentidos midiáticos da ordem e da monstruosidade em Dexter |
title |
The media senses of social order and monstrosity in Dexter |
spellingShingle |
The media senses of social order and monstrosity in Dexter Brasiliense, Danielle Ramos Dexter. Monstruosidade. Estereótipo. Ordem social. Mídia |
title_short |
The media senses of social order and monstrosity in Dexter |
title_full |
The media senses of social order and monstrosity in Dexter |
title_fullStr |
The media senses of social order and monstrosity in Dexter |
title_full_unstemmed |
The media senses of social order and monstrosity in Dexter |
title_sort |
The media senses of social order and monstrosity in Dexter |
author |
Brasiliense, Danielle Ramos |
author_facet |
Brasiliense, Danielle Ramos |
author_role |
author |
dc.contributor.author.fl_str_mv |
Brasiliense, Danielle Ramos |
dc.subject.por.fl_str_mv |
Dexter. Monstruosidade. Estereótipo. Ordem social. Mídia |
topic |
Dexter. Monstruosidade. Estereótipo. Ordem social. Mídia |
description |
This paper discusses the TV series Dexter, produced from 2006 by the American company show time to reflect on the construction of the main character, from the production of meaning stigmatized around the concepts of order and that monstrosity permeate the ideals of common sense. In the series, now in its fourth season, Dexter Morgan is a hero different, full of ambiguities and contradictions, acting as a serial killer who kills serial killers. From this unusual approach when it comes to programs gender, we are interested in thinking about the relationship between the construction of this character classification values about good and evil shared by common sense and the forms of representation that they take the world of contemporary media culture. |
publishDate |
2010 |
dc.date.none.fl_str_mv |
2010-02-11 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.e-compos.org.br/e-compos/article/view/455 10.30962/ec.455 |
url |
https://www.e-compos.org.br/e-compos/article/view/455 |
identifier_str_mv |
10.30962/ec.455 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.e-compos.org.br/e-compos/article/view/455/394 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
ABEC |
publisher.none.fl_str_mv |
ABEC |
dc.source.none.fl_str_mv |
E-Compós; Vol. 12 No. 3 (2009) E-Compós; Vol. 12 Núm. 3 (2009) E-Compós; v. 12 n. 3 (2009) 1808-2599 reponame:E-Compós instname:Associação Nacional dos Programas de Pós-Graduação em Comunicação instacron:ANPPC |
instname_str |
Associação Nacional dos Programas de Pós-Graduação em Comunicação |
instacron_str |
ANPPC |
institution |
ANPPC |
reponame_str |
E-Compós |
collection |
E-Compós |
repository.name.fl_str_mv |
E-Compós - Associação Nacional dos Programas de Pós-Graduação em Comunicação |
repository.mail.fl_str_mv |
revistaecompos@gmail.com |
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1798045733411094528 |