Communication, economics and music: the role of culture industry in the composition of subjectivities over the twentieth century

Detalhes bibliográficos
Autor(a) principal: Schneider, Marco
Data de Publicação: 2012
Tipo de documento: Artigo
Idioma: por
Título da fonte: E-Compós
Texto Completo: https://www.e-compos.org.br/e-compos/article/view/633
Resumo: The goal of this paper is to propose a critical analysis of the central role played by the increasingly powerful economic determinations of the culture industry throughout the 20th century in the formation of subjectivities and intersubjective practices, with emphasis on the question of musical tastes. It is a historical approach, inspired by the well-known critical theory of Adorno and Horkheimer, that defends its actual relevance but also accuses its limits, comparing it with some Hobsbawn’s reflections on music. It also considers the new horizons recently opened for the world of music by new communication technologies, with caution. Key words Music. Taste. Culture industry.
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spelling Communication, economics and music: the role of culture industry in the composition of subjectivities over the twentieth centuryComunicación, economía y música: el papel de la industria cultural en la composición de las subjetividades a lo largo del siglo XXComunicação, economia e música: o papel da indústria cultural na composição de subjetividades ao longo do século XXMúsica. Gosto. Indústria culturalThe goal of this paper is to propose a critical analysis of the central role played by the increasingly powerful economic determinations of the culture industry throughout the 20th century in the formation of subjectivities and intersubjective practices, with emphasis on the question of musical tastes. It is a historical approach, inspired by the well-known critical theory of Adorno and Horkheimer, that defends its actual relevance but also accuses its limits, comparing it with some Hobsbawn’s reflections on music. It also considers the new horizons recently opened for the world of music by new communication technologies, with caution. Key words Music. Taste. Culture industry.El objetivo de este trabajo consiste en proponer un análisis crítico del papel central de las determinaciones económicas cada vez más poderosas de la industria cultural en todo el siglo 20 en la formación de las subjetividades y de las prácticas intersubjetivas, con énfasis en la cuestión de los gustos musicales. Se trata de un enfoque histórico inspirado en la conocida teoría crítica de Adorno y Horkheimer, abogando su actualidad, sino que acusando a sus límites, comparándola con algunas reflexiones sobre música de Hobsbawm. También se consideraron los horizontes abiertos recientemente para el mundo de la música por las nuevas tecnologías de comunicación, con precaución. Palabras clave: Música. Gusto. Industria cultural.O objetivo deste trabalho é propor uma análise crítica do papel central desempenhado pelas cada vez mais poderosas determinações econômicas da indústria cultural ao longo do século 20 na formação das subjetividades e das práticas intersubjetivas, com ênfase na questão dos gostos musicais. Trata-se de uma abordagem histórica, inspirada na conhecida teoria crítica de Adorno e Horkheimer, que defende a sua atualidade, mas que acusa os seus limites, confrontando-a com algumas reflexões de Hobsbawn sobre música. São também considerados os novos horizontes recentemente abertos para o universo da música pelas novas tecnologias da comunicação, com prudência.ABEC2012-01-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/pdfhttps://www.e-compos.org.br/e-compos/article/view/63310.30962/ec.633E-Compós; Vol. 14 No. 2 (2011)E-Compós; Vol. 14 Núm. 2 (2011)E-Compós; v. 14 n. 2 (2011)1808-2599reponame:E-Compósinstname:Associação Nacional dos Programas de Pós-Graduação em Comunicaçãoinstacron:ANPPCporhttps://www.e-compos.org.br/e-compos/article/view/633/519https://www.e-compos.org.br/e-compos/article/view/633/531Schneider, Marcoinfo:eu-repo/semantics/openAccess2021-06-11T13:25:50Zoai:ojs.www.e-compos.org.br:article/633Revistahttps://www.e-compos.org.br/e-compos/PUBhttps://www.e-compos.org.br/e-compos/oairevistaecompos@gmail.com1808-25991808-2599opendoar:2021-06-11T13:25:50E-Compós - Associação Nacional dos Programas de Pós-Graduação em Comunicaçãofalse
dc.title.none.fl_str_mv Communication, economics and music: the role of culture industry in the composition of subjectivities over the twentieth century
Comunicación, economía y música: el papel de la industria cultural en la composición de las subjetividades a lo largo del siglo XX
Comunicação, economia e música: o papel da indústria cultural na composição de subjetividades ao longo do século XX
title Communication, economics and music: the role of culture industry in the composition of subjectivities over the twentieth century
spellingShingle Communication, economics and music: the role of culture industry in the composition of subjectivities over the twentieth century
Schneider, Marco
Música. Gosto. Indústria cultural
title_short Communication, economics and music: the role of culture industry in the composition of subjectivities over the twentieth century
title_full Communication, economics and music: the role of culture industry in the composition of subjectivities over the twentieth century
title_fullStr Communication, economics and music: the role of culture industry in the composition of subjectivities over the twentieth century
title_full_unstemmed Communication, economics and music: the role of culture industry in the composition of subjectivities over the twentieth century
title_sort Communication, economics and music: the role of culture industry in the composition of subjectivities over the twentieth century
author Schneider, Marco
author_facet Schneider, Marco
author_role author
dc.contributor.author.fl_str_mv Schneider, Marco
dc.subject.por.fl_str_mv Música. Gosto. Indústria cultural
topic Música. Gosto. Indústria cultural
description The goal of this paper is to propose a critical analysis of the central role played by the increasingly powerful economic determinations of the culture industry throughout the 20th century in the formation of subjectivities and intersubjective practices, with emphasis on the question of musical tastes. It is a historical approach, inspired by the well-known critical theory of Adorno and Horkheimer, that defends its actual relevance but also accuses its limits, comparing it with some Hobsbawn’s reflections on music. It also considers the new horizons recently opened for the world of music by new communication technologies, with caution. Key words Music. Taste. Culture industry.
publishDate 2012
dc.date.none.fl_str_mv 2012-01-30
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.e-compos.org.br/e-compos/article/view/633
10.30962/ec.633
url https://www.e-compos.org.br/e-compos/article/view/633
identifier_str_mv 10.30962/ec.633
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.e-compos.org.br/e-compos/article/view/633/519
https://www.e-compos.org.br/e-compos/article/view/633/531
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eu_rights_str_mv openAccess
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application/pdf
dc.publisher.none.fl_str_mv ABEC
publisher.none.fl_str_mv ABEC
dc.source.none.fl_str_mv E-Compós; Vol. 14 No. 2 (2011)
E-Compós; Vol. 14 Núm. 2 (2011)
E-Compós; v. 14 n. 2 (2011)
1808-2599
reponame:E-Compós
instname:Associação Nacional dos Programas de Pós-Graduação em Comunicação
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reponame_str E-Compós
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repository.name.fl_str_mv E-Compós - Associação Nacional dos Programas de Pós-Graduação em Comunicação
repository.mail.fl_str_mv revistaecompos@gmail.com
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